Daily Mail | Washington University to train locusts to 'sniff out explosives' Daily Mail A team of engineers from Washington University in St. Louis hopes to breed 'cyberinsects' tuned to smell out explosives. Wing tattoos will allow researchers to steer the insects remotely. HOW IT WILL WORK. Researchers hope to develop and demonstrate a ... Cyborg locusts being developed to sniff out explosivesITV News Scientist Wants to Engineer Locusts Into Remote-Controlled Bomb DetectorsGizmodo Why is the Navy paying to engineer hordes of tattooed robot locusts?TrustedReviews BBC News -The Stack -Telegraph.co.uk -Engadget all 12 news articles » |
The Guardian | Amazon moves one step closer toward army of warehouse robots The Guardian Kiva robots transport goods at an Amazon Fulfillment Center, ahead of the Christmas rush, in Tracy, California in 2014. Photograph: Noah Berger/Reuters. Sam Thielman in New York. @samthielman. Tuesday 5 July 2016 15.15 EDT Last modified on Tuesday ... Amazon robot competition won by shelf stacking AI that could one day be used in warehousesThe Independent Team Delft Wins Amazon Picking ChallengeIEEE Spectrum Amazon robots close to replacing the rest of warehouse workersExtremeTech The Verge -BBC News -Engadget -Tech News Today all 23 news articles » |
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You don't need animal protein to bulk up: just look at the gorilla, hippo, rhino, and elephant -- all herbivores!
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Read more: Environment, National Monuments, Sierra Club, Public Lands, Stonewall, Green News
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The Islamic holy month of Ramadan is a time of reflection and prayer. Muslims refrain from eating, drinking, smoking, and sex during the daylight hours in order to focus on spirituality, good deeds, and charity. When the sun sets, communities come together for Iftar, the breaking of the fast. Now that the month has come to a close, Eid al-Fitr, or the festival of the breaking of the fast, begins. We looked at Ramadan earlier this month, but there were just so many more great photographs, we're doing it again.
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Sunset over Tottenham
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Oystermouthcastle, castle / swansea / wales / united kingdom
The early castle[edit]
The first castle was founded by William de Londres of Ogmore Castle soon after 1106 following the capture of Gower by the Normans. In 1116 the Welsh of Deheubarth retook the Gower Peninsula and forced William to flee his castle which was put to the torch. The castle was rebuilt soon afterwards, but was probably destroyed again in 1137 when Gower was once more retaken by the princes of Deheubarth. The Londres or London family finally died out in 1215 when Gower was again taken by the Welsh under the leadership of Llywelyn the Great. In 1220 the Welsh were expelled from the peninsula and the government of Henry III of England returned the barony of Gower to John de Braose who rebuilt both Swansea Castle and Oystermouth.
The Horniman's Festival of Brasil is a cocktail of culture, costumes and chaos and carnival spirit is just what we need this British so-called summertime
How could I stop thinking about Britain's misery? There I was, in a sunny south London park on a Sunday afternoon, dully reading political news on my phone, when I was persuaded to put on a cow mask and skirt and join in a carnival. Crisis? What crisis? It was time to parade and dance.
Led by a mirror-shaded policeman riding a hobbyhorse and seduced by trumpeters and drummers, a crowd of dazed Brits embraced a Brazilian festive fever. We became a small part of Rio de Janeiro. As the carnival director told us, the point was not to show off our costumes but to go wild and enjoy ourselves without inhibitions, by dancing to that infectious beat, throwing ourselves to the ground, forming human tunnels. And doing a hokey cokey in which everyone near me shouted “In”'. (Turns out, you can't escape the aftermath of the EU referendum.)
Related: Wild walks, slides and crazy golf: art shows to throw yourself into
Continue reading...From superstar cantors to Streisand and CBGB's roster of rebels, Jews have played an influential part in the rise of popular music. The new exhibition Jukebox, Jewkbox! charts the highs of Yiddish theatre, punk politics and Israeli folk
Coca Cola Zero Sugar has been re-launched in the UK, backed by a £10 million ad campaign, a new name and new design.
Formerly Coke Zero, the renamed drink fits in with other products in the Coke family as part of it's “one brand” strategy, as we found out from vice president of global design at Coca-Cola James Somerville in April. You can read the full story here.
The new Coca Cola Zero Sugar design, which features a red disk was unveiled in April but only rolls out to the UK market now. It carries the strapline “Taste's more like Coke, looks more like Coke”.
The new campaign and the positioning are part of Coca Cola's drive to encourage consumers to cut down the amount of sugar they consume.
Coke Zero's last overhaul was in 2014, which was designed by Bulletproof and positioned around a “Just add Zero” campaign.
The post Coke Zero rebrands as Coca Cola Zero Sugar with message of moderation appeared first on Design Week.
It's been a tough year for charities. According to a report by the Charity Commission, their reputation has collapsed. We're uncomfortable with their aggressive fundraising, we distrust how they spend our money and we have doubts about the difference they make to the causes we support.
Design can't change the way charities behave. But the connections they make with us are what creates trust, so their need to communicate well is greater now than ever.
It's been decades since charities first latched onto the importance of identity so why does the sector still look like a design scrapyard? Why is it awash with clichés and me-too design? What's with all the corny people icons, fake kid's drawings, and vacuous, clipart-like symbols? Why are so many charity identities mind-numbingly ordinary if not downright garbage?
A shortage of half-sensible budgets is one reason. But there's more to it than that. Charities do themselves all sorts of disfavours. They like jumping on bandwagons. They're inclined to imitate rather than embrace ideas that are individual to them. And they want to be loved by everyone, which can make impossible demands on their communications.
What's more, charities can be exasperating to deal with because of their governance and the “democratic” way they're managed. Trustees usually have the final say on a new identity, but they generally know little or nothing about communications so their opinions can be irritatingly subjective.
So here's how to survive in the curious world of charity identity and how to go about conjuring up work that invites people in and makes them want to know more.
Stop peddling snake oil
You know who you are. You use words like differentiation, touchpoints, behaviours and learnings. Time and again, gibberish is passed off as “brand insight” and the upshot is work that's not what it's cracked up to be. Quit trying to bamboozle people and do your job properly. If you expect charities to behave with honesty, integrity and straightforwardness, you should too.
Listen
Listening is the most important thing designers do. Everyone's got stories to tell so listen to trustees, listen to management, listen to staff and listen to volunteers. You only learn things when you listen.
Have an opinion
In the creativity game, you're not a player unless you've got an opinion. Be single-minded. Don't waste time trying to please everyone. Be crystal-clear about what you need to do and get on with it. One bloody good idea is all it takes.
Trust your intuition
Charities are increasingly risk-averse. Consultation and research are used to lessen the risk of failure rather than boost the chance of success. Design should be about the sheer joy and excitement of doing things that haven't been done before. So if you want your work to be truly unforgettable, you've got to be daring and you've got to trust your intuition it's always right.
Don't take no for an answer
Intelligent, idiosyncratic identities can be hard to sell because they drag people into their discomfort zone. Charities are inclined to resist ideas that rock the boat, so design that's never going to get noticed usually wins the day. Don't let it happen. Gutsy, ballsy, feisty ideas are what charities really need and it's up to you to make sure that's what they get.
Idiosyncratic + ruthless = unforgettable
I've said it before and I'll say it again, this is my formula for an unforgettable identity. It has to be idiosyncratic; that's to say, everything an organisation says and does and the way it looks should be so individual and characteristically ‘them' that they just couldn't be mistaken for any other. It's those idiosyncrasies that need to be uncovered, given form and voice, and ruthlessly protected.
John Spencer is the founder and creative director of Offthetopofmyhead
The post How to rebrand a charity and do it well appeared first on Design Week.
Technology brand Dyson will open its first ever permanent London store this week, which will allow people to try out products first-hand and learn about the science behind them.
The Dyson Demo is based on Oxford Street, and showcases the company's portfolio of products including its regular, cordless and autonomous vacuum cleaners, purifier fans, LED lighting and the recently launched Supersonic hairdryer.
Dyson Demo has been designed by Dyson in partnership with WilkinsonEyre, the architectural practice which also recreated the brand's headquarters and factory in Malmesbury, Wiltshire in a £250 million project in 2014.
The space is spread over two floors the ground floor features white plinths presenting the portfolio of products, including the Dyson Pure Cool Link purifier fan, the Dyson 360 Eye robot (robot vacuum cleaner), Supersonic hairdryer, and the Cu-Beam lighting range.
The walls are also adorned with copies of the V8 cord-free vacuum, alongside pots containing different types of dust, food and debris. Visitors are then invited to test the vacuum cleaner on four different floor surfaces, with the dirt of their choice.
A glass staircase designed by WilkinsonEyre leads to the first floor, which includes hair salon stations where visitors can have their hair styled with the Supersonic hairdryer. The area also includes moving, mechanical installations which demonstrate the product testing phase of the hairdryer on real samples of human hair.
Dyson “experts”, who work alongside engineers at the headquarters in Malmesbury, will also be stationed around the store at all times for visitors to speak to about the science behind the products.
Tom Mogridge, a Dyson senior design engineer, says that these “experts” “understand how the engineers think” and have “good insight into the company's products”. “It's really exciting that a product that I've worked on is able to be demonstrated for visitors in store,” he says.
The space also includes digital screens used across walls, which show the products in action.
There are no tills, but visitors are able to buy products in-store once they have spoken to somebody and tested out a product.
Jake Dyson, research, design and development director, and the son of company founder James Dyson, says: “The Dyson Demo encourages people to be hands-on. It's all about showing the inner workings of products it's really important to demonstrate them first hand so people understand the engineering behind them.”
Max Conze, chief executive officer at Dyson, adds that the space will help to educate visitors about the “fundamentally different ways” that Dyson technology works, and will “bring engineering to life”.
The space will also be used for engineering workshops for school children during holidays, hosted by the James Dyson Foundation.
The Dyson Demo concept was originally created in Paris, France in 1999, also designed by WilkinsonEyre. A space was created in Tokyo, Japan last year, and in Jakarta, Indonesia earlier this year. Dyson hopes to roll out more Demo retail spaces worldwide, including in the U.S.
The interactive learning environment concept is similar to that of Apple, which opened a San Francisco learning space earlier this year. The first similar conceptual Apple store was opened in 2001.
The Dyson Demo London retail space is based at 447 Oxford Street, London and opens 6 July.
The post Dyson “brings engineering to life” with new London store appeared first on Design Week.