OrkoLuca posted a photo:
forget the symmetry and let 'em pass...
Fantasmi all'imbrunire
scordatevi la simmetria e lasciateli passare...
Fantômes au crépuscule
oublier la symétrie et laissez-les passer...
Yochai Mossi posted a photo:
Being towed in the late afternoon sun from the BA Maintenance area back to Terminal 5 to operate the late evening service to Tel Aviv
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Merced Sun-Star | After Dallas Shootings, US Police Take Extra Precautions Wall Street Journal Dallas officers ultimately killed Johnson using a bomb-disposal robot jury-rigged with explosives. ... John Bel Edwards at a news conference Friday where the governor called for peace despite grief and anger. ... “We are going to do better in the future.”. Micah X Johnson, the Dallas police shooter, was taken out with a robot delivered bombBlasting News Merced reacts with sadness, anger, fear to violence in DallasMerced Sun-Star all 6,191 news articles » |
TIME | Robot Technology Is Making Beer Brewing Better Now TIME It's been a ride, but the world's wait for useful robot technology is finally over now that it can be used to brew beer. The firm IntelligentX is using an artificial intelligence system through a Facebook chat robot to brew beers based on customer ... Robot brews: How AI could flavor your next beerCNET AI system sifts through drinker feedback to make tastier beerInquirer Robot bar workers could soon be serving artificially intelligent beer… in a computer-simulated world, of courseRobotics and Automation News (press release) (registration) all 25 news articles » |
the product designer's installation draws upon the mundane object used to secure a boats close to land.
The post hisakazu shimizu installs bollard of love on shodoshima island near japan appeared first on designboom | architecture & design magazine.
In the late 50s the Beat movement reached its high point, with Ginsberg, Kerouac and Burroughs sharing rooms in a rundown hotel near the Seine. James Campbell visits a new exhibition at the Pompidou Centre and a pivotal moment in cultural history
If you want to read Jack Kerouac's novel On the Road in its original scroll form this summer, the place to go to is the Beat Generation exhibition at the Centre Pompidou in Paris. It will require more than one visit the 36.6m scroll is exhibited in its entire length across the central room, like the Bayeux Tapestry but while you are there you can also watch Robert Frank's 30-minute film Pull My Daisy (1959), with Kerouac's voiceover, scrutinise the heavily revised typescript of Allen Ginsberg's poem “Howl”, dance to Harry Smith's experimental jazz films and relish the sight of numerous rare publications under glass, such as Gary Snyder's Six Sections from Mountains and Rivers Without End and issues of the magazines Big Table and Kulchur.
Paris has acquired the habit of mounting major exhibitions on literary subjects Jean-Paul Sartre and Boris Vian have been at the Bibliothèque Nationale in recent years, Jean Cocteau and Roland Barthes at the Pompidou but why the Beats, and why now? “The idea is to show these freedoms, which were fought for then, and which are in danger of disappearing”, says Philippe-Alain Michaud who has curated the show with assistance from the poet Jean-Jacques Lebel, translator of several Beat works into French, and Rani Singh of the Getty Research Institute. Michaud isn't disposed to make the case for a revival of interest, since France never paid much attention to Beat writing in the first place. “We wanted to show the multimedia nature of the movement not just writing but painting and film as well and how the idea of travel was central to it.”
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Chinese poster for I AM NOT MADAME BOVARY (Feng Xiaogang, China, 2016)
Designer: unknown
Poster source: Asian Film Strike