Trump demands an apology from Ginsburg, Loretta Lynch under fire, and China loses in Court CainTV o Former U.S. Army Reserve, Micah Johnson gunned down the officers in an ambush last Thursday after expressing anger over recent police killings of black people. o Johnson then was killed by an explosive-laden robot sent in by police. o Johnson, who ... |
The Conversation UK | Why football, not chess, is the true final frontier for robotic artificial intelligence The Conversation UK The RoboCup tournament reached its 20th year in Leipzig this year. Its goal has always been to improve and challenge the capacity of artificial intelligence and robotics, not in the abstract but in the much more challenging form of physical robots that ... |
NDTV | Mr. Robot Season 2 Review NDTV If there's another aspect that continues into Mr. Robot's second year, it is the portrayal of the 99.9 percent vs the uber-rich 0.1, drawn from the anger resulting in the fallout of the 2008-09 global financial crisis. ... After all, the show is at its ... and more » |
Daily Mail | Cattle-herding robots and tractors that pick their own broccoli are heading for the fields Daily Mail Humans have been farming for thousands of years since the first crops were planted and animals began being domesticated during the Mesolithic era. But technology could soon be squeezing us out of our traditional roles as farmers, as robots take to the ... This Cattle-Herding Robot Will Put Dogs Out of JobsGizmodo Cattle-herding 'SwagBot' makes its debut on Australian farmsTelegraph.co.uk SwagBot: The cattle-herding robot that's making waves in AustraliaNewstalk 106-108 fm Mashable -New Scientist all 6 news articles » |
Parent Herald | Artificial Intelligence in Pregnancy Labor & Delivery: Robot Nurse Could One Day Help Moms Give Birth and Assist ... Parent Herald This implies the vital part artificial intelligence can bring to hospital service in the future. Shah notes that for further studies, they are expanding their research to labor units in other hospitals, per CNN Money. Watch the video of the Nao robot ... MIT reveals robot resource nurse trained to learn between good and bad decisionsDaily Mail MIT robot helps nurses schedule tasks on labor floorRobohub MIT robot helps deliver babiesfox2now.com Motherboard -BabyCenter (blog) -International Business Times UK all 22 news articles » |
NBC 5 Dallas-Fort Worth | Obama, Bush Honor 5 Dallas Officers Shot by Man Out for Revenge NBC 5 Dallas-Fort Worth Citizens from across the community react to the past week in Dallas and what it means for our future. (Published Tuesday, July 12, 2016). Thursday's attack ended with the gunman, Micah Xavier Johnson, 25, blown up by a bomb delivered by a police robot ... and more » |
The Verge | Hanging out with Anki's Cozmo, the toy robot putting AI at our fingertips The Verge When playing with Cozmo, Anki's palm-sized artificial intelligence robot, it's easy to forgot all of the engineering and software running behind the scenes. Every action, from Cozmo's audible chirps of victory when it wins a game to its childlike ... Anki introduces tool that allows developers to hack its Cozmo A.I. robotVentureBeat Anki's AI-Powered Toy Robot Is Opening Cozmo Code To Anyone To UseiTech Post AI-Powered Cozmo Robot Gets Easy-To-Use Development KitTop Tech News CNET -YIBADA English all 37 news articles » |
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-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.
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Read more: Human Rights, Inter-American Commission on Human Rights, Latin America, Environment, Belo Monte, International Development, Green News
The question of what it means to be human is now inextricable from the question of who we are to each other. We have riches of knowledge and insight, of tools both tangible and spiritual, to rise to this calling. We watch our technologies becoming more intelligent, and speculate imaginatively about their potential to become conscious. All the while, we have it in us to become wise. Wisdom leavens intelligence, and ennobled consciousness, and advances evolution itself.
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Researchers in Seattle have created a public observatory for studying the visual circuitry in a mouse's brain. Among the attractions: watching 18,000 neurons respond to Orson Welles' Touch of Evil.
Tensions at the tube-traveling startup Hyperloop One have burst into the open with a lawsuit alleging physical threats, financial mismanagement and a sugardaddy chairman leaving a hangman's noose on a cofounder's chair.…
He was the neuroscience whiz-kid who fell from grace in a plagiarism scandal. Now he's back with a new book and his writing is being questioned anew
The most vilified writer of modern times is back, and people are lining up to give him another kicking. Jonah Lehrer's 2012 book Imagine: How Creativity Works was pulled from shelves after it was demonstrated to contain fabricated quotes purportedly from Bob Dylan and WH Auden. He subsequently admitted to plagiarising the work of others in his blogposts, while critics noted apparent plagiarism and disregard for facts throughout his published work. The pop-neuroscience whiz-kid had, it appeared, simply stolen or made a lot of it up.
We are living in an era of post-truth politics, so why not post-truth nonfiction?
Related: Jonah Lehrer and the trouble with facts
Related: So You've Been Publicly Shamed and Is Shame Necessary? review think before you tweet
Continue reading...Pokémon Go mania has firmly taken hold, as players armed with smartphones scour streets, parks, rivers, and mountains to capture creatures in the new augmented reality game. The free application is based on a 20-year old Nintendo Gameboy title in which players collect, train, and then battle Pokémon. The game was adapted to the mobile internet Age by Niantic Labs, the company that developed Ingress, a game that merged mapping capabilities with play. In the few days since it launched, Pokémon Go has been downloaded millions of times and Nintendo shares have soared.
First image shows JunoCam has survived first pass through planet's extreme radiation environment, raising hopes for many more high-resolution pictures
Nasa's Juno spacecraft has sent back its first image since scientists pulled of a nail-biting manoeuvre put it into orbit around Jupiter last week.
A rather fuzzy scene, the picture shows Jupiter part-illuminated by the sun, its giant red spot clearly visible. Also visible, as bright dots in the scene, are three of its four Galilean moons, Io, Europa and Ganymede.
Related: The Juno probe: unearthing Jupiter's past - podcast
Continue reading...I noticed that the obituary of Andrew Gosling (11 July) said he was the one of the first to use the blue screen colour-separation for a TV production. This technology had already been used in the 1972 BBC production of Candide, directed by James MacTaggart and designed by Eileen Diss. Eileen's drawings for the backgrounds, in the style of 18th-century engravings, were exquisite. The downside was that the costumes, designed by Elizabeth Waller, had to be completely devoid of blue.
Vanessa Hopkins
London
• I think the teachers in my 1950s British state primary school would have been surprised to learn that they were teaching “Asian-style” maths that would be raved about in 2016 as revolutionary and groundbreaking (Report, 12 July, theguardian.com).
Elaine Luke
Fairlight, East Sussex
A stunning new image of a nearby star-forming region reveals a wealth of unexpected planets and spurs hope for finding Earth-like worlds
Stars and planets form in clouds of dust and gas called nebulae. One of the nearest is the Orion Nebula. This new image has been taken at infrared wavelengths and sees more deeply into the nebula than ever before.
Peering through the veils of dust and gas, it reveals not just stars but many more planetary mass objects than expected.
The Creative Industries Federation has launched a series of programmes to advise and guide creative businesses following Brexit.
The charity organisation today announced the launch of an International Advisory Council, which aims to encourage UK-based designers and creatives to think more globally.
The programme will look at examples of best practice, policy and innovation in the creative industries from across the world, and will compile these findings into biannual reports, which will initially be available for CIF's members.
The panel was planned prior to the EU referendum result, says CIF, but has started “urgently in the light of the decision to leave”. In a survey prior to the referendum, 96% of CIF members said they wanted to stay in the European Union.
It will be chaired by diplomat Tom Fletcher, who has previously been foreign policy advisor at 10 Downing Street, and will include a mix of UK-based and international “experts” from the creative industries, such as Martin Roth, director at the V&A museum, and Phil Thomas, chief executive at Cannes Lions festival.
One of the main aims of the programme is to highlight the importance of creative subjects in schools and its impact on the political and economic state of the UK, now that there is the possibility of fewer opportunities for international talent sourcing.
Sir John Sorrell, CIF founder, says: “We are a global cultural powerhouse but we need to do much more including in education if we want to stay at the top of the game.”
Alongside the council, the charity has also just begun a series of workshops and events country-wide to discuss the impact of Brexit on the creative industries. It hopes to pool ideas from various individuals and businesses on how to “safeguard” the creative industries and cultural education, says CIF.
The first session took place in London last week, and looked at issues including free trade, EU funding, IP protection and freedom of movement of talent.
There are three more taking place in July in Birmingham, Nottingham and Manchester, then Edinburgh, Swansea, Bristol and Newcastle will follow in the coming months. More locations will be announced at a later date.
Any organisations can apply for a place to attend the events, but CIF members have priority over places. The events are free to attend for CIF members. For more details, contact the Creative Industries Federation.
The post Creative Industries Federation reveals post-Brexit plan appeared first on Design Week.
Following the announcement of Sainsbury's £1.4bn acquisition of the Home Retail Group it has emerged that eBay could become a physical concession within Sainsbury's stores.
While the deal has not yet been rubber stamped an agreement has been reached and has been set out in this prospectus.
The Home Retail Group owns Argos. Sainsbury's says that 1000 new Argos jobs will be created as a result of the deal.
A Sainsbury's spokesman says: “In terms of what happens next we're looking at all channels food and non food and we're looking to bring more concessions in so there'll be many more Argos stores.”
eBay already has a partnership with Argos where sellers can drop off items and buyers can pick them up from a dedicated point in store. Alternatively Argos can deliver these items on behalf of sellers.
Speaking to Marketing Week, eBay's director of EU advertising strategy, product and operations Phuong Nguyen has said that the concessions arrangement in Sainsbury's stores could also extend to eBay.
“The prospects are huge and the merger makes a lot of sense for both groups,” said Nguyen. “It could potentially mean that [eBay pop up stores or a click and collect set-up within Sainsbury's stores], yes.”
Nguyen added: “If there's one clear thing from the strategy with Argos we've learned it is that consumers today want to shop on their terms. We have to be wherever they are, and wherever they want to shop. If that means eBay being more present in locations around the UK then that's where we will be.
“The retailers that will win can offer world class ecommerce and world class physical retail. You can be the best on digital but sometimes a consumer just wants to touch and feel a product that's the power of pop-up locations.”
You can read a full interview with Nguyen on Marketing Week
The post eBay mulls physical presence in Sainsbury's appeared first on Design Week.
An aircraft with seats designed to accommodate the expanding waistlines of passengers will make a demonstration at this year's Farnborough airshow on Sunday.
Canadian company Bombardier's CS100 plane features 47cm wide window and aisle seats, as well as middle seats that are 48cm wide.
This is compared to smaller seat widths for competitor planes such as the Airbus A319 (46cm) or the Boeing 737 (44cm).
However, earlier this year Airbus filed a patent for a seat that adjusts to fit the size of the passenger.
The larger seats are understood to have been designed to help airlines accommodate the increased size of passengers over the past few decades.
Speaking to The Guardian, Ross Mitchell, Bombardier's vice-president of commercial operations says: “We went to airlines and asked them what the appropriate sizes were. They said 18 to 19 inches because it gives people more room in the seat. Airlines were looking to have an option with more comfort.”
The CS100 is part of the C-Series family of 100 to 150 seater, single aisle aeroplanes that place emphasis on cabin design.
They also feature the biggest windows in the single aisle market, large overhead luggage bins other that can accommodate a carry-on bag for each passenger and wide aisles.
The first CS100 airplane is set to enter service with airline SWISS on 15 July, when its first commercial flight will travel from Zurich, Switzerland to Paris-Charles de Gaulle.
SWISS will then go on to gradually replace its Avro RJ100 fleet and some other existing planes with the C Series.
In 2013, Seymourpowell unveiled a concept for a seat, which can morph to accommodate different sized passengers.
The post Bombardier reveals aircraft with wide seats to accommodate larger flyers appeared first on Design Week.
Mies van der Rohe designed the chairs, Rothko created the artwork (then thought better of it) and New York's power brokers did their deals over the salad and swordfish but now the exquisite restaurant's era has passed
There are elegant restaurants and erotic restaurants, restaurants for business and restaurants for pleasure and one that was all of these things, more beautiful than any other. But after six decades, the Four Seasons, as stately as ever in its glass box off Park Avenue, will complete its last service on Saturday. Then the restaurant the place Jackie Kennedy called “the cathedral”, an acme of modernist design outshining any other space in New York will be despoiled. The tables, the furnishings, and even the pots and pans will be flogged off at auction later this month. The season is summer. But for architectural preservationists, students of modern design, and lovers of New York, this is a winter of discontent.
The Four Seasons opened in 1959 at the base of the Seagram Building, Ludwig Mies van der Rohe's city-reshaping black skyscraper on Park Avenue a building that the late critic Herbert Muschamp, with slight but understandable hyperbole, once called the greatest work of architecture of the past thousand years. The architect Philip Johnson was tasked with designing the space, which he paneled in rich burled walnut; delicate window coverings made of aluminum beads made the light appear to dance. Diners sat in nimble, cantilevered chairs of Mies's design; Eero Saarinen kitted out the women's powder room with his well-known tulip chairs; and Ada Louise Huxtable, not yet the doyenne of New York architecture critics, had a hand in everything from the champagne flutes to the bread baskets.
Continue reading...The Government is to plough £30 million into research and development around driverless cars on UK roads.
The money will come from the Government's Intelligent Mobility fund and the competition, which launches next month, is being set up to distribute the cash to independent teams so they can research and develop “innovative, connected autonomous vehicle technologies”.
Back in February £20 million of Government money was awarded to driverless car projects and an additional £19 million has been granted to driverless car projects in Greenwich, Bristol, Milton Keynes and Coventry.
Transport secretary Patrick McLoughlin says that: “Driverless car technology will revolutionise the way we travel and deliver better journeys.
“Our roads are already some of the safest in the world and increasing advanced driver assist and driverless technologies has the potential to help cut the number of accidents further.”
In addition to the latest financial pledge the Government is also announcing a consultation on how automated cars should be used on British roads.
New measures are already being put in place so that automated vehicles can be insured for use on the roads and the Highway Code is being altered so that it considers advanced driver systems that allow cars to change lanes on motorways by themselves and vehicles that can be parked by remote control.
Motorway assist and remote control parking could be on the roads in two to four years, while driverless cars are expected from the mid-2020's onwards.
The post Government pledges £30 million to driverless car competition appeared first on Design Week.
For decades, the Aylesbury estate in south London has been seen as a symbol of the failure of British social housing. But now just as it is being demolished many people are starting to think again
Aysen Dennis loves her flat. Two bedrooms, a neat kitchen-diner, a cosy living room, lots of light, a separate toilet and bathroom, and a much broader hallway than in the poky million-pound Victorian houses that surround her in south London all for £110 a week, plus £30 heating and service charge. Her flat is warm, and no one can see into it. “I feel free in my home,” she told me recently. “I can take off my clothes without worrying about curtains.” She still has the original 1960s kitchen cupboards, miracles of space-saving and clever joinery. South London hipsters would love them.
Dennis is not a hipster. She is 57, single, and has been unemployed for four years. She used to work in a women's refuge. Before that, three decades ago, she came to London from Turkey: a leftwing activist fleeing the aftermath of a military coup, during which she had been shot at and imprisoned, and some of her friends had been killed. After a few uneasy years in squats and shared properties “the husband of my last housemate was a racist” she moved into her flat in the spring of 1993.
Related: Housing estates: if they aren't broken…
Related: Revealed: how developers exploit flawed planning system to minimise affordable housing
Continue reading...The Magista 2 boot has been created by Nike in-house designer Phil Woodman, who says his design is based on the idea of “how the foot might have adapted had its primary purpose been football”.
It is a rework of Nike's Magista boot, focusing more this time on sensation. “We were focused on sensory amplification through feel,” says Woodman. “By delivering a better feel for the ball, players are able to confidently create on the pitch without distraction.”
The boot was recreated in partnership with Nike Sports Research Lab to discover which parts of the foot are most sensitive to touch. These were then compared against which areas on the foot experience high touch when playing football, by looking at slow motion films.
This data was then converted into a heat map on a model of a foot, revealing areas of overlap between high sensation and ball engagement.
The upper part of the shoe was then 3D-printed with peaks and troughs in certain areas, creating a textured effect. The highest peaks have been installed in high contact areas, with the hope of the making the shoe work “as an organic extension of the foot”, says Woodman.
“The texture is podular and cushioned, designed to communicate with a player's sense of touch when the ball comes in contact with it,” he says.
The colours of the heat map were also used in the exterior design of the boot, as Woodman says: “It creates an iconic aesthetic that's unlike anything else on the pitch.”
More padding has been added in place of a tongue and around the collar to provide more protection in “high contact areas”.
The studs underneath the boot have also been rearranged, based on traction patterns that players take, looking at the studs' arrangement as a “complete system”. Studs of different shapes have been incorporated for various purposes, such as half-conical studs for acceleration.
The Magista 2 boot will be available to buy from 24 July via the Nike Football app. Nike is yet to release a price.
The post Nike redesigns football boot to make it more intuitive appeared first on Design Week.
BBC has put out a tender to find a team to design its Annual Report and Accounts (ARA), full financial statements and six related documents.
The ARA and supporting financial documents “are key to demonstrating the BBC's accountability to licence fee payers” and play an important part in showing openness and transparency, according to the BBC.
The chosen consultancy will work with the BBC on its annual report design production, the main purpose of which is to “report publicly on the BBC's performance during the preceding financial year,” the broadcaster says.
Commencing in December, the two-year contract has the potential be extended by an additional two years at the discretion of the broadcasting company.
The contract value is £400,000, which is based on the maximum term of four years. It will run from 12 December 2016 up to 11 December 2020. Applications must be completed by 8 August 2016.
For more information, head here.
Photo: iStock
The post BBC launches £400,000 annual report redesign tender appeared first on Design Week.
So you're a visual artist and you rely on the visual element of your work to sell it and captivate viewers in a single glance. But while art does indeed speak for itself, it only tells part of your story. The other, often-overlooked part is “Who is the person behind the signature scribbled on this amazing piece?”
While it's impossible to pinpoint a tangible career-elevating payoff to telling your story, there are clear benefits. In today's competitive marketplace a good story can say things about your character that your art can't, which can help give you an edge over similar artists being considered for a project. It also allows you to make connections with new audiences who might not understand art the way critics do, but who appreciate your work based on how you make it.
Storytelling might seem like an additional “to-do” that you don't have time or resources for, however, it simply requires using your words and talking about yourself (and likely something you love). As Simon Sinek says, “People don't buy what you do; they buy why you do it.” And it should provide some kind of return on your time investment, as the best kind of storytelling serves as marketing that doesn't feel like traditional marketing at all.
When you communicate your inspiration and efforts behind your pieces, you allow viewers to see your art through your eyes. This gives the viewer something tangible to share with others in conversation something that a two-dimensional piece rarely can do on its own terms. Like any craft, there is a certain rhythm and structure that leads to a successful story. Follow these four guidelines to artfully tell your narrative and ultimately expand your audience reach.
You likely have an “About” profile on your website, but if it's missing an arc it's time to inject it with some life. Stories have a three-part structure with a beginning, middle, and end. The first part opens with an intriguing introduction, the middle develops that detail into the crux of the piece (the main driver of the narrative) and the end leads to how the main character accomplished their objective. Along the way, elements of surprise and eclectic characters keep things interesting. Think about your artistic journey and how you can divide it into three parts.
Start by catching the reader's attention with a strong hook a few lines that focus on what is the most unique thing about you and your artistic evolution. Maybe as a child your grandmother took you to her painting class and that time fostered a love of painting? Maybe there is a moment when someone challenged your dream to become a sculptor and you used that as fuel for your career? Or maybe you have lived all over the world and the different cultures have greatly impacted your design style? The introductory anecdote should be compelling and full of details, so you can build the rest of your story around it by answering how that moment led you to what you create today. Finish the bio by highlighting your biggest career accomplishments. Need an example to get you started? Here is one from French-American artist Gwenn Seemel that we like as a muse.
Now that you've firmed up your bio which you can use anywhere from your website to your pitch deck to your gallery exhibitions consider other ways to share your story, like through your creative process.
Artists have a rep for being territorial about people entering their sacred studios. When their supporters only see the final masterpieces, though, they can't fathom the marathon hours, painstaking process, and level of detail that goes into the artwork. So pull back the curtain and invite the public in by using video clips, photo, and text together. It's easier than it sounds there is probably already a photographer or videographer in your tribe, so commission them to capture various shots of your studio and key stages of creation.
To do this, write out an “objective sheet” detailing the overarching story you want to tell, and the shots that will bring this to life. This could include a shot of your workspace, any production machinery or workspace décor, or action shots, which capture you at the beginning, middle, and end of your process. If you're more comfortable on camera, you could produce a video short.
Just look at what street artist Don Rimx has done with his process shots. He regularly invites the public into his process and recently his video “Friction” caught the attention of corporate audiences who now commission his work. In the time-lapse video, Rimx shows all of the movements it takes him to paint a mural, as well as incorporates outside voices who comment on the work-in-progress. Rimx's act of artistic vulnerability widens the reach of those who can experience his work, and it's paying off.
Do you always find that people are asking you if you have any creative rituals? As mundane as this question might seem to you, an entire book has been written about the daily rituals of artists, and translated into multiple languages! Rituals are fascinating because they're not limited to specific fields or artistic disciplines, so people are inspired to apply what works for artists to their own work. And, frankly, people love hearing the war stories about people making something that makes you real and relatable and it's human nature to respect someone who works hard.
For this, examine how you create. What do you do that's different? Maybe you balance your artistic side with a full-time career elsewhere, so you can only work late at night? Or maybe you go off into the desert to create in a space that is completely free of distraction? Like your bio, be specific on the details. Your objective here is to give your fans something to grasp onto. People likely can't get behind someone who says “I only paint when I feel inspired.” But they can applaud someone who says they go into the studio every morning at 7 a.m. and often has to work for several hours before they find the groove of a project.
People can't get behind someone who says “I only paint when I feel inspired.”
UK-based multi-media artist Kirsty Elson crafts miniature homes, boats, and lighthouses out of driftwood, and draws inspiration from her seaside surroundings. When she collects driftwood at the beach, she either knows immediately what she'll create or the wood sits in her shed for years until she does. In this video, Elson discusses the full cycle of creating her art including how she gets it in the hands of customers around the world.
The idea of a “story” has been with us since the beginning of time, but today what that looks like can range from the traditional body of text to a one-sentence Instagram post. That gives you many channels to explore. If you have a weekly newsletter or blog, those are natural places to begin sharing your processes and routines. If you're still building out your reader list, you can test out the various social media channels to see what drums up interest and feels most natural. You might find that it's easier to share your process shots on a medium like Instagram due to its visual nature, while you can better articulate the finer points of your creative routine through blogging.
If writing is not your forte or you're pressed for time, another way to tell your story is to include brief captions below artwork on your website describing the inspiration/idea behind each piece. A few years ago, my firm was charged with publicizing Strong Families “Mama's Day Our Way” campaign—a national initiative led by Forward Together where more than 20 artists were commissioned to create e-cards for mothers who are often overlooked in the mainstream celebration of Mother's Day. Strong Families wanted to reach both sites that focus on parenting and LGBTQ issues and the mainstream press. To make the campaign about more than the image on the cards, we asked the artists to share why they wanted to be involved in the campaign and what was their inspiration behind their card image.
To tell the story behind his Strong Families image, Chucha Marquez shared the following anecdote: “Chosen family has been a crucial aspect of my existence and survival as a queer person of color in this world. My chosen family has been there for me during times in which I couldn't go to my birth mother or ‘biological' family. I also wanted to celebrate Sylvia Rivera's role as a mother to many struggling queers and trans folks back when she was alive. Her work is still very relevant today and the legacy she left behind remains alive through the lives she has touched. I really wanted to celebrate this in my card.”
By having our artists discuss their works from different perspectives, we were able to capture the attention of a range of publications, including Salon.com, the New York Daily News, Buzzfeed Advocate.com, Jezebel, and PolicyMic, who ran pieces on the campaign and included the artists' quotes in them. During the pitch process, the approach to capture the artists' voices and stories allowed my small, scrappy firm to edge out larger agencies to lead this campaign and resulted in us getting work on future national campaigns.
***
At its core, storytelling is about making an authentic, human connection. When people feel like they're part of your artistic process, and you're willing to share a glimpse into your journey, they'll root for you and support your work. Seemel said it best, “Trying to be an artist helps you to appreciate the tenacity it takes to market yourself successfully as an artist. This might lead you to support the efforts of artists in your life by promoting their art or buying it.”
Storytelling, when done right, will increase your influence and have existing and new audiences talking about your work in a digestible fashion that feels natural, and produce a ripple effect of supporters who want to invest in your art and you.
As David Cameron moves out of 10 Downing Street, Guardian cartoonist Steve Bell looks back at his time drawing him as Tory leader. He looks at the development of his caricature, from transparent jelly fish to rubber man, and recalls Cameron's response to being drawn with a condom over his head
Steve Bell on drawing David Cameron: ‘So many years, so many condoms' video
Natural History Museum, London
From Madagascan moths to clever clams, this show brings the complex story of how and why animals see the world through different eyes vividly to life
Darwin's octopus gazes back at me from its jar, eyes deep and intelligent and sentient at least they would be if this mollusc were not a long-dead specimen preserved in chemicals. This is no distinct species, but the actual pet octopus Charles Darwin kept on board HMS Beagle. The eyes into which I peep once peeped into his.
In fact, there is an eerie sense of reciprocity throughout the Natural History Museum's mind-expanding Colour and Vision show. It makes you aware of your own eyes as you explore this exhibition about seeing in the natural world. There are few visual experiences quite as fascinating and challenging as looking at fossils, those stony images of ancient life, as intricate and subtle as any work of art and sometimes just as abstract. It is hard to make sense of the oldest fossils here: can the blobby shape of Dickinsonia really be life as we know it?
Some jellyfish have efficient eyes while lacking the brain power to process the optical information
All this beauty is desperate stuff: animals evolve colour and vision to gain advantage in the struggle for existence
Continue reading...'ARCHIPLAN' interprets the planimetric language of famous figures like zaha hadid, le corbusier, frank gehry and tadao ando, modeling their schemes as a series of dynamic labyrinths.
The post federico babina dissects famous floor plans as architectural labyrinths appeared first on designboom | architecture & design magazine.
sheets of colorful construction paper are carefully overlapped to form vast circular pools of pigment, descending towards an unseen depth.
The post maud vantours' psychedelic paper landscapes form kaleidoscopic canvasses appeared first on designboom | architecture & design magazine.
domesticated and cultivated only by its own nature, this vast concrete vegetation oscillates between order and chaos.
The post AUJIK warps urban landscapes and architectural bodies into living organisms appeared first on designboom | architecture & design magazine.
stylist anna keville joyce teamed up with photographer agustín nieto to create a sequence of compositions that illustrate a hybrid of emoticons and edibles based on three different countries.
The post quirky food emojis speak to the universal language of edibles + emoticons appeared first on designboom | architecture & design magazine.
the installation captures images of the sky which are then translated into fifty-three shades of blue.
The post martin bricelj baraga's cyanometer installation measures the blueness of the sky appeared first on designboom | architecture & design magazine.
A new exhibition claims Vincent Van Gogh's mental illness hampered his work, rather than drove his singular vision and presents fresh medical evidence about his notorious self-mutilation
Madness terrified Vincent van Gogh, yet he also wondered if it was inseparable from artistic genius. In letters to his brother Theo that prove him one of the great writers as well as artists of the 19th century, he broods more than once on an 1872 painting by Emile Wauters called The Madness of Hugo van der Goes, which shows the 15th-century Flemish painter looking a bit like Stanley Kubrick on an intense day as a victim of mental illness.
Painting, far from a release of his inner demons, was a controlled and steady labour through which he tried to stay sane
In the film Lust for Life he is portrayed as a character tragically unable to control torrents of emotion
Related: Science peers into Van Gogh's Bedroom to shine light on colors of artist's mind
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You wouldn't let your child run up to every stranger you pass. Why would you possibly let your dog do the same?
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An international team of scientists has identified a common phenomenon in galaxies that could explain why huge numbers of them turn into cosmic graveyards. Galaxies begin their existence as lively and colorful spiral galaxies, full of gas and dust, and actively forming bright new stars. However, as galaxies evolve, they quench their star formation and turn into featureless deserts, devoid of fresh new stars, and generally remain as such for the rest of their evolution. But the mechanism that produces this dramatic transformation and keeps galaxies turned off, is one of the biggest unsolved mysteries in galaxy evolution.
Now, thanks to the new large SDSS-IV MaNGA survey of galaxies, a collaborative effort led by the University of Tokyo and involving the University of Oxford has discovered a surprisingly common new phenomenon in galaxies, dubbed "red geysers", that could explain how the process works. Researchers interpret the red geysers as galaxies hosting low-energy supermassive black holes which drive intense interstellar winds. These winds suppress star formation by heating up the ambient gas found in galaxies and preventing it to cool and condense into stars.
Lead author Dr Edmond Cheung, from the University of Tokyo's Kavli Institute for the Physics and Mathematics of the Universe, said: 'Stars form from the gas, but in many galaxies stars were found not to form despite an abundance of gas. It was like having deserts in densely clouded regions. We knew quiescent galaxies needed some way to suppress star formation, and now we think the red geysers phenomenon may represent how typical quiescent galaxies maintain their quiescence.'
'Stars form from the gas, a bit like the drops of rain condense from the water vapour. And in both cases one needs the gas to cool down, for condensation to occur. But we could not understand what was preventing this cooling from happening in many galaxies,' said Co-author Dr Michele Cappellari, from the Department of Physics at Oxford University. 'But when we modeled the motion of the gas in the red geysers, we found that the gas was being pushed away from the galaxy center, and escaping the galaxy gravitational pull.'
'The discovery was made possible by the amazing power of the ongoing MaNGA galaxy survey' said Dr Kevin Bundy, from the University of Tokyo, the overall leader of the collaboration. 'The survey allows us to observe galaxies in three dimensions, by mapping not only how they appear on the sky, but also how their stars and gas move inside them.'
Using a near-dormant distant galaxy named Akira as a prototypical example, the researchers describe how the wind's driving mechanism is likely to originate in Akira's galactic nucleus. The energy input from this nucleus, powered by a supermassive black hole, is capable of producing the wind, which itself contains enough mechanical energy to heat ambient, cooler gas in the galaxy and thus suppress star formation.
The researchers identified an episodic quality to these jets of wind, leading them to the name red geysers (with 'red' colour due to the lack of blue young stars). This phenomenon, discussed in the paper with reference to Akira, appears surprisingly common and could be generally applicable to all quiescent galaxies.
The study made use of optical imaging spectroscopy from the Sloan Digital Sky Survey-IV Mapping Nearby Galaxies at Apache Point Observatory (SDSS-IV MaNGA) program.
Does the image at the top of the page show one galaxy or two ? This question came to light in 1950 when astronomer Art Hoag chanced upon this unusual extragalactic object. On the outside is a ring dominated by bright blue stars, while near the center lies a ball of much redder stars that are likely much older. Between the two is a gap that appears almost completely dark. How Hoag's Object formed remains unknown, although similar objects have now been identified and collectively labeled as a form of ring galaxy. Genesis hypotheses include a galaxy collision billions of years ago and the gravitational effect of a central bar that has since vanished. The above photo taken by the Hubble Space Telescope in July 2001 revealed unprecedented details of Hoag's Object.
The Daily Galaxy via University of Oxford
Image credit: http://asterisk.apod.com/viewtopic.php?t=31821
The European Space Agency's orbiting X-ray observatory, XMM-Newton, has proved the existence of a "gravitational vortex" around a black hole. The discovery, aided by NASA's Nuclear Spectroscopic Telescope Array (NuSTAR) mission, solves a mystery that has eluded astronomers for more than 30 years, and will allow them to map the behavior of matter very close to black holes. It could also open the door to future investigations of Albert Einstein's general relativity.
Matter falling into a black hole heats up as it plunges to its doom. Before it passes into the black hole and is lost from view forever, it can reach millions of degrees. At that temperature it shines X-rays into space.
In the 1980s, pioneering astronomers using early X-ray telescopes discovered that the X-rays coming from stellar-mass black holes in our galaxy flicker. The changes follow a set pattern. When the flickering begins, the dimming and re-brightening can take 10 seconds to complete. As the days, weeks and then months progress, the period shortens until the oscillation takes place 10 times every second. Then, the flickering suddenly stops altogether. The phenomenon was dubbed the Quasi Periodic Oscillation (QPO).
"It was immediately recognized to be something fascinating because it is coming from something very close to a black hole," said Adam Ingram, University of Amsterdam, the Netherlands, who began working to understand QPOs for his doctoral thesis in 2009.
During the 1990s, astronomers had begun to suspect that the QPOs were associated with a gravitational effect predicted by Einstein's general relativity: that a spinning object will create a kind of gravitational vortex.
"It is a bit like twisting a spoon in honey. Imagine that the honey is space and anything embedded in the honey will be "dragged" around by the twisting spoon," explained Ingram. "In reality, this means that anything orbiting a spinning object will have its motion affected." In the case of an inclined orbit, it will "precess."
This means that the whole orbit will change orientation around the central object. The time for the orbit to return to its initial condition is known as a precession cycle.
In 2004, NASA launched Gravity Probe B to measure this so-called Lense-Thirring effect around Earth. After painstaking analysis, scientists confirmed that the spacecraft would turn through a complete precession cycle once every 33 million years.
Around a black hole, however, the effect would be much more noticeable because of the stronger gravitational field. The precession cycle would take just a matter of seconds or less to complete. This is so close to the periods of the QPOs that astronomers began to suspect a link.
Ingram began working on the problem by looking at what happened in the flat disc of matter surrounding a black hole. Known as an accretion disc, it is the place where material gradually spirals inwards towards the black hole. Scientists had already suggested that, close to the black hole, the flat accretion disc puffs up into a hot plasma, in which electrons are stripped from their host atoms. Termed the hot inner flow, it shrinks in size over weeks and months as it is eaten by the black hole. Together with colleagues, Ingram published a paper in 2009 suggesting that the QPO is driven by the Lense-Thirring precession of this hot flow. This is because the smaller the inner flow becomes, the closer to the black hole it would approach and so the faster its Lense-Thirring precession cycle would be. The question was: how to prove it?
"We have spent a lot of time trying to find smoking gun evidence for this behavior," said Ingram.
The answer is that the inner flow is releasing high-energy radiation that strikes the matter in the surrounding accretion disc, making the iron atoms in the disc shine like a fluorescent light tube. The iron releases X-rays of a single wavelength—referred to as "a spectral line."
Because the accretion disc is rotating, the iron line has its wavelength distorted by the Doppler effect. Line emission from the approaching side of the disc is squashed—blue shifted—and line emission from the receding disc material is stretched—red shifted. If the inner flow really is precessing, it will sometimes shine on the approaching disc material and sometimes on the receding material, making the line wobble back and forth over the course of a precession cycle.
Seeing this wobbling is where XMM-Newton came in. Ingram and colleagues from Amsterdam, Cambridge, Southampton and Tokyo applied for a long-duration observation that would allow them to watch the QPO repeatedly. They chose black hole H 1743-322, which was exhibiting a four-second QPO at the time. They watched it for 260,000 seconds with XMM-Newton. They also observed it for 70,000 seconds with NASA's NuSTAR X-ray observatory.
"The high-energy capability of NuSTAR was very important," Ingram said. "NuSTAR confirmed the wobbling of the iron line, and additionally saw a feature in the spectrum called a 'reflection hump' that added evidence for precession."
After a rigorous analysis process of adding all the observational data together, they saw that the iron line was wobbling in accordance with the predictions of general relativity. "We are directly measuring the motion of matter in a strong gravitational field near to a black hole," says Ingram.
This is the first time that the Lense-Thirring effect has been measured in a strong gravitational field. The technique will allow astronomers to map matter in the inner regions of accretion discs around black holes. It also hints at a powerful new tool with which to test general relativity.
Einstein's theory is largely untested in such strong gravitational fields. So if astronomers can understand the physics of the matter that is flowing into the black hole, they can use it to test the predictions of general relativity as never before - but only if the movement of the matter in the accretion disc can be completely understood.
"If you can get to the bottom of the astrophysics, then you can really test the general relativity," says Ingram. A deviation from the predictions of general relativity would be welcomed by a lot of astronomers and physicists. It would be a concrete signal that a deeper theory of gravity exists.
Larger X-ray telescopes in the future could help in the search because they are more powerful and could more efficiently collect X-rays. This would allow astronomers to investigate the QPO phenomenon in more detail. But for now, astronomers can be content with having seen Einstein's gravity at play around a black hole.
"This is a major breakthrough since the study combines information about the timing and energy of X-ray photons to settle the 30-year debate around the origin of QPOs. The photon-collecting capability of XMM-Newton was instrumental in this work," said Norbert Schartel, ESA Project Scientist for XMM-Newton.
The results reported in this article are published in "A quasi-periodic modulation of the iron line centroid energy in the black hole binary H 1743-322", by Adam Ingram and colleagues, to appear in Monthly Notices of the Royal Astronomical Society, 461 (2): 1967-1980
The Daily Galaxy via Monthly Notices of the Royal Astronomical
Image credit: Tomoharu Oka (Keio University)
europeanspaceagency posted a photo:
Credit: ESA-Stephane Corvaja, 2016
NASA Goddard Photo and Video posted a photo:
NASA's Suomi NPP satellite detected thousands of fires burning in central Africa on July 11, 2016. The fires are represented by the multitudes of red dots. Most of the fires burn in grass or cropland. The location, widespread nature, and number of fires suggest that these fires were deliberately set to manage land. Places where traditional plots of open land is not available because the vegetation in the area is dense are the places where "slash and burn" agriculture is practiced most often. These regions include parts of Africa, northern South America, and Southeast Asia, where an abundance of grasslands and rainforests are found.
Although most parts of the world outlaw this type of agriculture due to the fact that the smoke from these (or any) fires is a health hazard, the method of agriculture continues because it is the easiest and lowest cost solution to clearing fields for next year's crops.
The Suomi NPP satellite is a joint mission between NASA, NOAA and the U.S. Department of Defense.
NASA image courtesy Jeff Schmaltz, MODIS Rapid Response Team.
A new study of the early universe reveals how it could have been formed from an older collapsing universe, rather than being brand new. The universe is currently expanding and it is a common theory that this is the result of the ‘Big Bang' the universe bursting into existence from a point of infinitely dense and hot material.
"Our model's ability to give a possible solution to the problem of the Big Bang opens the way to new explanations for the formation of the universe," said Steffen Gielen, a theorectical physicist with the Imperial College of London.
However, physicists have long debated this idea as it means the universe began in a state of complete breakdown of physics as we know it. Instead, some have suggested that the universe has alternated between periods of expansion and contraction, and the current expansion is just one phase of this.
This so-called ‘Big Bounce' idea has been around since 1922, but has been held back by an inability to explain how the universe transitions from a contracting to an expanding state, and vice versa, without leading to an infinite point.
Now, in a new study published today in Physical Review Letters, Dr Steffen Gielen from Imperial College London and Dr Neil Turok, Director of the Perimeter Institute for Theoretical Physics in Canada, have shown how the Big Bounce might be possible.
Cosmological observations suggest that during its very early life, the universe may have looked the same at all scales meaning that the physical laws that that worked for the whole structure of the universe also worked at the scale of the very small, smaller than individual atoms. This phenomenon is known as conformal symmetry.
In today's universe, this is not the case particles smaller than atoms behave very differently to larger matter and the symmetry is broken. Subatomic particle behaviour is governed by what is called quantum mechanics, which produces different rules of physics for the very small.
For example, without quantum mechanics, atoms would not exist. The electrons, as they whizz around the nucleus, would lose energy and collapse into the centre, destroying the atom. However, quantum mechanics prevents this from happening.
In the early universe, as everything was incredibly small, it may have been governed solely by the principles of quantum mechanics, rather than the large-scale physics we also see today.
In the new study, the researchers suggest that the effects of quantum mechanics could prevent the universe from collapsing and destroying itself at end of a period of contraction, known as the Big Crunch. Instead, the universe would transition from a contracting state to an expanding one without collapsing completely.
Dr Gielen said: “Quantum mechanics saves us when things break down. It saves electrons from falling in and destroying atoms, so maybe it could also save the early universe from such violent beginnings and endings as the Big Bang and Big Crunch.”
Using the idea that the universe had conformal symmetry at its beginning, and that this was governed by the rules of quantum mechanics, Dr Gielen and Dr Turok built a mathematical model of how the universe might evolve.
The model contains a few simple ingredients that are most likely to have formed the early universe, such as the fact that it was filled with radiation, with almost no normal matter. With these, the model predicts that the effect of quantum mechanics would allow the universe to spring from a previous universe that was contracting, rather than from a single point of broken physics.
Dr Turok said: “The big surprise in our work is that we could describe the earliest moments of the hot Big Bang quantum mechanically, under very reasonable and minimal assumptions about the matter present in the universe. Under these assumptions, the Big Bang was a ‘bounce', in which contraction reversed to expansion.”
The researchers are now investigating how this simple model can be extended to explain the origin of perturbations to the simple structure of the universe, such as galaxies. “Our model's ability to give a possible solution to the problem of the Big Bang opens the way to new explanations for the formation of the universe,” said Dr Gielen.
'Perfect Quantum Cosmologial Bounce' by S Gielen and N Turok is published in Physical Review Letters.
The Daily Galaxy via Imperial College London
Astronomers discovered a "Water World" planetary system this past April orbiting the star Kepler-62. This five-planet system has two worlds in the habitable zone — the distance from their star at which they receive enough light and warmth that liquid water could theoretically exist on their surfaces. Modeling by researchers at the Harvard-Smithsonian Center for Astrophysics (CfA) suggests that both planets are water worlds, their surfaces completely covered by a global ocean with no land in sight.
“These planets are unlike anything in our solar system. They have endless oceans,” said lead author Lisa Kaltenegger of the Max Planck Institute for Astronomy and the CfA. “There may be life there, but could it be technology-based like ours? Life on these worlds would be under water with no easy access to metals, to electricity, or fire for metallurgy. Nonetheless, these worlds will still be beautiful, blue planets circling an orange star — and maybe life's inventiveness to get to a technology stage will surprise us.”
Kepler-62 is a type K star slightly smaller and cooler than our sun. The two water worlds, designated Kepler-62e and -62f, orbit the star every 122 and 267 days, respectively. They were found by NASA's Kepler spacecraft, which detects planets that transit, or cross the face of, their host star. Measuring a transit tells astronomers the size of the planet relative to its star. The star system is illustrated below (CfA).
Kepler-62e is 60 percent larger than Earth, while Kepler-62f is about 40 percent larger, making both of them “super-Earths.” They are too small for their masses to be measured, but astronomers expect them to be composed of rock and water, without a significant gaseous envelope.
As the warmer of the two worlds, Kepler-62e would have a bit more clouds than Earth, according to computer models. More distant Kepler-62f would need the greenhouse effect from plenty of carbon dioxide to warm it enough to host an ocean. Otherwise, it might become an ice-covered snowball.
“Kepler-62e probably has a very cloudy sky and is warm and humid all the way to the polar regions. Kepler-62f would be cooler, but still potentially life-friendly,” said Harvard astronomer and co-author Dimitar Sasselov.
“The good news is — the two would exhibit distinctly different colors and make our search for signatures of life easier on such planets in the near future,” he added.
The discovery raises the intriguing possibility that some star in our galaxy might be circled by two Earth-like worlds — planets with oceans and continents, where technologically advanced life could develop.
“Imagine looking through a telescope to see another world with life just a few million miles from your own. Or, having the capability to travel between them on a regular basis. I can't think of a more powerful motivation to become a space-faring society,” said Sasselov.
Kaltenegger and Sasselov's research has been accepted for publication in The Astrophysical Journal.
The Daily Galaxy via CfA
Image credit: With thanks to higherdensity.wordpress.com
If the origin of life is common on other worlds, the universe should be a cosmic zoo full of complex multicellular organisms. Dirk Schulze-Makuch, a Washington State University astrobiologist, uses the evolution of Earth life as a model to predict what humans might find living on distant planets and moons.
The results of his work, conducted in collaboration with William Bains, a biochemist working for the Massachusetts Institute of Technology, show that once life originates, the evolution of organisms functionally similar to plants or animals on Earth will naturally follow given enough time and a suitable environment.
"If the origin of life can occur rather easily, a percentage of organisms on other worlds will reach higher levels of animal- or plant-like complexity," Schulze-Makuch said. "On the other hand, if the origin of life is a rare event, then chances are we live in a rather empty universe."
There are physical and chemical limits to how life can evolve, and scientists have determined that many of those requirements have been met on Earth. Therefore, the route Earthly lifeforms took from simple, single-celled organisms to successively more complex entities can give hints of how life might play out elsewhere in the cosmos.
In their study, Schulze-Makuch and Bains first identified the key evolutionary innovations that drove the development of Earth life from microbes to space-faring humans. These include the transition from single cell life to multicellular life, the rise of photosynthesis, the evolution of macroscopic life and the rise of intelligent life.
Then they analyzed whether or not these important evolutionary occurrences happened many times in different organisms or were due to random, isolated events.
They found that most of the critical innovations were "invented" several times. For example, photosynthesis originated independently at four different points in life's history, and multicellularity arose several times in different classes of organisms.
"Given that we have multiple examples of these key evolutionary adaptions occurring along the path from the simplest organism to humans, we must accept that they are not extremely improbable, but that it 'only' takes a long time and the proper conditions for them to arise," Schulze-Makuch said. "Therefore, in any world where life has arisen and sufficient energy flux exists, we are confident that we will find complex, animal-like life."
The one caveat is that the research doesn't address the likelihood of the origin of life occurring elsewhere or of there being aliens with human like intelligence. Earth is the only planet where life is known to exist, and humans are the only known species to have developed technology. So it is impossible to say whether this should be a common occurrence on other worlds, a very rare event or something in between, Schulze-Makuch said.
The work has major implications for the search for life on other worlds. Schulze-Makuch and Bains write that not only should scientists expect to find microbial biosignatures on a planet with life, but also signatures resulting from large and complex, multicellular organisms such as vegetation's red edge, which is the wavelength of light suggesting the existence of plant life.
"In particular, our research is relevant to the selection of tools scientists use in searching for life on planets in other solar systems," Schulze-Makuch said. "On future missions, researchers at NASA, the SETI (search for extraterrestrial intelligence ) Institute and other organizations should consider using instruments that are capable of finding signatures of a global and diverse biosphere on other worlds."
The Daily Galaxy via Washington State University
Astronomers have believed since the 1960s that a galaxy dubbed UGC 1382 was a relatively boring, small elliptical galaxy. Ellipticals are the most common type of galaxy and lack the spiral structure of disks like the Milky Way we call home. Now, using a series of multi-wavelength surveys, astronomers have discovered that it is really a colossal Giant Low Surface Brightness disk galaxy that rivals the champion of this elusive class--a galaxy known as Malin 1. Malin 1 is some 7 times the diameter of the Milky Way.
Giant Low Surface Brightness galaxies are among the most massive and isolated spiral galaxies known. They are very rare and have two components: what is known as a high surface brightness disk galaxy, with an extended low surface brightness disk surrounding it. So why was galaxy UGC1382 so misconstrued before?
Seibert explains: "Although there have been numerous surveys of the now-defunct elliptical since it was first cataloged in the 1960s, the only indication that it may be an unusual system was in 2009 when another survey indicated that there may be a hint of a rotating hydrogen disk, but it was not followed up. UGC 1382 came to our attention while we were looking at star formation in early-type galaxies using NASA's Galaxy Evolution Explorer (GALEX). We saw that in the ultraviolet part of the spectrum spiral arms were visible--something you do not expect to see around elliptical galaxies. Naturally, that finding sent us off on a very different path!"
Further investigation revealed that the hydrogen disk was real and has an enormous width. For comparison, our own Milky Way Galaxy has a width of 30 kiloparsecs (kpc), but UGC1382 is 220 kpc wide-about 7 times as large as the Milky Way. Despite the huge difference in size, the two systems weigh roughly the same. That is, they have very similar amounts of stars and gas.
Lea Hagen the lead author--a graduate student at the Pennsylvania State University and a former Carnegie summer student remarked, "It's unusual and surprising that we would have such a well-studied galaxy and miss its most unique property: a huge set of spiral arms. The fact that the spiral arms and hydrogen gas extend so far compared to most other galaxies makes this an exciting object for understanding the most extreme examples of galaxy evolution."
"A particularly attractive feature of the newly reclassified UGC 1382 is that it is much closer to us than Malin 1, about a quarter of the distance, in fact," remarked Seibert. "That proximity is what allowed us to conduct the multi-wavelength investigation and it will allow us to start to unravel how these extreme systems form and evolve. We know that such objects need to have a low-density environment without other large galaxies nearby that would disturb it, but they also need a supply of small but gas-rich 'dwarf' galaxies to accrete and build the really large diffuse extended disk. Unlike typical galaxy formation, however, the outer blue spiral disk appears to be older than the inner red disk. That is a big clue about how you get oddball giants like this."
Thus far, there have been about a dozen Giant Low Surface Brightness galaxies found, but none more extreme in size than Malin 1, which now has a rival in UGC 1382. The proximity of UGC 1382 will be a boon to revealing other features of such elusive giants in addition to understanding other seemingly normal early galaxies. The increased sensitivity of future telescopes and instruments may yield yet more discoveries of other misclassified galaxies.
The Daily Galaxy via Carnegie Institute for Science
We've got some tasty, tasty news — this week, we're celebrating 100 million dollars pledged to Food projects on Kickstarter. That's $100…
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John Dee Scientist of the Day
John Dee, an English mathematician, alchemist, and all-round proto-polymath, was born July 13, 1527.
Jo Johnson, the Minister of State for Universities and Science, has announced that that he has set up an email account to receive evidence that UK scientists have been discriminated against after Brexit.…
Lawyers for Tupperware, purveyors of the middle class plastic food containers, have written to El Reg denying it has anything to do with that nasty containerisation tech so beloved of the storage world.…
The Adam demo is a real-time-rendered short film created with the Unity engine by our demo team. It runs at 1440p on a GeForce GTX980 and was shown on the booths at our Unite Europe conference.
Alessandro Mendini vibrantly transforms Le Corbusier's Appartement N°50
318
US one sheet for THE LANDLORD (Hal Ashby, USA, 1970)
Designer: unknown
Poster source: Liberator Magazine
THE LANDLORD is playing at The Metrograph in NYC tonight.
Sophie Blanchard performing at the restoration of the monarchy in 1814, with King Louis XVIII.
Image from the Scrapbook of early aeronautica.
Sophie Blanchard was the first professional female aeronaut (traveler in a hot-air balloon, airship or other flying craft) in history. Born March 25, 1778, near La Rochelle, France, Sophie was initiated into ballooning by her husband Jean-Pierre-François Blanchard, who was a pioneer in ballooning. He and his co-aeronaut Dr. John Jeffries were the first to cross the English Channel by balloon in 1785.
Blanchard first took to the sky in 1804 with Jean-Pierre and was immediately fixated with ballooning. Normally shy and nervous, Blanchard became a completely different person in the air where she was transformed into an almost reckless daredevil.
In 1805, Blanchard took her first solo flight and became the first woman to pilot a balloon. Her ballooning career was a mixture of sensational entertainer, aeronautic experimenter, pioneer, and fixture of the royal court.
Blanchard liked aerial stunts and pyrotechnics; during nighttime flights, she shot fireworks from pyrotechnic rigs and dropped fireworks from parachutes. Blanchard's experiments and pioneering aeronautics included long-distance and high-altitude flights and parachuting.
Blanchard's love of ballooning was also her undoing. She died on July 6, 1819, when her hydrogen balloon caught fire and she became entangled in the balloon's netting. Despite her tragic ending, Sophie Blanchard has taken her place in aeronautic history.
Find out more about the early history of aeronautics and its impact on the 19th-century imagination at the Smithsonian Libraries' exhibition website “Fantastic Worlds: Science and Fiction 1780-1910.”
The post Up, Up and Away appeared first on Smithsonian Insider.
Long-jawed orb weaver (Tetragnatha laboriosa) collected in Prince Edward Island National Park, Prince Edward Island, Canada, and photographed at the Centre for Biodiversity Genomics (sample ID: BIOUG18635-E12; specimen record: http://www.boldsystems.org/index.php/Public_RecordView?processid=PEISP027-15; BIN: http://www.boldsystems.org/index.php/Public_BarcodeCluster?clusteruri=BOLD:ACT6519)
Full Text:
This is the jellyfish species Pegea socia. Pegea socia can often be mistaken for a similar species named P. confoederata. Of the two species of Pegea that can be found on the West Coast, P. socia is more likely to be seen north of Central California. It is distinguished from P. confoederata by its gold-colored pigmentation.
Image credit: Woods Hole Oceanographic Institution
Full Text:
Paleontologists have identified distinctive features of primate teeth that allow them to track the evolution of our ape and monkey ancestors, shedding light on a mysterious increase in monkey species that occurred during a period of climate change 8 million years ago. The inherited dental features will also help the researchers track down the genes that control tooth development, assisting scientists intent on regrowing rather than replacing teeth.
Image credit: Leslea Hlusko, UC Berkeley
The European Space Agency has given the makers of the newfangled Synergetic Air-Breathing Rocket Engine (SABRE) €10m (US$11m) so they can afford to fire up the hardware within four years.…
NASA has released the first images captured by the Juno probe.…
5newsonline.com | UAFS Grant Places College Robotics Classes Inside Local High Schools 5newsonline.com FORT SMITH (KFSM) -- The University of Arkansas-Fort Smith announced a nearly $2 million in regional workforce grants that will be used inside of local high schools. "Here at UAFS the RWG, Regional Workforce Grants for us means a robot automation ... |
Crack-of-dawn conference calls, breakfast meetings, or even the fact that the office coffee maker is always turned off by noon are just a few examples of how the work world really is designed for early risers. Night owls, on the other hand, flourish on a different timetable.
This post originally appeared on LearnVest.
Night owls typically ride a wave of energy and alertness from afternoon to well into the night, says Robert Matchock, Ph.D., associate professor of psychology at Penn State Altoona, who researches circadian rhythms in physiology and behavior.
Biological differences between early birds and night owls exist, says Matchock. The hormone melatonin, whose rise makes the body feel less alert, decreases later in the morning for night owls. Night people also have a higher core body temperature in the afternoon, which can be a sign of increased energy at that time, he adds.
http://vitals.lifehacker.com/how-melatonin-…
Most of us aren't extreme early birds or night owls but fall somewhere in the middle of these categories. But the time of day each of us tends to thrive in appears to be partly influenced by genetics. “Morning types wake up relatively early with little ‘sleep inertia,' or grogginess,” he explains. “They have their peak productivity early in the day.” Night types “tend to wake up later in the morning. If they have to get up early, there is generally a more severe sleep inertia,” and they reach higher productivity later in the day.
Unfortunately, you can't redesign the contemporary workday to suit your mole person ways, nor can you rewire the internal clock you were born with. But the good news is that you can still ace your job by doing a little shifting of certain habits and routines. Here's how to tap into your biology—and use a little strategy—to come out on top.
If you're a night owl with a day job, you likely arrive at work before your brain is fully alert, fuzzy about what tasks you need to accomplish. Instead of wasting the morning hours in an unproductive haze, create a morning to-do list the afternoon before, when you're energized and focused, suggests Anita Bruzzese, workplace expert and author of 45 Things You Do That Drive Your Boss Crazy … And How to Avoid Them.
Make it as detailed as possible and prioritize what you need to get done. “Note where you left off, who you need to call, anything you can do to put things in order until your brain clicks on,” Bruzzese says. With a concrete roadmap for your morning, you'll be able to make it through your a.m. lull.
Take a shower, lay out your clothes, pack your briefcase and make your breakfast and lunch the night before the workday. Taking care of these routines can shave an hour off your morning and score you an extra hour of sleep every night. That can lead to dramatic improvements in a.m. reaction time, alertness, mood and productivity, says Matchock.
Though it's not a feasible solution for everyone, you may want to consider moving closer to your workplace, so your commute is only from the bedroom to your home office and you create more opportunity for morning sleep. “I once rented an apartment next door to my office and woke up at 8:30 for a 9 a.m. start time,” says Alexandra Levit, leadership consultant and author of “They Don't Teach Corporate in College. “A commute makes all the difference in terms of how early you actually have to get up.”
Not all job responsibilities require the same amount of brain power, says Levit. Night owls should use the a.m. hours for robotic tasks that don't require a lot of thought—like answering certain emails, bookkeeping, expense reports, looking at blogs or websites you follow, posting on LinkedIn and returning calls. When you get the mundane, but necessary, stuff behind you, you'll be primed to do your most productive work once your body and brain have had a chance to kick into gear.
Pair work that requires you to put your thinking cap on—a crucial report, presentation or brainstorming session with your team—with your peak energy windows. For night owls, that means the late afternoon and evening, but there is flexibility.
“Even scheduling difficult tasks during the late morning hours is better than early morning for night owls,” says Matchock. “I recommend the late morning before lunch or the very late afternoon, since there can be a drop in alertness, body temperature and glucose levels after eating a large meal—what we call the postprandial dip—making the early afternoon tricky.”
From 7 to 9 p.m., many night owls are firing on all cylinders. Take advantage your biology by reserving these hours for heavy-lifting tasks. That means taking work home, true, but it's worth it because you'll be more productive than if you tried to accomplish it at 10 a.m., says Elene Cafasso, founder and president of Enerpace, Inc. Executive Coaching in Chicago.
Dedicating one to two hours in the evening to tackle deep-thinking work tasks from home makes sense for a night owl—but put a limit on how late you'll stay up. “Working after midnight when you have to be in the office by 9 a.m. is counterproductive,” says Matchock, and it leads to sleep deprivation. That increases the threat that you won't be able to function at full throttle in the office the next day.
Since even an extra hour of shuteye can help a night owl function better in the morning, it may be worth it to see if you can change your work hours from 9 to 5 to 10 to 6. “Rather than fighting biology to match occupational time, we can change occupational time to match biology,” says Matchock.
While not all bosses will be understanding, it's not out of line at most workplaces these days to ask for a slightly different schedule to accommodate personal and family needs. “Sometimes folks request adjusted hours to avoid rush hour traffic or to accommodate child care,” says Cafasso. “What really matters is that you explain how this will help you get your work done more efficiently.”
Even better for a night owl is working from home, she says, even if for just a few days a week, so you have no commute and can take 20-minute power naps (research shows they help boost performance, says Matchock). Depending on your office culture, it can be a reasonable request in today's work environment. “As long as somebody knows how to get a hold of you, your boss might be open to occasional work-from-home days,” Cafasso says.
Six Ways Night Owls Can Thrive in a 9-to-5 Work World | LearnVest
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The photograph of Iesha Evans at a Black Lives Matter protest has become an instant classic. Art critic Jonathan Jones assesses the image's impact, while photographer Jonathan Bachman recalls how he captured the shot
A great photograph is a moment liberated from time. If we could see what happened before and after this beautiful stillness and hear the cacophony of yells and arguments that must have filled reality's soundtrack at a protest in Baton Rouge against the taking of black lives, the heroic stand of Iesha L Evans would just be a fragile glimpse of passing courage. It might even be entirely lost in the rush of images and noise. Instead, Reuters photographer Jonathan Bachman was able to preserve a simple human act of quiet bravery and give it an almost religious power.
It is not just that time has frozen but that, in stopping its stream, the camera has revealed a near-supernatural radiance protecting Evans, as if her goodness were a force field. The heavily armoured police officers inevitably look slightly inhuman. They may have good reason to wear such all-covering protective suits and helmets, so soon after a sniper killed five officers who were policing a protest in Dallas but, in their hi-tech riot gear, they unfortunately resemble futuristic insectoid robots, at once prosthetically dehumanised and squatly, massively, menacingly masculine.
Continue reading...TRT World | Is it right to use robots to kill? TRT World It appears he was motivated to commit the murders by anger over police shootings of black men. He was killed by the detonation of a C4 explosive attached to a F5 model tactical robot made by Northrop Grumman's ... Some law enforcement experts believe ... and more » |
Wall Street Journal | Gunmen Targeted Police in Tennessee, Missouri and Georgia, Authorities Say Wall Street Journal After negotiating with Johnson for several hours, Dallas officers killed him using a bomb-disposal robot jury-rigged with explosives. In Valdosta, Ga., authorities said a man called 911 early Friday to report a car break-in, then ... John Bel Edwards ... and more » |
Astroboffins are excited about a newly-discovered dwarf planet, despite not knowing what it looks like.…
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"It's bad biology to argue against the existence of animal emotions ... Emotions have evolved as adaptations in numerous species, and they serve as a social glue to bond animals to one another. Emotions also catalyze and regulate a wide variety of social encounters among friends, lovers, and competitors, and they permit animals to protect themselves adaptively and flexibly using various behavior patterns in a wide variety of venues."
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-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.
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This was taken just as the sunset colours begun to emerge behind Putney bridge, silhouetting a London bus on its way across. Putney pier can just be glimpsed through the arch of the bridge. The pink and magenta reflections on the ripples whipped up by the strong wind were lovely. A very London scene
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London
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WALKIE TALKIE BUILDING LONDON
VentureBeat | Anki introduces tool that allows developers to hack its Cozmo A.I. robot VentureBeat Cozmo is a playful, intelligent robot with an essence of artificial intelligence. As VentureBeat's Dean Takahashi described it, it's “something like Eve the robot in Pixar's Wall-E animated film.” Anki cofounder and president Hanns Tappeiner explained ... Anki's AI-Powered Toy Robot Is Opening Cozmo Code To Anyone To UseiTech Post AI-Powered Robot Cozmo To Come with Easy-To-Use Development KitTop Tech News Anki Cozmo: AI toy robot gets open-source SDK for programming, hackingYIBADA English The Verge -NewsFactor Network all 29 news articles » |
Wall Street Journal | Gunmen Targeted Police in Tennessee, Missouri and Georgia, Authorities Say Wall Street Journal After negotiating with Johnson for several hours, Dallas officers killed him using a bomb-disposal robot jury-rigged with explosives. In Valdosta, Ga., authorities said a man called 911 early Friday to report a car break-in, then ... John Bel Edwards ... and more » |
The new smartphone game, Pokemon Go, is stirring controversy for its lack of data privacy. But that isn't slowing down its growth.
Pokemon Go has become a smartphone gaming sensation, generating $1.6 million in daily revenue by one estimate and boosting the market value of Nintendo. NPR's Ari Shapiro talks to writer Glen Weldon about the hit game and the playing experience.
And they're not unplugging from email and text messages when they do get away, an NPR poll finds. "So they're taking their stress along with them wherever they go," says a Harvard scientist.
Researchers fed a program 600 hours of videos and TV shows to see if it could learn about and predict human interactions — hugs, kisses, high-fives and handshakes. It was right nearly half the time.
Pokemon Go is the latest game to use something called augmented reality which combines virtual and real worlds on a smartphone screen. Released only last week by Nintendo, it is a runaway success.
Every time you visit a website, companies you've never heard of are collecting data about you and selling or sharing it with other companies. You can opt out, but few consumers are aware of that.
Ted Boutrous embarrassed himself in Huffington Post this week in an apparent attempt to "up the crazy" as the trial to seize Chevron's assets in Canada looms. It appears the "Big Lie" sickness of Donald Trump-ism continues to grow in America. The lawyer for Gibson Dunn, a firm known for its corporate attack dog efforts, has taken lying and slander to a new level. To Boutrous, giant fossil fuel corporations are the victims of legal attacks by environmental and human rights groups and the actual human rights violations or environmental destruction is either insignificant, or nonexistent in Ted's view. To top it off, Boutrous defender of Chevron worst global polluter ever is lecturing that "the ends don't justify the means." It's not a coincidence that Chevron will find itself in court once again in a matter of weeks trying to justify the unjustifiable - dumping 18 billion gallons of toxic waste into the Ecuadorian Amazon over the course of decades.
Boutrous has now tagged himself as the kind of lawyer who blames the rape victim for dressing the "wrong way". Or the kind of lawyer who blames the black man shot by police for being where he shouldn't have been and "looking like a threat." He has the audacity to blame the people Chevron deliberately poisoned by intentionally dumping billions of gallons of toxic waste in the Ecuadorian Amazon. Despite the fact that it is the largest oil-related disaster in history, which remains yet today in the form of almost 1,000 toxic waste pits, Boutrous claims there's "a lack of evidence."
To the families of the over 1,400 people who have already died of cancer in the Amazon Boutrous denies your suffering. To the indigenous communities wiped out by Chevron's operations (and Texaco) over decades, Boutrous never believed in you in the first place. To any environmental or human rights advocates who denounced the environmental "crime of the century" Boutrous says you are criminals.
For the record, here are but a few of the incontrovertible facts to which Texaco has already confessed and to which any non-corrupted lawyer would concede:
In fact, Chevron videos taken in 2005 and leaked by a whistleblower prove even the few pits Texaco claimed to have cleaned were still toxic years after the alleged "remediation".
Texaco argued for a decade in US Federal Court in New York that Ecuador was the proper venue for the case and agreed that it would honor the decisions of the Ecuadorian court system. However, on the first day of the new trial in Ecuador, Texaco insisted that the case should not be heard in Ecuador either.
Chevron's RICO trial specifically excluded any evidence of the contamination in Ecuador and in no way exonerated nor even suggested that Chevron/Texaco was not responsible for the contamination in Ecuador.
Chevron's key witness in its RICO case, disgraced ex-judge Alberto Guerra, received over $2 million from Chevron for his testimony, admitted to lying about alleged bribes from lawyers for the Ecuadorians, and admitted that he embellished his story to get Chevron to pay him more.
Forensic evidence obtained by analysts of the presiding judge's computer disprove any allegation of "ghost-writing" as the verdict was a document saved hundreds of times over a four month period and no external devices were attached (as Guerra claimed at one point).
In 2013, a US District Court found that Chevron had not shown that Amazon Watch had done anything wrong in relation to the Chevron litigation or that Amazon Watch had engaged in fraudulent conduct or furthered a conspiracy against Chevron. In an 11-page order, Judge Cousins quashed Chevron's attempts to open up Amazon Watch's files, and threatened sanctions against Gibson Dunn and Chevron if they reissued subpoenas unless they were "significantly narrower in scope to seek only highly relevant information and more carefully tailored to avoid infringing upon the organization's First Amendment rights."
None of this can be contested by Boutrous, no matter how much he may wish he could. And every single one of these facts are ones Chevron and Gibson Dunn hopes desperately that the public (and justices in Canada) will ignore or forget. Yet despite knowing them, and all those ethical guidelines Ted theoretically understands, he is willing to write that there's a "lack of evidence" against his client Chevron and the environmental NGOs asserting otherwise are criminals for doing so.
Like Chevron executives, who have spent billions to try to escape justice in Ecuador, Boutrous is impervious to shame. His firm has harassed people, threatened judges, bribed witnesses, falsified evidence (not the first, or second time), hidden information from the Ecuadorian court, and even admitted to opposing counsel in the U.S. that their motions were improper, yet filed them anyway. And it's within this context that Boutrous writes: "the ends don't justify the means."?!?
It's unclear which is a greater danger to our society, the ability for oil companies to intentionally and catastrophically pollute, or the willingness of large law firms like Gibson Dunn to cheat, lie and generally abuse the legal system in order to deny the existence of the continuing suffering of tens of thousands of people. Add to that the vilification and intimidation of anyone who dares to speak against them. Sounds like Donald Trump's ideal America to me.
Ted Boutrous is not an idiot, but he has demonstrated absolutely no moral compass whatsoever. In the fever to defend his client a company that admitted to the deliberate pollution in the first place he has gone completely off the deep end. And he has embarrassed himself in the process. That's probably why he (or his staff) have obsessively deleted every comment to his post on Huffington a delicious irony from a "First Amendment lawyer."
The notion that anyone would accept his premise when Chevron has lost every legal contest apart from Kaplan's (which is still under appeal, and was just handed another major blow by a recent SCOTUS decision about the use of RICO in such circumstances) is frankly preposterous.
No, we can't afford to sue Ted and Gibson Dunn for their acts of libel and intimidation, and they know it. The system of justice here completely favors the Chevrons of our society. That's why they are infuriated that the people of Ecuador actually persevered. Despite all Chevron and Gibson Dunn did to prevent it, they couldn't stop the $9.5 billion judgement against them. They won't be able to stop the action to enforce that verdict in Canada to seize Chevron's assets there, but Ted Boutrous and his buddies intend to get much richer trying.
Ted's post is a sign that the Chevron attack dogs are foaming at the mouth the closer we get to a trial in Canada (it begins in September). Last year, when the Supreme Court of Canada sided unanimously with the Ecuadorians to allow them to sue to enforce their verdict, it sent shock waves through Chevron's board room. The phone calls to Gibson Dunn have probably been non-stop ever since.
Ted Boutrous is using Huffington Post to spread more lies that Chevron hopes will sow more doubt about this case. "Perhaps there is no evidence in Ecuador after all." That's what they hope journalists or justices in Canada will think. Perhaps global warming is a hoax, too. "I read on the internet," says Donald Trump. That is the era we live in.
Anyone can appreciate the irony when Ted Boutrous calls Trump out for his racist comments about a judge while he dismisses Ecuador's entire judicial system, local communities and indigenous peoples as either too corrupt or too "unsophisticated" to make a just ruling based on the overwhelming evidence in the Amazon. Trump doesn't appear embarrassed, but Ted certainly has been.
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Although Factory Butte is famous for its OHV areas, few realize that the area is also a popular site to view wildflowers in the spring when Factory Butte is in full bloom.
Read more: Chevron, Chevron Ecuador, Gibson Dunn & Crutcher, Theodore Boutrous, Corruption, Big Oil, Environment, Toxic Waste, Contamination, Injustice, Indigenous People, Ecuador, Pollution, Legal Fraud, Green News
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