Barbican, London
Prepare to be enchanted by the playful, melancholy, sociable art of Iceland's Ragnar Kjartansson
On the still waters of the Barbican lake drifts a boat bearing two girls in Edwardian costume. The reflection of their puffed sleeves and wasp waists makes a strangely familiar white blur. These are the summer beauties from many a Monet; indeed they are floating towards a waterlily reef. But it's a scene fit for Courbet too, for these girls have cast aside the oars to lean together, lips meeting in a kiss.
It is the most sensuous surprise in the middle of this brutalist enclave. Passers-by stop walking to look. And this kiss goes on and on, so that the moment appears both endless and still just like a painting, in fact.
Here is Kjartansson impersonating Death in a graveyard, impotently arguing about fate with a group of passing children
For the broken-hearted, Ragnar Kjartansson offers consolation; for lovers he conjures a mirror of their blessed state
Continue reading...on the exterior, the artist has incorporated a prototype of one of her future projects: a life-size print of driftwood from vancouver island.
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