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BusinessBecause | Here's How Artificial Intelligence, Robotics Are Edging Into Elite ... BusinessBecause Artificial intelligence (or AI) and robotics are disrupting industries everywhere, and have been for decades. Some 40 years on from their debut, ATMs have ... and more » |
Scientists working on the Large Underground Xenon experiment recently announced they had found no signal of dark matter. But although the results were not quite what they hoped for, it has left them feeling even more determined to hunt down the universe's most mysterious particle.…
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A simulation of a pulse of vertically polarized light that's 400 nanometers (nm) and showing 100 nm scale localization when passing (left to right) through a funnel configuration of 30 nm diameter silver nanowires. The purpose of this research, carried out at Argonne National Laboratory, was to learn how to control visible and near-visible light on the nanoscale (nanophotonics) with future generations of optical and electronic devices in mind.
Image credit: This image was generated by Stephen K. Gray, Chemistry Division, Argonne National Laboratory, Argonne, IL 60439. (email: gray@anchim.chm.anl.gov). This work was supported by the U.S. Department of Energy, Office of Basic Energy Sciences, Division of Chemistry
Fran Aleixandre posted a photo:
Fran Aleixandre posted a photo:
Tower bridge, Thames river.
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A new way of fixing inactive proteins has been discovered in algae that uses chloroplast extracts and light to release an interrupting sequence from a protein. Many proteins contain extra sequences, called insertions, that can disrupt their function. This research demonstrates that the algae Chlamydomonas reinhardtii has the necessary toolkit to repair proteins by removing these insertions. This repair system may have applications in agriculture and biotechnology because it could potentially be harnessed to enable proteins to become active only in the light.
Image credit: Dartmouth Electron Microscope Facility, Dartmouth College (via Wikimedia Commons)
the digital installation comprises an ever-changing sequence of 'multicolored graphic scenes' that are composed of symbolic motifs sourced from the digital universe.
The post miguel chevalier weaves ‘onde pixel' installation through milan's unicredit pavilion appeared first on designboom | architecture & design magazine.
by applying optically transparent colored vinyl to the building's 306 window panes, the interior elements transform into saturated shapes and pigmented pieces of architecture.
The post liz west bathes art deco building in yellow and hot pink hues appeared first on designboom | architecture & design magazine.
Christian Boltanski, Damián Ortega and Alice Neel impress in this year's strongly international show, while Inverleith House celebrates in style
A vision of bright reeds shimmers across the lake on the tiny island. Each is tied with a label and capped with a ceramic bell. Simple strips of Perspex, these labels appear white, then silver, then barely visible in the breeze, resembling the leaves of the willow tree above. The silvery music of the bells is the sonic equivalent of the shivering labels.
It is a beautiful sight, a son et lumiere for the Lothian landscape that doubles as a commemoration of the limitless dead. For Animitas, by the great French artist Christian Boltanski, takes its title from the Chilean roadside shrines honouring ancestral souls. Boltanski's labels are nameless, however, as if to embrace all the dead of the world. His installation murmurs now in the Scottish air, releasing its song, but those currents pass freely all over the globe.
The most beautiful gallery in Edinburgh if not Britain is Inverleith House in the botanic gardens
Alice Neel remains without precedent as a portraitist of marvellously awkward insights
Continue reading...Christian Boltanski, Damián Ortega and Alice Neel impress in this year's strongly international show, while Inverleith House celebrates in style
A vision of bright reeds shimmers across the lake on the tiny island. Each is tied with a label and capped with a ceramic bell. Simple strips of Perspex, these labels appear white, then silver, then barely visible in the breeze, resembling the leaves of the willow tree above. The silvery music of the bells is the sonic equivalent of the shivering labels.
It is a beautiful sight, a son et lumiere for the Lothian landscape that doubles as a commemoration of the limitless dead. For Animitas, by the great French artist Christian Boltanski, takes its title from the Chilean roadside shrines honouring ancestral souls. Boltanski's labels are nameless, however, as if to embrace all the dead of the world. His installation murmurs now in the Scottish air, releasing its song, but those currents pass freely all over the globe.
The most beautiful gallery in Edinburgh if not Britain is Inverleith House in the botanic gardens
Alice Neel remains without precedent as a portraitist of marvellously awkward insights
Continue reading...What to look out for during the coming month, with the highlight being the annual Perseids meteor shower, peaking on 12 August
The Perseids meteor shower is a reliable highlight of our August nights, and there are grounds for hoping that we might enjoy a bonanza this year.
From Batman-like glass structures to buildings clad in black tubing we asked you to share your favourite office photographs from around the world
Continue reading...Born in County Wicklow, Ireland, in 1973, Róisín Murphy relocated to Manchester with her family at the age of 12; three years later, her parents moved back but she remained in the UK. From 1994 to 2003, she was one half of trip-hop duo Moloko with her then partner, Mark Brydon, releasing their debut album Do You Like My Tight Sweater? in 1995. In 2005, she released her debut solo album Ruby Blue, followed by Overpowered in 2007 and Hairless Toys, which earned a Mercury prize nomination, in 2015. Murphy's new album Take Her Up to Monto is out now and she headlines at the Globe theatre on August 15 as part of a series of concerts curated by Lauren Laverne.
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