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http://www.designboom.com/art/miguel-chevalier-onde-pixel-unicredit-pavilion-milan-italy-08-01-2016/  
miguel chevalier weaves ‘onde pixel' installation through milan's unicredit pavilion  

the digital installation comprises an ever-changing sequence of 'multicolored graphic scenes' that are composed of symbolic motifs sourced from the digital universe.

The post miguel chevalier weaves ‘onde pixel' installation through milan's unicredit pavilion appeared first on designboom | architecture & design magazine.

 
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http://heptagram.co/post/148272620508  
weissesrauschen: http://boezioalessandro.com  

weissesrauschen:

http://boezioalessandro.com

 
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http://heptagram.co/post/148267706423  
uvre: Tony Matelli  

uvre:

Tony Matelli

 
art  

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http://www.designboom.com/art/liz-west-solstice-ritual-penarth-pier-pavilion-wales-yellow-pink-intervention-07-31-2016/  
liz west bathes art deco building in yellow and hot pink hues  

by applying optically transparent colored vinyl to the building's 306 window panes, the interior elements transform into saturated shapes and pigmented pieces of architecture.

The post liz west bathes art deco building in yellow and hot pink hues appeared first on designboom | architecture & design magazine.

 
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https://www.theguardian.com/artanddesign/2016/jul/31/edinburgh-art-festival-2015-christian-boltanski-damian-ortega-alice-neel  
Edinburgh art festival 2016 review where Lothian meets utopian  

Christian Boltanski, Damián Ortega and Alice Neel impress in this year's strongly international show, while Inverleith House celebrates in style

A vision of bright reeds shimmers across the lake on the tiny island. Each is tied with a label and capped with a ceramic bell. Simple strips of Perspex, these labels appear white, then silver, then barely visible in the breeze, resembling the leaves of the willow tree above. The silvery music of the bells is the sonic equivalent of the shivering labels.

It is a beautiful sight, a son et lumiere for the Lothian landscape that doubles as a commemoration of the limitless dead. For Animitas, by the great French artist Christian Boltanski, takes its title from the Chilean roadside shrines honouring ancestral souls. Boltanski's labels are nameless, however, as if to embrace all the dead of the world. His installation murmurs now in the Scottish air, releasing its song, but those currents pass freely all over the globe.

The most beautiful gallery in Edinburgh if not Britain is Inverleith House in the botanic gardens

Alice Neel remains without precedent as a portraitist of marvellously awkward insights

Continue reading...  
art  

%feed  
https://www.theguardian.com/artanddesign/2016/jul/31/edinburgh-art-festival-2015-christian-boltanski-damian-ortega-alice-neel  
Edinburgh art festival 2016 review where Lothian meets utopian  

Christian Boltanski, Damián Ortega and Alice Neel impress in this year's strongly international show, while Inverleith House celebrates in style

A vision of bright reeds shimmers across the lake on the tiny island. Each is tied with a label and capped with a ceramic bell. Simple strips of Perspex, these labels appear white, then silver, then barely visible in the breeze, resembling the leaves of the willow tree above. The silvery music of the bells is the sonic equivalent of the shivering labels.

It is a beautiful sight, a son et lumiere for the Lothian landscape that doubles as a commemoration of the limitless dead. For Animitas, by the great French artist Christian Boltanski, takes its title from the Chilean roadside shrines honouring ancestral souls. Boltanski's labels are nameless, however, as if to embrace all the dead of the world. His installation murmurs now in the Scottish air, releasing its song, but those currents pass freely all over the globe.

The most beautiful gallery in Edinburgh if not Britain is Inverleith House in the botanic gardens

Alice Neel remains without precedent as a portraitist of marvellously awkward insights

Continue reading...  
art