ghrovy posted a photo:
Scientists hoping to find signs of Martian life on the surface of the Red Planet may not be in luck.…
ZEEQ, created by Moley Robotics, could be the answer to your sleeping problems.
The smart pillow wirelessly streams music and gathers analytics through built-in sensors as you sleep.
The company hopes to distribute the pillow by 2017. Read more...
More about Mashable Video, Standalone Featured, Apps, Music Streaming, and Sleep ProductsLeigh Cousins RAW posted a photo:
Just about managed to catch this shot before the sun went down, and what a beautiful sunset it was! This is the west view from King Henry's Mound in Richmond Park.
I didn't expect there to be so much vegetation, in one way it blocks the view but another it adds to the atmosphere.
Airbus_A340 posted a photo:
After landing in London Heathrow on the A340 in B-HXF. We parked at a remote bay, which is rare due to being over 30 minutes early on arrival. A colourful sunset greets us as we disembark the aircraft. Bittersweet, as we will not see a 4-engine passenger service in London again. The A340 has served Cathay Pacific really well. It was a pioneer and a magnificent machine to fly, it will be the last ever of the 4-engine passenger service that Cathay Pacific ever flies. It will be missed when the fleet is phased out in the first half of 2017. Such is the reality of a business- looking to the future, the A350 is bigger, better, faster, more comfortable and more economical.
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Posted by Dr. Solomon David, research associate at Shedd Aquarium.
Gars and bowfin have been around since the dinosaurs; in fact, they've outlasted them. More recently, however, a modern creature has threatened these ancient fishes: humans. Misunderstood and much-maligned, these fishes were targets of eradication efforts for more than a century (1). Now, perceptions of these toothy predators may be changing. Recent interest in these “living fossils” has led to new research and even reintroduction efforts to bring back a lost species (2,3). All species of gars and bowfin are important parts of native biodiversity and ecosystem function, but could they also impact invasive species?
Their appearance hasn't changed much since the Cretaceous period over 65 million years ago. Gars (family Lepisosteidae) look like alligators with fins instead of legs, characterized by elongated snouts filled with sharp teeth, armor-like rhomboid scales, and the ability to breathe air. Shorten the snout (keep the teeth), add more slime and a bow-shaped dorsal fin, and you've essentially got a bowfin (Amia calva). It's no wonder these fishes are often considered less desirable than more traditional sport fish such as bass, perch and walleye. Because of their menacing appearance, misconceptions about eating valuable sport fishes and perceived lack of value (often considered “trash fish”), humans have historically sought to remove gars and bowfin throughout much of their range (1). Sometimes removal occurred indirectly by habitat modification and subsequent loss of spawning grounds (3). In fact, humans have been quite successful in some areas; the alligator gar, the largest species of the group (they can grow over 9 feet long and weigh more than 300 pounds), was driven to local extinction from the northern extent of its range in Illinois by the 1960s (3). When caught, other gars and bowfin are often simply cast aside on the riverbank. It was once illegal in several states to return gars to the water alive!
Fortunately, perceptions of these ancient fishes are slowly changing, as new research and renewed interest from anglers are garnering a more positive image of these misunderstood fishes. For example, gar fishing guides in Texas host anglers from all over the world for the opportunity to catch (and release) a 200-pound real-life river monster. Earlier this year, scientists discovered that the genetic make-up of spotted gars can help us better understand human development and disease (4,5). Further, in an effort to restore what was lost decades ago, the Illinois Department of Natural Resources (IDNR) is reintroducing the alligator gar to several Illinois rivers to increase biodiversity and create a trophy sport fishery.
There are seven species of gars and one species of bowfin, all native to North America, ranging from southern Canada to Costa Rica. As apex predators, what do they eat? Considered opportunistic feeders, these fishes tend to consume whatever prey items are most abundant in the area, such as forage fish, sunfish, and crustaceans. Humans, however, are not part of their diets. In fact, there have been no verified cases of attack (not even the giant alligator gar), showing that these ancient fishes pose no threat to humans. As native top predators, the question has been raised, could gars and bowfin also have an impact on invasive species such as Asian carp? What does the science tell us?
Recentresearch from Western Illinois University (6) showed that in some cases, shortnose gars and other native predatory fishes do in fact select for Asian carp, as young carp were found in higher numbers in gar stomachs than other prey items. However, a newstudy (7) showed that predation by spotted gars and bowfin had no significant impact on common carp populations. Many scientists agree that alligator gars can and do consume Asian carp, but the extent to which carp comprise their diet and the impact on Asian carp populations are relatively understudied. So, gars and bowfin are eating carp, and it's great to see a native species preying on invasive species; other recent examples include smallmouth bass preying on round goby, and lake whitefish eating zebra mussels in the Great Lakes. But, could gar predation on Asian carp make a significant ecological impact? The numbers suggest no. When discussing Asian carp, IDNR fisheriesscientists speak in terms of tons of carp per river mile. Alternatively, even a successful reintroduction of alligator gars may be only one or two fish per river mile in several Illinois tributaries (note: alligator gars are not being stocked in the Great Lakes basin). Vastly different reproductive rates are also an issue. Asian carp mature around age 3 and reproduce in larger numbers than alligator gars, which don't mature until they're about 11 years old and may not spawn every year. There are simply too many carp and too few gars to expect a significant impact. Time, research, and the fishes will tell us how gars and other native species may impact this gargantuan threat.
Regardless of their impact on invasive species, gars and bowfin are valuable components of native biodiversity and play important roles in ecosystem function. As top predators, gars and bowfin can help prevent overpopulation of forage fishes (such as shad) and stunting in game fishes (like sunfish), therefore helping maintain ecosystem balance (1). They can also be indicators of ecosystem health. Great Lakes spotted gars prefer clear, highly-vegetated waters, which in turn are prime nursery areas for other game species such as bass and perch; finding the gar can indicate good habitat for other sport fishes. Alligator garsare also migratory fish, relying on river-floodplain connections for spawning; successful reproduction and recruitment can indicate quality habitat connectivity for other migratory species.
Shedd Aquarium's team of research scientists is actively involved in studying native and invasive species in the Great Lakes region, as well as rivers throughout the state of Illinois that are home to ancient fishes like gars and bowfin. In our Great Lakesmigratory fishes research, finding bowfin and gars was an example of successful wetland habitat restoration, indicating several fish species quickly take advantage of newly available habitat for spawning. As we continue our research efforts in the region, we seek to find ways to protect native species from disappearing from their natural range, to maintain balanced ecosystems, and ensure sustainable populations for future generations. While we are not directly involved in the reintroduction of alligator gar, this work can benefit ecosystems and species we do spend so much time studying.
A close colleague of ours, Dr. Jeffrey Stein of the Illinois Natural History Survey's Sport Fish Ecology Lab, is leading an effort to better understand and conserve these ancient fishes. As a collaborator on the “Ancient Sport Fish Project,” we are gathering data on age, growth and other characteristics of gar and bowfin species throughout the state. The primary goal is to evaluate the status and trends of Illinois gar and bowfin populations and provide managers with objective data needed to develop strategies for a sustainable [ancient] sport fishery. Since 2015, in partnership with IDNR, the team has tagged thousands of gars and bowfin and will eventually include alligator gar in our research efforts. You can follow along with #AncientSportFish on Twitter for updates on the project!
For more information about the reintroduction of alligator gar, listen to this podcast from the IDNR or visit their website. You can also learn about Shedd Aquarium's research on native and invasive species on our website.
*Shedd Aquarium in partnership with University of Wisconsin-Madison and Green Bay, The Nature Conservancy
References:
Friend and Company has been appointed to redesign the Victoria and Albert Museum's main shop and introduce a “new approach to retail”.
The new £1,000,000 retail space will be “more dynamic and flexible” than its predecessor and will “function in close dialogue with the galleries, exhibitions and events surrounding it”, according to the museum.
It will fit in with the V&A's FuturePlan, a long-term development programme, which has seen large parts of the museum redeveloped.
The FuturePlan also dictates the need for a more holistic visitor experience that brings hospitality closer to the collections.
The retail space is found on the ground floor and runs from the front to the back of the museum, meaning that most visitors pass through it.
The V&A, which put out a tender in March, is paying Friend and Company £96,250 for the work. Friend and company beat five other consultancies to the contract.
Friend and Company was unable to comment at the time of publishing.
The post £1,000,000 V&A shop to be designed by Friend and Company appeared first on Design Week.
These days, design businesses should be partnering with rather than supplying to their clients. Why is this a good thing? What does a partnership look like and what are the risks? And what can you do to move deeper into partner territory?
As a partner your position is more secure because your relationships are deeper and stronger, assuming you also add value of course. You are part of the discussion that leads to the work as opposed to your client coming to you, telling you what to do and you then working in isolation. As partners, you will solve problems together, which expands the scope of possible solutions and builds a better understanding of the relationship for each of you. All things being equal, partnerships should yield better returns for both parties in the medium term.
When you're in a partnership your client's problems are your problems. Their challenges are your challenges. You jointly own the situation. And most importantly, your client feels this.
If your client lost you, they'd feel as if they were losing a valued member of their team. Your remit does not end when you deliver a piece of work. You are involved in the outcome and also the follow up.
You give up some control over the outcome but you remain fully involved in the work. You know when to step back. You will hear yourself saying: “What I'd recommend is this, but it's your final decision.”
You develop better empathy. You can understand and appreciate your client's position without agreeing with it. This means that you can disagree and stay working together.
You add value in the run up to the work and afterwards. You suggest what could happen outside the scope of the work. This needs to be treated as an investment on your part to start with. You could make it conditional on the size of the project and budget for it by attaching a percentage of the fee to partnership building.
Something to guard against is focusing all of your efforts on one person within the client's business. Doing this, especially with someone at mid-level is a risk. Given the fast staff turnover in marketing departments, should they leave, the relationship and the partnership walks with them. Similarly, at the top level, bearing in mind today's preference for consensus management, it is advisable to think both across and down the organisation when building relationships.
Be prepared to work harder. A partnership is an investment. This will mean extra work and quite possibly extra unpaid work. The pay-off is extra paid work in the future and better pay for that work.
So how do you go about shifting towards “partner” and away from “supplier”?
It makes sense to start with your current clients. They are your most established relationships and probably closest to the partner status that you're looking for. They are a good place to test some new ways of developing relationships.
I spoke with Charlee Sully, creative director of The Usual Studio who has employed a number of partnership building strategies in growing her design business.
Create conversations: set up a time to speak, away from a pitch or piece of work. This enables the scope of the conversation to be broad and wide ranging which can lead to new ideas being discovered. Sully's approach speaks to this way of working: “When I'm in the midst of discussions around a potential piece of work, I talk about other things, not the quote. I'm not ‘pushing' on this all the time are you going to do it, shall we sign it, etc although I know it's important. I take a softer approach.”
Get interested and fired up about your clients: Sully says: “I engage and become genuinely interested in my clients. I've had training in journalism so perhaps it's this background that means I love to ask questions. My conversations often end with my client saying things like: ‘I'm fizzing with ideas' and ‘I really enjoyed meeting you.' That's how I know I've started to build a good relationship.”
Get comfortable with a focus on relationship and not stuff. Sully says “I'm comfortable with meeting people, despite being an introvert. I'm very open and I don't mind speaking about mistakes. I speak to clients almost as if I know them already and this creates a warm and relaxed conversation. I listen and you'll find me making notes. It's important that they lead the conversation.”
Create a budget line for your partnership development: base this on a percentage of what your client spends with you. That's your investment in the future. You can then measure what that investment has yielded at year end in terms of growth of income.
So you're all set to shift your relationships into partnership territory. But just before you do, there's one final risk to watch out for. The risk associated with being too successful at it. Sully highlights this risk.
“Often my relationships reach a level where people are sharing information with me that they wouldn't share with other business owners. They treat me almost as a temporary business partner. This means I have to be mindful of the boundaries of my relationships and make sure that friendly does not become friends.”
You may consider this to be a ‘high class problem' to have but if you're coming upon this situation, Sully has written a piece that clarifies the territory which I would recommend reading.
John Scarrott works with design business leaders and their teams on their sales, presenting and networking skills. Follow him @JohnDScarrott or find him at johnscarrott.com
The post How to forge long lasting partnerships with your clients appeared first on Design Week.
In the first of a 10-part series, Justin Marozzi tells the story of this once-mighty city in Iraq a microcosm of human history. Besieged by wars and weather, ‘restored' by Saddam Hussein, what has become of mystical Babylon?
Of all the world's lost cities, none surely can compete for evocative splendour, age or mystery with Babylon. Here on the desert plains 60 miles south of Baghdad, where the sun turns horizons into flashing pools of mercury, is where so much of human history began.
Land of the Fertile Crescent, bounded by the Tigris and Euphrates rivers, this is successively the realm of Sumer and Akkad, Assyria, Babylonia, Mesopotamia and Iraq. Adam and Eve's Garden of Eden is said to have been nearby.
As to Etemenanki, the ziggurat of Babylon, of which Nabopolossar, king of Babylon, my father, my begetter, had fixed the foundation and had raised it 30 cubits but had not erected its top, I set my hand to build it. Great cedars which were on Mount Lebanon in its forest, with my clean hands, I cut down, and placed them for its roof.”
I laid their foundations of mortar and bricks and with shining blue glaze tiles with pictures of bulls and awful dragons I adorned the interior; mighty cedars to roof them over I caused to be stretched out, the wings of the gates of cedar wood coated with bronze, the lintels and the door knobs of brass I fastened into the openings of the gates; massive bulls of bronze and dreadful, awe-inspiring serpents I set up at their thresholds, the two gates I ornamented with great splendour to the amazement of all men. In order that the onslaught of battle might not draw nigh to Imgur-Bel, the wall of Babylon.”
A colony of pigeons landed among the high-walled ruins to rest in the sun and shit all over history
Related: Story of cities #3: the birth of Baghdad was a landmark for world civilisation
Continue reading...-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.
the oversized inflatables span through the shopping center's light-filled atrium, weaving between multiple levels and escalators, and forming interactive pods on the ground level.
The post people's architecture office stretches golden bubbles through hong kong's K11 art mall appeared first on designboom | architecture & design magazine.
Freud Museum, London
The British artist transforms Sigmund Freud's study into a Dalí-inspired hall of mirrors for a meta-surrealist look at art, psychoanalysis and self-obsession
Related: Full Marks: Mark Wallinger's ID runs rampant in his new show
When Salvador Dalí visited Sigmund Freud in London in 1938, he showed the father of psychoanalysis his Metamorphosis of Narcissus. It is a painting about reflection. In the Greek myth of Narcissus, as told in Ovid's Latin poem the Metamorphoses, beautiful, young Narcissus falls in love with his own image, and simply can't stop gazing at his reflection in a pool of water. Dalí plays optical tricks to multiply the obsessive self-regard of Narcissus, as a head becomes an egg, becomes a stone, in a world of infinite reflection.
Continue reading...Freud Museum, London
The British artist transforms Sigmund Freud's study into a Dalí-inspired hall of mirrors for a meta-surrealist look at art, psychoanalysis and self-obsession
Related: Full Marks: Mark Wallinger's ID runs rampant in his new show
When Salvador Dalí visited Sigmund Freud in London in 1938, he showed the father of psychoanalysis his Metamorphosis of Narcissus. It is a painting about reflection. In the Greek myth of Narcissus, as told in Ovid's Latin poem the Metamorphoses, beautiful, young Narcissus falls in love with his own image, and simply can't stop gazing at his reflection in a pool of water. Dalí plays optical tricks to multiply the obsessive self-regard of Narcissus, as a head becomes an egg, becomes a stone, in a world of infinite reflection.
Continue reading...the massive artwork illustrates faces from five continents - a theme which responds to the olympic rings.
The post eduardo kobra paints 3,000 square meter mural for the rio olympics appeared first on designboom | architecture & design magazine.
the installation works by transforming water into steam which is then released back into the sky.
The post reiner maria matysik uses cloud machine to transform phoenix lake water in germany appeared first on designboom | architecture & design magazine.