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Byron and Neil have been friends for decades, but their relationship is faced with challenges when Byron transitions from a man to a woman. This short documentary, Same But Different, explores the struggles regarding trust and honesty between the two friends that arise out of Byron's transition. “He's one of not many people that I've just been completely myself with,” Neil says. “That's what I find difficult about this transition is that he has not been completely himself with me.”
This film comes to us from the Loading Docs initiative, which supports 10 filmmaking teams to create three-minute, creative documentaries that tell New Zealand stories. This year's theme is change.
Read more: Art, Artist, Emerging Artists, Environment, Environmentalism, Deforestation, Clearcutting, Arts News
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Seen from the Woolwich ferry
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Hundreds of photographers gathered in Rio to follow the action in the Olympic arenas, swimming pools, racetracks, and more. The final events wrapped up over the weekend, capped off by the Closing Cermony in Maracana Stadium on Sunday, and the handoff to Tokyo for the 2020 Olympic Games. Today's entry encompasses rhythmic gymnastics, wrestling, triathlon, mountain biking, canoe, modern pentathlon, soccer, the Closing Ceremony, and much more.
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At the Museum of Skateboarding, Russian artist Kirill Savchenkov turns the urban skater into a rōnin-style warrior engaged in a boys-only martial art
London has a new Museum of Skateboarding. But before you dust off your Vans, be warned: this is not a public institution on the South Bank dedicated to outsize shorts, broken wrists and the unseasonal wearing of beanie hats. It's in an art gallery.
The work of Russian artist Kirill Savchenkov, the “museum” opened at London's Calvert 22 last week. Addressing the deathlessly hip sport mock-anthropologically, it's an exhibition that gazes back, as if from the near future, to a fantasy New Skateboarder culture in which the urban skater is a kind of warrior monk or rōnin on wheels.
Related: Bristol skateboarders take on 'skatestopper' defensive architecture
Related: Skating on the South Bank: my nights getting wrecked in the undercroft
Continue reading...a meditative enclosure was developed allowing participants to find comfort within an unconventional place of rest.
The post studiobird present futuristic sarcophagus coffin at the venice architecture biennale appeared first on designboom | architecture & design magazine.
In between their work for corporate clients, Australian studio yelldesign has created Papermeal, a series of playful paper sculptures of food
Continue reading...ShantiNiketan is known as “little India”—it's a small cluster of retirement homes in Central Florida that was planned for Indian Americans. It's meant to be a space for people who cannot grow old in their homeland because their lives are rooted in the United States. “Because of the very unique culture, food, and religion, Indians find it very difficult to retire in a mainstream retirement community,” says Iggy Ignatius, who was born in India and founded ShantiNiketan in 2008. “But for those who want to come here, I can tell you this is heaven for them.” We went inside ShantiNiketan to speak to the Indian Americans who live there, and to understand the appeal of moving to a place that's steeped in the culture of your birthplace.
Johnson Banks has unveiled seven potential brand identities for Mozilla, as part of its ongoing “open-source” rebrand.
The search for the not-for-profit software company's new identity was first announced in June, and it has been taking feedback from the Mozilla community and members of the public since then.
Seven initial themes were created by Johnson Banks, all exploring different facets of Mozilla's advocacy for shared and open-source internet access and software.
After further refining these themes in response to feedback that suggested “upping the positivity and doing more with the whole principle of ‘open'”, seven visual identities and their accompanying assets have been made available to view on the Mozilla Open Design blog.
The designs include everything from a simple typographic mark to a modern version of its former Dinosaur logo, and public comments on them are already coming thick and fast.
“Our work on the narrative has changed a lot as we learn more about them,” says Michael Johnson, founder and creative director of Johnson Banks.
“It's debatable whether some of our other clients, either blue-chip or not-for-profit, could handle this but this is unprecedented as an approach. Perhaps it will push others to be more open.”
We outline all of the proposed design concepts below.
This abstract eye design plays on the not-for-profit's former Dinosaur logo, which is still used internally.
The consultancy has experimented with Mozilla's name, using intertwining letters inspired by circuitry and tribal patterns.
3) The Open Button
This button pictogram is designed to represent Mozilla's commitment to making the internet “open to everyone on an equal basis”.
4) Protocol
Alluding to the not-for-profit's longevity, this symbol is intended to show that the not-for-profit is “at the core of the internet”.
This concept highlights Mozilla's place within “the enormity of the internet”, forming an “M” symbol out of a series of 3D grid systems.
Another simple typographical mark, this “impossible” design gives a nod to computer graphics and optical illusions.
As an extension of the former dinosaur logo, this visual identity builds a character out of isometric shapes, also spelling out the name “Mozilla”.
The post Johnson Banks reveals first designs for “open-source” Mozilla rebrand appeared first on Design Week.
At the Museum of Skateboarding, Russian artist Kirill Savchenkov turns the urban skater into a rōnin-style warrior engaged in a boys-only martial art
London has a new Museum of Skateboarding. But before you dust off your Vans, be warned: this is not a public institution on the South Bank dedicated to outsize shorts, broken wrists and the unseasonal wearing of beanie hats. It's in an art gallery.
The work of Russian artist Kirill Savchenkov, the “museum” opened at London's Calvert 22 last week. Addressing the deathlessly hip sport mock-anthropologically, it's an exhibition that gazes back, as if from the near future, to a fantasy New Skateboarder culture in which the urban skater is a kind of warrior monk or rōnin on wheels.
Related: Bristol skateboarders take on 'skatestopper' defensive architecture
Related: Skating on the South Bank: my nights getting wrecked in the undercroft
Continue reading...