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marco18678 posted a photo:
For more info and stories behind my pictures follow me on facebook .... www.facebook.com/mbontenbal
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1934 A. Huxley Beyond Mexique Bay. Why should the Local Pavlov have
chosen to ring just those particular bells which happen to be rung?
1933 L. Thayer Counterfeit iii. Wait a second, Ray... Why does that name ring
a bell with you?
...he struck a bell when the dogs were fed. If the bell was sounded in close
association with their meal, the dogs learnt to associate the sound of the bell with food. After a while, at the mere sound of the bell, they responded by drooling.
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-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.
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Apple will be launching an app this autumn, which will allow users to control multiple home appliances through speaking to their smartphone.
The Home app will roll out with Apple's latest iOS 10 update in September, and aims to enhance the company's existing platform HomeKit, which until now has worked by connecting different device apps together.
Now, Home will be a hub where users can access all of their connected home products, including lighting, locks, heating and cooling, plugs and switches, blinds and sensors for appliances such as kettles.
Home will rival smart thermostat apps such as British Gas's Hive and Alphabet's Nest, and connected home hub Samsung's SmartThings.
Apple describes the new app as a “simple and secure way to manage home automation products in one place”, and to “set up, manage and control your home”.
The app links up with Apple's Siri feature so will be voice activated. Users can choose whether they want to manage home devices individually or group certain ones together, such as lighting, locks and heating, and control them with a single command.
Users can also organise their day into “scenes”, for example “I'm home”, “Good morning” and “Good night”, which when selected will trigger a series of actions, such as lights and heating coming on when they get home.
The app will also show specific details, such as the exact temperature of a thermostat at a given time, or the percentage at which dimmer lights are lit.
The app allows devices to be controlled remotely away from the home, or alternatively through other devices such as the Apple TV. It will also be possible to set timer triggers, and also event triggers for example, requesting the heating to come on only if the temperature in a room drops below 20°C.
The app will be available for £10.99 through the iTunes Store this autumn for users of iPhone 5 and later editions. An exact release date for iOS 10 is yet to be revealed.
The post Apple set to control homes through new connected home app appeared first on Design Week.
Channel 4 TV show Hollyoaks has had a brand revamp, taking on a new logo and new title sequence.
The redesign is the soap opera's first major one in six years, and has been completed by the design and graphics team at Lime Pictures, the production company for the show.
The new logo replaces one implemented in 2011, which was made up of a 3D sans-serif typeface that used two interchangeable colours.
Prior to this, the soap had a flat logo which incorporated plus sign and arrow gender symbols, implemented in 2007.
The new logo sees a return to flat typography, which still makes use of two shades but without 3D elements.
The two colours are interchangeable depending on context, but are most commonly seen as white and grey, used against various title sequence backdrops.Lime Pictures says the new logo has “clean lines and a modern feel” but also a “slightly retro look to recognise the show's heritage”.
The new branding has also been applied online and across social media applications, using a revamped “H” icon as the motif.
The new title sequences aim to be “vibrant, fun and glossy”, says the show's executive producer Bryan Kirkwood, and include shots of new characters on the show. Lime Pictures say the sequences aim to “move away from CGI” and more towards film.
Music accompanying the title sequence has also been reworked, completed by musician A Skillz.
2016 marks the soap's 21st year on Channel 4. The new title sequences and branding roll out this week.
The post Channel 4 TV show Hollyoaks undergoes rebrand appeared first on Design Week.
In cities around the world, temporary ‘pop-up' restaurants, shops and cultural events are everywhere. Have we reached peak pop-up, or is there more to this sometimes daft-sounding phenomenon than meets the eye?
Pop-ups are now ubiquitous in our cities. Whether it's airy white retail spaces selling Kanye West's Pablo merch, unassuming cornershops doubling as the spot where Frank Ocean chooses to launch his new album or shipping containers being made into temporary accommodation for homeless people in one form or another they are now part of the fabric of many cities around the world.
Which is why it takes a fairly outlandish one to make you look up from the bowl of Lucky Charms you're eating in a replica Saved by the Bell diner. But San Francisco residents have recently been invited to a pop-up that does just that: a dinner in a dumpster.
Related: How 'eye-tracking' could change our experience of cities for better or worse
Continue reading...Homeowners across Australia will be flinging open their doors this Sunday and inviting curious visitors in to inspect their credentials on Sustainable House Day. Guardian Australia takes a closer look at a few of the inspiring properties that have upped the energy efficiency ante. Visit sustainablehouseday.com for for more information
Continue reading...Kieron Connolly's new book of photographs of more than 100 once-busy and often elegant buildings gives an eerie idea of how the world might look if humankind disappeared. Here are 10 evocative, stylised images of nature reclaiming the manmade world
Continue reading...The shortlist has been announced for a competition to design a permanent light installation on the River Thames.
The Illuminated River International Design Competition backed by the Mayor of London and the Rothschild Foundation will see one team develop concept lighting schemes for four famous London bridges: Westminster, Waterloo, London and Chelsea.
They will also design the masterplan for another 13 bridges between Albert and Tower Bridge.
The shortlist includes Adjaye Associates, AL_A, Diller Scofidio + Renfro, Les Éclairagistes Associés, Lifschutz Davidson Sandilands, Sam Jacob Studio and Simon Hejidens.
The six finalists have been whittled down from over 100 multidisciplinary teams, made up of 346 individual design, engineering and architecture firms.
Hannah Rothschild, chair of the Illuminated River Foundation, says: “The final shortlist represents an exhilarating mix of talent, inspiration and design approach. In November the finalists' concept designs will be unveiled, and London will have six possible visions of how the river and the city might be transformed after dark.”
After the concept designs go on display to the public in November, a jury made up ofsfigures including Lord Rothschild and Dame Julia Peyton-Jones will announce the overall winner in December.
The post Shortlist revealed for £20 million River Thames permanent light installation appeared first on Design Week.
Director of the V&A Martin Roth, who set up the museum's design, architecture and digital department, has announced that he will stand down from his post this year.
61-year-old Roth leaves after five years doing the job, and was behind many of the museum's most successful exhibitions including David Bowie is and Alexander McQueen: Savage Beauty.
His tenure also saw the museum's highest ever recorded visitor number of 3.3 million in 2014.
Roth leaves his post after reportedly telling German international broadcaster Deutsche Welle in June that the UK's vote to leave the European Union was a “personal defeat”.
On how the decision would affect the cultural sector, he said: “On a national level, we will have to get used to living without European funds. That will especially affect research.”
He added that he felt affected “on an ideological level more than an economic one”, and that the phase of exiting the EU would be “horrible”.
The V&A was unable to confirm at the time of publishing whether Brexit played a part in Roth's decision to step down, but says there are “various reasons” for his departure.
Roth, who was born in Germany, was previously president of the German Museums Association, and before that held director and curator roles at various science and history museums in Germany.
Roth himself says: “It's been an enormous privilege and tremendously exciting to lead this great museum…Our recent accolade as Art Fund Museum of the Year feels like the perfect moment to draw to a close my mission in London and hand over to a new director to take the V&A forward to an exciting future.”
He is set to step down this autumn, and the V&A's board of trustees is currently seeking a new director.
Nicholas Coleridge, chairman of the trustees of the V&A, adds: “Martin's tenure as director has been marked by a highly successful period of creativity, expansion and re-organisation of the V&A. He has made a significant contribution to the success of this museum.”
The post V&A director Martin Roth steps down appeared first on Design Week.
What if this produces an animal with a partly human brain?
Will the human spirit survive the new age of the machine?
'Before the end, one began to pray to it.'
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DesignStudio has rebranded food delivery service Deliveroo, introducing a new kangaroo character while overhauling typography and staff uniforms.
Deliveroo was founded in 2013 in London and has since expanded to 12 countries and more than 100 cities.
The original logo was designed by friends of Deliveroo co-founder Will Shu, who says that it was necessary to rebrand following the rapid expansion of the company as the identity now needs to work a lot harder.
Shu says that when Deliveroo started out he did the deliveries and his co-founder and childhood friend Greg Orlowski handled the tech and development.
“Our customers were my ex colleagues and our office was my flat. Back then, our logo was something that a couple of friends drew” says Shu.
The original brand was designed with the Deliveroo website, rider boxes and business cards in mind. Since then advertising campaigns have been launched and the most visible part of the brand has become the thousands of riders who work for the company.
After a pitch process DesignStudio was selected and in its research phase took part in customer service shifts, became riders and according to Deliveroo's in-house design team “ate enough to get a sense of what restaurant delivery really means.”
DesignStudio's semiotics analysis focused on what the Deliveroo logo meant in other cultures and countries while workshops across the business considered where staff could see the identity being used in the future.
A range of different routes were initially worked on, some of which kept the kangaroo, while others looked for a new direction. As part of the wider process it was established that the kangaroo was loved both internally and externally, according to Deliveroo's in-house design team.
A new “bold and impactful kangaroo” has been developed and made deliberately angular so that it can dovetail with a broader graphics system across other touchpoints such as the website and rider kits.
DesignStudio executive strategic creative director James Hurst says: “We have created a symbol that can be recognised as a character the roo irrespective of what language you speak while the minimalist aesthetic reduces established cultural associations that might be positive in one culture but controversial in another.
“This is a mark that Deliveroo will imbue with meaning over the next few years.”
The rider kit has been designed with rider safety in mind, says Deliveroo, and developed in consultation with road safety organisation Brake and the riders themselves so they feel happy wearing it.
There is hyperreflective material on the waist, shoulders and wrists of jackets to demonstrate the movement of riders at night while the rest of the material has been designed to be visible by day.
Meanwhile riders in warm climates wanted to be cool and riders in cold climates wanted to be warm and protected from the elements so this has all been accounted for with a range of clothing.
Typography also takes its cue from the angular “roo”, particularly headlines which use a customised version of Stratos, “which echoes the angles and shape within the symbol and is brimming with personality for bold punchy headlines,” says Hurst.
He adds: “Its the same type used across the rider jackets and while its been worked into, is also the basis for the wordmark.”
A photography style has been developed across the brand, which focuses on the colour and texture of food and this has been art directed to appear real, messy and up-close, according to Deliveroo.
A roll out begins this Friday and Hurst says: “There is much more still to come.”
The post Deliveroo unveils new kangaroo as part of rebrand appeared first on Design Week.
Artists, poets, writers and National Trust join forces to show what incarceration was like in jail that held Oscar Wilde
Reading Gaol, made infamous worldwide by the grim ballad written by its most famous prisoner, Oscar Wilde, closed its doors to prisoners in 2013. Now, for the first time in almost two centuries, it will reopen to outsiders.
They will be welcomed with installations by artists, readings by poets and writers including De Profundis, the bitterly moving letter Wilde wrote from the jail, one page at a time on the single piece of paper he was allowed each day and offered tours into the darkest and most feared part of the compound, the underground punishment cells where the prisoners were held for days in complete darkness and silence. It has all been organised by the arts producers Artangel and the National Trust.
Continue reading...