At the family farm in Devon, artist Jessica Albarn has turned a sheep field into a study plot for her electric ink drawings of spiders, crickets and bumblebees
Crickets bounce, bees wobble, hoverflies dart and Jessica Albarn stands in the middle of her steep, sunny meadow and scrunches up her hands in delight. “Quite a bit of my work is about layers,” she says, crouching down to investigate the depth of the grass with her fingers. “It's about being able to get right in there and explore an area.”
Albarn is a visual artist best known for her beautifully detailed pencil drawings of spiders, bees, butterflies and other insects. Perhaps it is inevitable that peering through a microscope at dead insects in her London studio led her to the lanes of south Devon to create a meadow, and capture some of its richness in a series of artistic adventures.
We've wired up these electric ink drawings put your hand neart and it activates the sound
Continue reading...'our color' drenches viewers in the spectrum and surrounds them in a vibrant, prismatic expanse.
The post step inside a rainbow with liz west's immersive color landscape appeared first on designboom | architecture & design magazine.
as burning man officially comes to a close, we take a look at some of the most mind-bending installations and architectural artworks to land on the playa this year.
The post burning man art installations: a look at black rock city's fiery finish appeared first on designboom | architecture & design magazine.
HM Reading prison
Ai Weiwei and Steve McQueen are among the artists doing time at the prison where Wilde was an inmate. Our critic goes behind bars at Artangel's new show
Oscar and Bosie are sharing a cell. Their painted portraits hang on a wall spotted with graffiti, the tags and love hearts left by the young offenders who languished here before Reading prison, built in 1844, finally closed in 2013. Painter Marlene Dumas amplifies Lord Alfred Douglas's sly and shifty gaze, as he looks out of the corner of his eye towards an imperious and self-possessed Wilde. There is an enormous tension between the two portraits. This is more than just proximity.
The prison itself, with its echoing walkways and wings, suicide netting on its open stairwells, its rows of closed doors and cells, is also much more than just a setting for the artists and writers banged up in Artangel's latest project, Inside: Artists and Writers in Reading Prison.
Related: Oscar Wilde's De Profundis one of the greatest love letters ever written
The larkish 'Room Service', scribbled by a prisoner beside a cell's emergency bell, is as redolent as any art
Related: Nan Goldin in Reading gaol: why I'm making art in Oscar Wilde's cell
Continue reading...HM Reading prison
Ai Weiwei and Steve McQueen are among the artists doing time at the prison where Wilde was an inmate. Our critic goes behind bars at Artangel's new show
Oscar and Bosie are sharing a cell. Their painted portraits hang on a wall spotted with graffiti, the tags and love hearts left by the young offenders who languished here before Reading prison, built in 1844, finally closed in 2013. Painter Marlene Dumas amplifies Lord Alfred Douglas's sly and shifty gaze, as he looks out of the corner of his eye towards an imperious and self-possessed Wilde. There is an enormous tension between the two portraits. This is more than just proximity.
The prison itself, with its echoing walkways and wings, suicide netting on its open stairwells, its rows of closed doors and cells, is also much more than just a setting for the artists and writers banged up in Artangel's latest project, Inside: Artists and Writers in Reading Prison.
Related: Oscar Wilde's De Profundis one of the greatest love letters ever written
The larkish 'Room Service', scribbled by a prisoner beside a cell's emergency bell, is as redolent as any art
Related: Nan Goldin in Reading gaol: why I'm making art in Oscar Wilde's cell
Continue reading...Displayed in a gallery for two days, an automaton from the rapper's latest video is suddenly a $4m collector's item. Just don't call the work on show a sculpture
Is it or is it not on sale for $4m? In case it's not obvious, I'm talking about Kanye West's “sculpture” Famous. According to which reports you believe, his lineup of lifelike, automated models of celebrities in bed together is either going for a lot of money, or was never up for grabs in the first place. Perhaps the “creator” himself can't decide. That's if Kanye moulded these figures. Did he really shape that silicone or did he just pay for it?
Famous, originally made for the video of West's song of the same name, has been exhibited in an “exclusive” two-day exhibition at the Los Angeles gallery, Blum and Poe thus becoming art. Because it's in a gallery, it has to be, right? Cue the inevitable speculation that art inspires in our lofty culture: how much is it worth? Remarkably, what little of the media coverage has asked is whether Famous is a work of art (let alone a good or bad one) or in what sense West is a visual artist.
Related: Is Kanye West hip-hop's greatest cubist?
Related: Larger than life: Duane Hanson's hyperreal sculptures in pictures
Continue reading...US one sheet for ANTIBIRTH (Danny Perez, USA, 2016)
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At a ceremony in this picturesque lakefront city, the two leaders hailed the adoption of the Paris agreement as critical to bringing it into force worldwide. Though widely expected as the next step in the legal process, the move could provide a boost to those who want to build momentum for further climate talks by bringing the December accord into effect as soon as possible. Countries accounting for 55 percent of the world's emissions must present formal ratification documents for that to happen, and together, China and the United States generate nearly 40 percent of the world's emissions.
Federal scientists have documented a sharp jump in this nuisance flooding -- often called "sunny-day flooding" -- along both the East Coast and the Gulf Coast in recent years. The sea is now so near the brim in many places that they believe the problem is likely to worsen quickly. Shifts in the Pacific Ocean mean that the West Coast, partly spared over the past two decades, may be hit hard, too...Local governments, under pressure from annoyed citizens, are beginning to act. Elections are being won on promises to invest money to protect against flooding. Miami Beach is leading the way, increasing local fees to finance a $400 million plan that includes raising streets, installing pumps and elevating sea walls. In many of the worst-hit cities, mayors of both parties are sounding an alarm.
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Louis Essen Scientist of the Day
Louis Essen, an English physicist, was born Sep. 6, 1908.
This September, as they start the school year, French children aged 14 years old and upwards are going to get lessons on how to deal with a terrorism attack on their school. Meanwhile, the debate over the ban on wearing burkinis and whether they are, in the words of France's prime minister, "a political sign of religious proselytising" continues.
The big question, however is this: Why are we seeing a rash of these attacks in Europe and especially in France, and are such measures effective in countering them?
What have we learned from the horrors of the Charlie Hebdo shooting, the murder of 130 people in and around Paris last November, the Bastille Day truck attack in Nice and the killing of an 85-year-old priest inside of a church in Normandy?
Examining the reactions of French authorities, we can conclude there are only limited actions that can be taken to prevent such atrocities.
Security can been heightened by extending the state of emergency that it declared last November. Intelligence efforts can be redoubled. Such efforts are raising concern about civil liberties being curtailed. But the Nice attack is also a dire warning that these measures aren't effective as a means of protecting citizens from continued attacks.
The point is that none of the above policies could have prevented Mohamed Lahouaiej Bouhlel and Abdelmalik Petitjean from carrying out their violent actions. Thousands if not millions of people living in Europe have similar profiles. Tunisian or Algerian descent and French citizenship are not enough to tip off authorities that a person could run over 84 people with a truck or slit the throat of a priest.
So how can we hope to prevent future attacks? We need to change our focus, in my opinion, to examining these perpetrators' "sense of belonging" rather than looking for reasons to detain or expel them because they don't belong.
A number of years ago, while working at the National Institute for Scientific Research in Montréal, I was invited to join a research team studying the integration of refugees and immigrants into Québec society.
This led me to work on research projects that looked at a broad range of questions - from why people claim refugee status to how immigrants use storytelling to talk about their displacement and assimilation into Canada.
My first project was focused upon immigrant literary works - especially novels and short stories - that were a largely untapped source of information to help officials understand the complex process of integrating into Quebec society, and in particular, as a way to understand relationships between immigrants and individuals from the host country.
There's a pretty large body of so-called immigrant literature in Québec. Interestingly, many of these narratives include graphic and sometimes even pornographic descriptions of encounters between native-born and immigrant protagonists.
A broad reading of these stories made me realize that developing relationships with friends and lovers contributed to the migrant's "sense of belonging." They helped him or her to forget their country of origin and forge a new beginning in the host society.
In fact, I came to believe that these immigrants' ability to adapt had something to do with the very process of exchange. Or, put another way, the many acts of giving and receiving that they committed each day helped them to feel connected to society.
In order to evaluate this process of adaptation, I turned to work by French biblical scholars called the Groupe d'Entrevernes, which focuses upon how narratives "make sense": that is, how a story creates meaning in the context of the text, but also in regards to the world to which it refers.
This approach focuses on looking for meaning by analyzing particular actions, notably "who does what to whom where." So in the case of immigrant literature, a group of us looked in minute detail at the complex interactions between characters, with special focus upon how relationships begin and end, and what is gained in the process. We also assessed characters' attitudes prior to and after each interaction, with an eye to understanding the effect of the exchange.
Our goal was to assess which specific actions help foster a sense of belonging, in a new country and which alienate the character from his or her society.
The signing of a lease, the acquisition of immigrant status (whether a work visa or a green card) or being hired for a job all foster a sense of belonging. Being kicked out of an apartment, divorced or deported are all examples of loss of belonging.
The advantage of research like this for a case like Nice is that it forces the investigator to examine all of the concrete details of the perpetrators' lives leading up to the horrific event, rather than just focusing upon the act of violence.
It's not sufficient to know that Mohamed Lahouaiej Bouhlel had a violent relationship with his wife, or that Abdelmalik Petitjean visited Turkey just prior to entering a church in Normandy.
What's more important is to understand what they wanted for themselves in the longer term. As difficult as it now seems in light of their murderous actions, we would gain a lot by undertaking meticulous investigations into these individuals' sense that they didn't belong in France, and that they had to destroy what it represents.
By creating concrete conditions for different communities to feel they belong, policymakers can help their diverse populations feel connected to, and thus protective of, their societies.
Many of the analyses of recent terrorist events have focused upon the "lone-wolf" quality of the perpetrators. These lone wolves are difficult to predict, because they are acting independently, and without any contact with extremist organizations or individuals.
The work of policymakers, then, is to figure out how to prevent these individuals from acting impulsively, on the basis of some unpredictable trigger. My sense is that the only way to do this is to build a sense of belonging that will prevent them from feeling destructive. If they feel alienated from their society and feel they don't belong there, then they can also feel that other people deserve to suffer or die.
Following the logic of this approach, we can try to figure out which actions serve to reinforce belonging and which hinder it and then develop policies that build on the positive rather than the purely negative.
Our research in Quebec indicated that most of these actions are quite simple and achievable. They range from providing federal funds for ethnic celebrations and translations for pamphlets about available social services to encouraging local tolerance for so-called "foreign" customs such as the wearing of burkinis (something that has not happened in France) or Sikh turbans. In the Quebec example, our reading of the literature also indicated that undue bureaucratic wrangling that hinders the process of procuring basic necessities, like a driver's license, or that made access to social services such as health care or daycare difficult, can become sources of frustration and alienation.
At the same time, it is crucial to explain which of these customs can lead to severe punishment in the host country. Such actions as Latin Americans shooting off guns during parties or immigrants from Africa and the Middle East sending children abroad for female genital mutilation can become grounds for serous punishments.
Most importantly, our research suggested that successful integration generally occurs through individual incentive and personal relationships, fostered, whenever possible, by the community or the government. The 1988 Canadian Multiculturalism Act formalized a policy to encourage multicultural diversity and develop a sense of tolerance through recognition and understanding. One result of our own research was to help contribute to a higher profile for the Ministry of Immigration and Cultural Communities and to support their championing of diversity and inclusion.
I may have traveled to Nice this summer with my family in order to celebrate Bastille Day, because it's a beautiful setting, a city where we dream of the passion, luxury and the sultry pleasures of the French Riviera. Mohamed Lahouaiej Bouhlel may have decided to target those same celebrations for exactly the same reasons, because while we might feel like sharing in that sense of belonging, he most certainly didn't.
Robert F. Barsky, Professor of English and French Literatures, and Professor of Law, Vanderbilt University
This article was originally published on The Conversation. Read the original article.
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