Mysterious alien signals from a star system 94 light years from Earth picked up by Russian scientists last year did not come from an advanced extraterrestrial civilization, but from an old Soviet military satellite, says Russian news agency TASS, much to the disappointment of astronomers and alien enthusiasts across the world. But was it?
However, significant number of people around our globe are not convinced by TASS' version, believing it is one of the many cover ups aimed at deceiving us regarding the existence of advanced alien life from beyond our Solar System. They question Russia's motives for the denial of the signals validity --you'll have to draw your own conclusions.
The Russian scientists who originally intercepted the enigmatic signals, said they believed that they came from a cluster of stars ninety-four light years away in the Hercules constellation. The signals' frequency and power suggested there was a good chance they were messages from smart extraterrestrials. Excitement in the scientific community suddenly spiked.
Scientists say that HD 164595 has a Neptune-sized planet that is about seventeen times the mass of Earth. Seth Shostak, Senior Astronomer at the SETI Institute in California, says its orbit is too tight it is too close to its sun for life as we know it to exist.
“We, indeed, discovered an unusual signal," said Alexander Ipatov, who works at the Russian Academy of Sciences in an interview with TASS. "However, an additional check showed that it was emanating from a Soviet military satellite, which had not been entered into any of the catalogs of celestial bodies. It can be said with confidence that no sought-for signal has been detected yet.”
On August 29th, we reported that an international team of astronomers detected signals coming from almost 100 light years away, that appeared to be a strong candidate for extraterrestrial contact, according to a document circulated by Alexander Panov, a theorectical physicist at Lomonosov Moscow State University --"a strong signal in the direction of HD164595, a planet system in the constellation Hercules was detected on May 15, using the RATAN-600 radio telescope (above) in the Russian Republic of Karachay-Cherkessia."
Subsequently, Eric Korpela, an astronomer with Berkeley SETI, downplayed the hype over this latest signal in a note reported by VOX on the Berkeley SETI website. "All in all, it's relatively uninteresting from a SETI standpoint." Korpela continued:
"I looked over the presentation. I was unimpressed. In one out of 39 scans that passed over star showed a signal at about 4.5 times the mean noise power with a profile somewhat like the beam profile. Of course SETI@home has seen millions of potential signals with similar characteristics, but it takes more than that to make a good candidate. Multiple detections are a minimum criterio
"Because the receivers used were making broad band measurements, there's really nothing about this "signal" that would distinguish it from a natural radio transient (stellar flare, active galactic nucleus, microlensing of a background source, etc.) There's also nothing that could distinguish it from a satellite passing through the telescope field of view. All in all, it's relatively uninteresting from a SETI standpoint."
"If the transient claimed originates from beyond the Earth, then, given what we currently know of the parameters of the RATAN search, such events ought to be common. The fact that they are not frequently seen in continuum imaging surveys suggests that the RATAN transient is likely due to instrumental interference or to some other artifact of human technology. While absence of evidence for extraterrestrial intelligence is by no means evidence of absence, our GBT observations did not detect ongoing emission from the direction of HD 164595 between9.1 and 11.6 GHz to a sensitivity of ∼ 10 mJy (10σ).
"Single-epoch transients are by their nature hard to confirm ordeny, illustrating the need for confirming followup, either at a later time, or as part of the observing strategy (whether triggered follow-up of interesting sources, or some form of onoff observing). We intend to re-observe HD 164595 as part of the Breakthrough Listen target list, along with ongoing observations of targets selected using a range of criteria."
The Berkeley SETI team concluded that they "welcome opportunities for partnership in order to quickly validate and analyze candidate signals, to continue to develop tools and techniques, and to share our excitement with those who, like us, seek to answer the question, “Are we alone?”.
The next iPhone, expected to be unveiled Wednesday, may be missing something familiar: the ubiquitous headphone jack. Usability experts say the change could really sit badly with Apple customers.
Pretoria High School for Girls has long banned certain hairstyles so that students would have a "neat" appearance. Now black students are pushing back.
On September 12, NPR launches a new podcast, How I Built This, hosted by Guy Raz. The show features innovators, entrepreneurs, idealists, and the stories behind the movements they built.
Productivity, a key measure of the economy's health, has been growing more slowly in recent years. Can Facebook and other social media distractions on the job be partly to blame?
The lander was the first to ever set down on a comet — but couldn't get enough sunlight to recharge its batteries, and went into hibernation. New images show Philae stuck in a crack.
More than any of today's icons — Bill Gates, Steve Jobs, Mark Zuckerberg and the rest — Guglielmo Marconi was uniquely at the center of the communication revolution of his time, says Marc Raboy.
Alex Longo hopes to be the first person to walk on Mars. In the meantime, the Raleigh, N.C., sophomore has suggested a landing site for the next rover mission. His pick is one of four finalists.
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Alex Chilli posted a photo:
After some camera downtime following the U.S. , some nice light at the end of August forced me to pick it up again - as the sun goes down - trying to avoid the more obvious shot of St Paul's the light falling on the people looked great.
Mathias Appel posted a photo:
The elders say that reburying can help deal with the loss and hurt of disturbing these graves. These are people whose graves are in some cases known about and who have family connections in Cannon Ball. We want an opportunity to rebury our relatives. We normally are given this opportunity if gravesites are disturbed.
I do not believe that the timing of this construction was an accident or coincidence. Based on my observations, the nearest area of construction in the right of way west of Highway 1806 is around 20 miles away. It appears that DAPL drove the bulldozers approximately 20 miles of uncleared right of way to access the precise area that we surveyed and described in my declaration. The work started very early in the morning and they were accompanied by private security with dogs and with a helicopter overhead, indicating that the work was planned with care and that controversy was expected.
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Federal authorities are taking most humpback whales off the endangered species list, saying they have recovered enough in the last 40 years to warrant being removed.
The National Marine Fisheries Service (NMFS) said on Monday that nine of the 14 distinct populations of humpbacks would be removed, while four distinct populations remain listed as endangered and one as threatened.
Related: Kayaker captures video of humpback whales feasting in San Francisco Bay
Continue reading..."Just as I believe the Paris agreement will ultimately prove to be a turning point for our planet, I believe that history will judge today's efforts as pivotal. We have a saying in America that you need to put your money where your mouth is. And when it comes to combating climate change that is what we are doing ... we are leading by example."
"When the two largest emitters lock arms to solve climate change, that is when you know we are on the right track," said David Waskow from the World Resources Institute: "Never before have these two countries worked so closely together to address a global challenge. There's no question that this historic partnership on climate change will be one of the defining legacies of Obama's presidency."
"The stretching of resources due to the strain placed on the ecological carrying capacity and the economic stratification of society into Elites and Masses. In unequal societies, Elites grow and consume too much, resulting in a famine among Commoners that eventually causes the collapse of society."
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Before they compete in Rio, the soccer players on the U.S. Paralympic team attend a series of grueling training camps. The short film 2-3-1 goes inside this preparation and features the perspectives of the team members themselves. “Our hope is that this film will empower those dealing with psychological trauma and physical disabilities and ultimately shine a light on the beauty of the human spirit,” said Jefferis Gray, the film's writer and producer. 2-3-1 was directed by John Merizalde and produced by Whitelist. To learn more about the Paralympic team, you can visit its website.
At Miss Hispanidad Gay 2016, competitors vie for the crown and to represent North Carolina's Hispanic community. The pageant is particularly relevant today: it's a latino, LGBT event in a state that has recently passed laws that repeal the civil rights of trans people. “It's not acceptable in society to kiss or hold hands with our partner,” says Oskar Menen, who goes by the stage name of Gaga L'Draga. “I think the public out there is missing some tolerance for our community.” The Atlantic travelled to Durham, North Carolina, to film the event and get the perspectives of competitors and organizers.
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Another sun set view from Greenwich Park in London
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Thanks for visiting! Prints and downloads are available from my website... www.andygittos.com
The Great Pyramids of Giza are located on the outskirts of Cairo, Egypt. Dating back to 2580 BC, the Great Pyramid, the largest structure at the site, is the oldest of the Seven Wonders of the Ancient world and the only one to remain largely intact. With an estimated 2,300,000 stone blocks weighing from 2 to 30 tons each, the 481 foot pyramid was the tallest structure in the world for more than 3,800 years.
29°58′34″N 31°7′58″E
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In south central North Dakota, members of the Standing Rock Sioux Tribe have been joined by hundreds of other Native Americans and supporters in a protest against the ongoing construction of the Dakota Access Pipeline (DAPL), a $3.8 billion oil pipeline meant to carry crude oil from the Bakken oil fields through the Dakotas and Iowa, to Illinois. Over the weekend, protesters were attacked by dogs and sprayed with pepper spray after clashing with private security contractors at a site being bulldozed for the DAPL, which—according tribal officials—was damaging burial and cultural sites. The tribe and its allies have been battling the pipeline construction on the ground and in the courts, fearing not only destruction of sacred cultural sites, but the endangerment of their water supply should an oil spill ever occur.
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Boeing 787-9 (787-91R) 'DREAMLINER™'
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G-VNEW 'Birthday Girl'
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For more info and stories behind my pictures follow me on facebook .... www.facebook.com/mbontenbal
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1934 A. Huxley Beyond Mexique Bay. Why should the Local Pavlov have
chosen to ring just those particular bells which happen to be rung?
1933 L. Thayer Counterfeit iii. Wait a second, Ray... Why does that name ring
a bell with you?
...he struck a bell when the dogs were fed. If the bell was sounded in close
association with their meal, the dogs learnt to associate the sound of the bell with food. After a while, at the mere sound of the bell, they responded by drooling.
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Apple will be launching an app this autumn, which will allow users to control multiple home appliances through speaking to their smartphone.
The Home app will roll out with Apple's latest iOS 10 update in September, and aims to enhance the company's existing platform HomeKit, which until now has worked by connecting different device apps together.
Now, Home will be a hub where users can access all of their connected home products, including lighting, locks, heating and cooling, plugs and switches, blinds and sensors for appliances such as kettles.
Home will rival smart thermostat apps such as British Gas's Hive and Alphabet's Nest, and connected home hub Samsung's SmartThings.
Apple describes the new app as a “simple and secure way to manage home automation products in one place”, and to “set up, manage and control your home”.
The app links up with Apple's Siri feature so will be voice activated. Users can choose whether they want to manage home devices individually or group certain ones together, such as lighting, locks and heating, and control them with a single command.
Users can also organise their day into “scenes”, for example “I'm home”, “Good morning” and “Good night”, which when selected will trigger a series of actions, such as lights and heating coming on when they get home.
The app will also show specific details, such as the exact temperature of a thermostat at a given time, or the percentage at which dimmer lights are lit.
The app allows devices to be controlled remotely away from the home, or alternatively through other devices such as the Apple TV. It will also be possible to set timer triggers, and also event triggers for example, requesting the heating to come on only if the temperature in a room drops below 20°C.
The app will be available for £10.99 through the iTunes Store this autumn for users of iPhone 5 and later editions. An exact release date for iOS 10 is yet to be revealed.
The post Apple set to control homes through new connected home app appeared first on Design Week.
Channel 4 TV show Hollyoaks has had a brand revamp, taking on a new logo and new title sequence.
The redesign is the soap opera's first major one in six years, and has been completed by the design and graphics team at Lime Pictures, the production company for the show.
The new logo replaces one implemented in 2011, which was made up of a 3D sans-serif typeface that used two interchangeable colours.
Prior to this, the soap had a flat logo which incorporated plus sign and arrow gender symbols, implemented in 2007.
The new logo sees a return to flat typography, which still makes use of two shades but without 3D elements.
The two colours are interchangeable depending on context, but are most commonly seen as white and grey, used against various title sequence backdrops.Lime Pictures says the new logo has “clean lines and a modern feel” but also a “slightly retro look to recognise the show's heritage”.
The new branding has also been applied online and across social media applications, using a revamped “H” icon as the motif.
The new title sequences aim to be “vibrant, fun and glossy”, says the show's executive producer Bryan Kirkwood, and include shots of new characters on the show. Lime Pictures say the sequences aim to “move away from CGI” and more towards film.
Music accompanying the title sequence has also been reworked, completed by musician A Skillz.
2016 marks the soap's 21st year on Channel 4. The new title sequences and branding roll out this week.
The post Channel 4 TV show Hollyoaks undergoes rebrand appeared first on Design Week.
In cities around the world, temporary ‘pop-up' restaurants, shops and cultural events are everywhere. Have we reached peak pop-up, or is there more to this sometimes daft-sounding phenomenon than meets the eye?
Pop-ups are now ubiquitous in our cities. Whether it's airy white retail spaces selling Kanye West's Pablo merch, unassuming cornershops doubling as the spot where Frank Ocean chooses to launch his new album or shipping containers being made into temporary accommodation for homeless people in one form or another they are now part of the fabric of many cities around the world.
Which is why it takes a fairly outlandish one to make you look up from the bowl of Lucky Charms you're eating in a replica Saved by the Bell diner. But San Francisco residents have recently been invited to a pop-up that does just that: a dinner in a dumpster.
Related: How 'eye-tracking' could change our experience of cities for better or worse
Continue reading...Homeowners across Australia will be flinging open their doors this Sunday and inviting curious visitors in to inspect their credentials on Sustainable House Day. Guardian Australia takes a closer look at a few of the inspiring properties that have upped the energy efficiency ante. Visit sustainablehouseday.com for for more information
Continue reading...Kieron Connolly's new book of photographs of more than 100 once-busy and often elegant buildings gives an eerie idea of how the world might look if humankind disappeared. Here are 10 evocative, stylised images of nature reclaiming the manmade world
Continue reading...The shortlist has been announced for a competition to design a permanent light installation on the River Thames.
The Illuminated River International Design Competition backed by the Mayor of London and the Rothschild Foundation will see one team develop concept lighting schemes for four famous London bridges: Westminster, Waterloo, London and Chelsea.
They will also design the masterplan for another 13 bridges between Albert and Tower Bridge.
The shortlist includes Adjaye Associates, AL_A, Diller Scofidio + Renfro, Les Éclairagistes Associés, Lifschutz Davidson Sandilands, Sam Jacob Studio and Simon Hejidens.
The six finalists have been whittled down from over 100 multidisciplinary teams, made up of 346 individual design, engineering and architecture firms.
Hannah Rothschild, chair of the Illuminated River Foundation, says: “The final shortlist represents an exhilarating mix of talent, inspiration and design approach. In November the finalists' concept designs will be unveiled, and London will have six possible visions of how the river and the city might be transformed after dark.”
After the concept designs go on display to the public in November, a jury made up ofsfigures including Lord Rothschild and Dame Julia Peyton-Jones will announce the overall winner in December.
The post Shortlist revealed for £20 million River Thames permanent light installation appeared first on Design Week.
Director of the V&A Martin Roth, who set up the museum's design, architecture and digital department, has announced that he will stand down from his post this year.
61-year-old Roth leaves after five years doing the job, and was behind many of the museum's most successful exhibitions including David Bowie is and Alexander McQueen: Savage Beauty.
His tenure also saw the museum's highest ever recorded visitor number of 3.3 million in 2014.
Roth leaves his post after reportedly telling German international broadcaster Deutsche Welle in June that the UK's vote to leave the European Union was a “personal defeat”.
On how the decision would affect the cultural sector, he said: “On a national level, we will have to get used to living without European funds. That will especially affect research.”
He added that he felt affected “on an ideological level more than an economic one”, and that the phase of exiting the EU would be “horrible”.
The V&A was unable to confirm at the time of publishing whether Brexit played a part in Roth's decision to step down, but says there are “various reasons” for his departure.
Roth, who was born in Germany, was previously president of the German Museums Association, and before that held director and curator roles at various science and history museums in Germany.
Roth himself says: “It's been an enormous privilege and tremendously exciting to lead this great museum…Our recent accolade as Art Fund Museum of the Year feels like the perfect moment to draw to a close my mission in London and hand over to a new director to take the V&A forward to an exciting future.”
He is set to step down this autumn, and the V&A's board of trustees is currently seeking a new director.
Nicholas Coleridge, chairman of the trustees of the V&A, adds: “Martin's tenure as director has been marked by a highly successful period of creativity, expansion and re-organisation of the V&A. He has made a significant contribution to the success of this museum.”
The post V&A director Martin Roth steps down appeared first on Design Week.
What if this produces an animal with a partly human brain?
Will the human spirit survive the new age of the machine?
'Before the end, one began to pray to it.'
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DesignStudio has rebranded food delivery service Deliveroo, introducing a new kangaroo character while overhauling typography and staff uniforms.
Deliveroo was founded in 2013 in London and has since expanded to 12 countries and more than 100 cities.
The original logo was designed by friends of Deliveroo co-founder Will Shu, who says that it was necessary to rebrand following the rapid expansion of the company as the identity now needs to work a lot harder.
Shu says that when Deliveroo started out he did the deliveries and his co-founder and childhood friend Greg Orlowski handled the tech and development.
“Our customers were my ex colleagues and our office was my flat. Back then, our logo was something that a couple of friends drew” says Shu.
The original brand was designed with the Deliveroo website, rider boxes and business cards in mind. Since then advertising campaigns have been launched and the most visible part of the brand has become the thousands of riders who work for the company.
After a pitch process DesignStudio was selected and in its research phase took part in customer service shifts, became riders and according to Deliveroo's in-house design team “ate enough to get a sense of what restaurant delivery really means.”
DesignStudio's semiotics analysis focused on what the Deliveroo logo meant in other cultures and countries while workshops across the business considered where staff could see the identity being used in the future.
A range of different routes were initially worked on, some of which kept the kangaroo, while others looked for a new direction. As part of the wider process it was established that the kangaroo was loved both internally and externally, according to Deliveroo's in-house design team.
A new “bold and impactful kangaroo” has been developed and made deliberately angular so that it can dovetail with a broader graphics system across other touchpoints such as the website and rider kits.
DesignStudio executive strategic creative director James Hurst says: “We have created a symbol that can be recognised as a character the roo irrespective of what language you speak while the minimalist aesthetic reduces established cultural associations that might be positive in one culture but controversial in another.
“This is a mark that Deliveroo will imbue with meaning over the next few years.”
The rider kit has been designed with rider safety in mind, says Deliveroo, and developed in consultation with road safety organisation Brake and the riders themselves so they feel happy wearing it.
There is hyperreflective material on the waist, shoulders and wrists of jackets to demonstrate the movement of riders at night while the rest of the material has been designed to be visible by day.
Meanwhile riders in warm climates wanted to be cool and riders in cold climates wanted to be warm and protected from the elements so this has all been accounted for with a range of clothing.
Typography also takes its cue from the angular “roo”, particularly headlines which use a customised version of Stratos, “which echoes the angles and shape within the symbol and is brimming with personality for bold punchy headlines,” says Hurst.
He adds: “Its the same type used across the rider jackets and while its been worked into, is also the basis for the wordmark.”
A photography style has been developed across the brand, which focuses on the colour and texture of food and this has been art directed to appear real, messy and up-close, according to Deliveroo.
A roll out begins this Friday and Hurst says: “There is much more still to come.”
The post Deliveroo unveils new kangaroo as part of rebrand appeared first on Design Week.
Artists, poets, writers and National Trust join forces to show what incarceration was like in jail that held Oscar Wilde
Reading Gaol, made infamous worldwide by the grim ballad written by its most famous prisoner, Oscar Wilde, closed its doors to prisoners in 2013. Now, for the first time in almost two centuries, it will reopen to outsiders.
They will be welcomed with installations by artists, readings by poets and writers including De Profundis, the bitterly moving letter Wilde wrote from the jail, one page at a time on the single piece of paper he was allowed each day and offered tours into the darkest and most feared part of the compound, the underground punishment cells where the prisoners were held for days in complete darkness and silence. It has all been organised by the arts producers Artangel and the National Trust.
Continue reading...At the family farm in Devon, artist Jessica Albarn has turned a sheep field into a study plot for her electric ink drawings of spiders, crickets and bumblebees
Crickets bounce, bees wobble, hoverflies dart and Jessica Albarn stands in the middle of her steep, sunny meadow and scrunches up her hands in delight. “Quite a bit of my work is about layers,” she says, crouching down to investigate the depth of the grass with her fingers. “It's about being able to get right in there and explore an area.”
Albarn is a visual artist best known for her beautifully detailed pencil drawings of spiders, bees, butterflies and other insects. Perhaps it is inevitable that peering through a microscope at dead insects in her London studio led her to the lanes of south Devon to create a meadow, and capture some of its richness in a series of artistic adventures.
We've wired up these electric ink drawings put your hand neart and it activates the sound
Continue reading...'our color' drenches viewers in the spectrum and surrounds them in a vibrant, prismatic expanse.
The post step inside a rainbow with liz west's immersive color landscape appeared first on designboom | architecture & design magazine.
as burning man officially comes to a close, we take a look at some of the most mind-bending installations and architectural artworks to land on the playa this year.
The post burning man art installations: a look at black rock city's fiery finish appeared first on designboom | architecture & design magazine.
HM Reading prison
Ai Weiwei and Steve McQueen are among the artists doing time at the prison where Wilde was an inmate. Our critic goes behind bars at Artangel's new show
Oscar and Bosie are sharing a cell. Their painted portraits hang on a wall spotted with graffiti, the tags and love hearts left by the young offenders who languished here before Reading prison, built in 1844, finally closed in 2013. Painter Marlene Dumas amplifies Lord Alfred Douglas's sly and shifty gaze, as he looks out of the corner of his eye towards an imperious and self-possessed Wilde. There is an enormous tension between the two portraits. This is more than just proximity.
The prison itself, with its echoing walkways and wings, suicide netting on its open stairwells, its rows of closed doors and cells, is also much more than just a setting for the artists and writers banged up in Artangel's latest project, Inside: Artists and Writers in Reading Prison.
Related: Oscar Wilde's De Profundis one of the greatest love letters ever written
The larkish 'Room Service', scribbled by a prisoner beside a cell's emergency bell, is as redolent as any art
Related: Nan Goldin in Reading gaol: why I'm making art in Oscar Wilde's cell
Continue reading...HM Reading prison
Ai Weiwei and Steve McQueen are among the artists doing time at the prison where Wilde was an inmate. Our critic goes behind bars at Artangel's new show
Oscar and Bosie are sharing a cell. Their painted portraits hang on a wall spotted with graffiti, the tags and love hearts left by the young offenders who languished here before Reading prison, built in 1844, finally closed in 2013. Painter Marlene Dumas amplifies Lord Alfred Douglas's sly and shifty gaze, as he looks out of the corner of his eye towards an imperious and self-possessed Wilde. There is an enormous tension between the two portraits. This is more than just proximity.
The prison itself, with its echoing walkways and wings, suicide netting on its open stairwells, its rows of closed doors and cells, is also much more than just a setting for the artists and writers banged up in Artangel's latest project, Inside: Artists and Writers in Reading Prison.
Related: Oscar Wilde's De Profundis one of the greatest love letters ever written
The larkish 'Room Service', scribbled by a prisoner beside a cell's emergency bell, is as redolent as any art
Related: Nan Goldin in Reading gaol: why I'm making art in Oscar Wilde's cell
Continue reading...Displayed in a gallery for two days, an automaton from the rapper's latest video is suddenly a $4m collector's item. Just don't call the work on show a sculpture
Is it or is it not on sale for $4m? In case it's not obvious, I'm talking about Kanye West's “sculpture” Famous. According to which reports you believe, his lineup of lifelike, automated models of celebrities in bed together is either going for a lot of money, or was never up for grabs in the first place. Perhaps the “creator” himself can't decide. That's if Kanye moulded these figures. Did he really shape that silicone or did he just pay for it?
Famous, originally made for the video of West's song of the same name, has been exhibited in an “exclusive” two-day exhibition at the Los Angeles gallery, Blum and Poe thus becoming art. Because it's in a gallery, it has to be, right? Cue the inevitable speculation that art inspires in our lofty culture: how much is it worth? Remarkably, what little of the media coverage has asked is whether Famous is a work of art (let alone a good or bad one) or in what sense West is a visual artist.
Related: Is Kanye West hip-hop's greatest cubist?
Related: Larger than life: Duane Hanson's hyperreal sculptures in pictures
Continue reading...US one sheet for ANTIBIRTH (Danny Perez, USA, 2016)
Designers: Webuyyourkids
Poster source: IMPAwards
syphrix photography posted a photo:
Cute little fella :)
Taken at the Singapore Zoo
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At a ceremony in this picturesque lakefront city, the two leaders hailed the adoption of the Paris agreement as critical to bringing it into force worldwide. Though widely expected as the next step in the legal process, the move could provide a boost to those who want to build momentum for further climate talks by bringing the December accord into effect as soon as possible. Countries accounting for 55 percent of the world's emissions must present formal ratification documents for that to happen, and together, China and the United States generate nearly 40 percent of the world's emissions.
Federal scientists have documented a sharp jump in this nuisance flooding -- often called "sunny-day flooding" -- along both the East Coast and the Gulf Coast in recent years. The sea is now so near the brim in many places that they believe the problem is likely to worsen quickly. Shifts in the Pacific Ocean mean that the West Coast, partly spared over the past two decades, may be hit hard, too...Local governments, under pressure from annoyed citizens, are beginning to act. Elections are being won on promises to invest money to protect against flooding. Miami Beach is leading the way, increasing local fees to finance a $400 million plan that includes raising streets, installing pumps and elevating sea walls. In many of the worst-hit cities, mayors of both parties are sounding an alarm.
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Louis Essen Scientist of the Day
Louis Essen, an English physicist, was born Sep. 6, 1908.
This September, as they start the school year, French children aged 14 years old and upwards are going to get lessons on how to deal with a terrorism attack on their school. Meanwhile, the debate over the ban on wearing burkinis and whether they are, in the words of France's prime minister, "a political sign of religious proselytising" continues.
The big question, however is this: Why are we seeing a rash of these attacks in Europe and especially in France, and are such measures effective in countering them?
What have we learned from the horrors of the Charlie Hebdo shooting, the murder of 130 people in and around Paris last November, the Bastille Day truck attack in Nice and the killing of an 85-year-old priest inside of a church in Normandy?
Examining the reactions of French authorities, we can conclude there are only limited actions that can be taken to prevent such atrocities.
Security can been heightened by extending the state of emergency that it declared last November. Intelligence efforts can be redoubled. Such efforts are raising concern about civil liberties being curtailed. But the Nice attack is also a dire warning that these measures aren't effective as a means of protecting citizens from continued attacks.
The point is that none of the above policies could have prevented Mohamed Lahouaiej Bouhlel and Abdelmalik Petitjean from carrying out their violent actions. Thousands if not millions of people living in Europe have similar profiles. Tunisian or Algerian descent and French citizenship are not enough to tip off authorities that a person could run over 84 people with a truck or slit the throat of a priest.
So how can we hope to prevent future attacks? We need to change our focus, in my opinion, to examining these perpetrators' "sense of belonging" rather than looking for reasons to detain or expel them because they don't belong.
A number of years ago, while working at the National Institute for Scientific Research in Montréal, I was invited to join a research team studying the integration of refugees and immigrants into Québec society.
This led me to work on research projects that looked at a broad range of questions - from why people claim refugee status to how immigrants use storytelling to talk about their displacement and assimilation into Canada.
My first project was focused upon immigrant literary works - especially novels and short stories - that were a largely untapped source of information to help officials understand the complex process of integrating into Quebec society, and in particular, as a way to understand relationships between immigrants and individuals from the host country.
There's a pretty large body of so-called immigrant literature in Québec. Interestingly, many of these narratives include graphic and sometimes even pornographic descriptions of encounters between native-born and immigrant protagonists.
A broad reading of these stories made me realize that developing relationships with friends and lovers contributed to the migrant's "sense of belonging." They helped him or her to forget their country of origin and forge a new beginning in the host society.
In fact, I came to believe that these immigrants' ability to adapt had something to do with the very process of exchange. Or, put another way, the many acts of giving and receiving that they committed each day helped them to feel connected to society.
In order to evaluate this process of adaptation, I turned to work by French biblical scholars called the Groupe d'Entrevernes, which focuses upon how narratives "make sense": that is, how a story creates meaning in the context of the text, but also in regards to the world to which it refers.
This approach focuses on looking for meaning by analyzing particular actions, notably "who does what to whom where." So in the case of immigrant literature, a group of us looked in minute detail at the complex interactions between characters, with special focus upon how relationships begin and end, and what is gained in the process. We also assessed characters' attitudes prior to and after each interaction, with an eye to understanding the effect of the exchange.
Our goal was to assess which specific actions help foster a sense of belonging, in a new country and which alienate the character from his or her society.
The signing of a lease, the acquisition of immigrant status (whether a work visa or a green card) or being hired for a job all foster a sense of belonging. Being kicked out of an apartment, divorced or deported are all examples of loss of belonging.
The advantage of research like this for a case like Nice is that it forces the investigator to examine all of the concrete details of the perpetrators' lives leading up to the horrific event, rather than just focusing upon the act of violence.
It's not sufficient to know that Mohamed Lahouaiej Bouhlel had a violent relationship with his wife, or that Abdelmalik Petitjean visited Turkey just prior to entering a church in Normandy.
What's more important is to understand what they wanted for themselves in the longer term. As difficult as it now seems in light of their murderous actions, we would gain a lot by undertaking meticulous investigations into these individuals' sense that they didn't belong in France, and that they had to destroy what it represents.
By creating concrete conditions for different communities to feel they belong, policymakers can help their diverse populations feel connected to, and thus protective of, their societies.
Many of the analyses of recent terrorist events have focused upon the "lone-wolf" quality of the perpetrators. These lone wolves are difficult to predict, because they are acting independently, and without any contact with extremist organizations or individuals.
The work of policymakers, then, is to figure out how to prevent these individuals from acting impulsively, on the basis of some unpredictable trigger. My sense is that the only way to do this is to build a sense of belonging that will prevent them from feeling destructive. If they feel alienated from their society and feel they don't belong there, then they can also feel that other people deserve to suffer or die.
Following the logic of this approach, we can try to figure out which actions serve to reinforce belonging and which hinder it and then develop policies that build on the positive rather than the purely negative.
Our research in Quebec indicated that most of these actions are quite simple and achievable. They range from providing federal funds for ethnic celebrations and translations for pamphlets about available social services to encouraging local tolerance for so-called "foreign" customs such as the wearing of burkinis (something that has not happened in France) or Sikh turbans. In the Quebec example, our reading of the literature also indicated that undue bureaucratic wrangling that hinders the process of procuring basic necessities, like a driver's license, or that made access to social services such as health care or daycare difficult, can become sources of frustration and alienation.
At the same time, it is crucial to explain which of these customs can lead to severe punishment in the host country. Such actions as Latin Americans shooting off guns during parties or immigrants from Africa and the Middle East sending children abroad for female genital mutilation can become grounds for serous punishments.
Most importantly, our research suggested that successful integration generally occurs through individual incentive and personal relationships, fostered, whenever possible, by the community or the government. The 1988 Canadian Multiculturalism Act formalized a policy to encourage multicultural diversity and develop a sense of tolerance through recognition and understanding. One result of our own research was to help contribute to a higher profile for the Ministry of Immigration and Cultural Communities and to support their championing of diversity and inclusion.
I may have traveled to Nice this summer with my family in order to celebrate Bastille Day, because it's a beautiful setting, a city where we dream of the passion, luxury and the sultry pleasures of the French Riviera. Mohamed Lahouaiej Bouhlel may have decided to target those same celebrations for exactly the same reasons, because while we might feel like sharing in that sense of belonging, he most certainly didn't.
Robert F. Barsky, Professor of English and French Literatures, and Professor of Law, Vanderbilt University
This article was originally published on The Conversation. Read the original article.
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