Its presentation may seem hurried and chaotic, but the inaugural edition of this design gala brings eye-opening visions of utopia from all corners of the globe
A battered orange pickup truck stands on the stately stone terrace of London's Somerset House, parked askew like a getaway car hastily abandoned. Behind it stretches a shanty village of shawarma-sellers and juice-squeezers, backgammon players and shisha smokers, along with a barber sharpening his cutthroat razor with alarming enthusiasm.
Related: Bohemians, Bauhaus and bionauts: the utopian dreams that became architectural nightmares
Related: Sweet artist: the Willy Wonka of lost Syria
Continue reading...for 'I am here', the paper pieces express the non-stop flow of pedestrians that occupy the bustling district of ginza in japan.
The post emmanuelle moureaux layers 18,000 paper silhouettes in 100 different colors appeared first on designboom | architecture & design magazine.
The Store, London
The Hayward's new offsite show is a weird, wonderful assortment of installations featuring ghostly opera stars, dancing plant-life and a bullet-riddled tour of Kendrick Lamar's home town
Maria Callas stands in a narrow alcove beyond a barrier in a dark and resounding space. A holographic apparition, Callas is a woman in red, played by artist Dominique Gonzalez-Foerster, lip-synching the diva's voice as she sings arias from Cherubini's Medea, Verdi's La Traviata and Ponchielli's La Gioconda.
We are in a cavernous concrete floor of Store, a brutalist office block on London's Strand, now occupied by the Hayward's The Infinite Mix, an offsite exhibition (the Hayward gallery itself is closed for a two-year refurbishment) devoted to sound and image, video and music. As well as the holographic ghost of Maria Callas, Gonzalez-Foerster gives us an aural apparition of the opera house itself, with recorded whispers from the audience and the echoey background noise of an auditorium whose volume is larger than the space we are in. There is a yearning for something always beyond reach in Gonzalez-Foerster's work that I like very much.
Continue reading...the installation offers visitors the unique experience of simultaneously seeing the world through the eyes of both philip johnson and kusama herself.
The post yayoi kusama dots philip johnson's glass house in a red polka pattern appeared first on designboom | architecture & design magazine.
olliepix posted a photo:
A major installation by Ik-Joong Kang, one of South Korea's most renowned and celebrated multimedia artists, “Floating Dreams” sits on a barge on London's River Thames, Wednesday, Sept. 7, 2016, against a backdrop of the BT Tower and the Millennium Bridge, top, at sunset. Floating Dreams, is a compelling, large-scale installation situated in the centre of the River Thames by Millennium Bridge. Constructed from 500 drawings and illuminated from within, the three-storey-high lantern structure acts as a memorial to the millions displaced and divided during the Korean War (1950-53), and a poignant symbol of hope for the reunification of North and South Korea. IMG2406
olliepix posted a photo:
The setting sun lights up the glass bowls of two lamps on the Bankside embankment, London, Wednesday, Sept. 7, 2016. IMG2291
olliepix posted a photo:
A major installation by Ik-Joong Kang, one of South Korea's most renowned and celebrated multimedia artists, “Floating Dreams” sits on a barge on London's River Thames, Wednesday, Sept. 7, 2016, against a backdrop the Millennium Bridge, and a Bankside embankment lamp at sunset. Floating Dreams, is a compelling, large-scale installation situated in the centre of the River Thames by Millennium Bridge. Constructed from 500 drawings and illuminated from within, the three-storey-high lantern structure acts as a memorial to the millions displaced and divided during the Korean War (1950-53), and a poignant symbol of hope for the reunification of North and South Korea. MG1195
Its presentation may seem hurried and chaotic, but the inaugural edition of this design gala brings eye-opening visions of utopia from all corners of the globe
A battered orange pickup truck stands on the stately stone terrace of London's Somerset House, parked askew like a getaway car hastily abandoned. Behind it stretches a shanty village of shawarma-sellers and juice-squeezers, backgammon players and shisha smokers, along with a barber sharpening his cutthroat razor with alarming enthusiasm.
Related: Bohemians, Bauhaus and bionauts: the utopian dreams that became architectural nightmares
Related: Sweet artist: the Willy Wonka of lost Syria
Continue reading...ICI (now Orica) House helped Melbourne throw off its Victorian dowdiness and become a modern city. Gideon Haigh tells the forgotten story of its creation
In a land boasting more skyscrapers per capita than any other country, Australians today would be pardoned for missing their first, a quarter the height of what's now the tallest. Yet no building has exerted such influence on Australian cityscapes as Orica House on Melbourne's Eastern Hill its everyday inconspicuousness attests to the ubiquity of the form it pioneered.
Stand closer to what was originally ICI House and the view changes. “I tell people I'm showing round that this was the iPhone of Australian architecture,” says Tim Leslie, a studio director at Bates Smart McCutcheon (BSM), which not only designed the building but, in a form of architectural ancestor worship, have since made it their headquarters. “It was so different to everything that had gone before.”
I tell people this was the iPhone of Australian architecture
The building swayed slightly. In the fish tank on the executive floor … the water lapped gently from side to side
Not only can you see out both sides of Orica House, but the views are … well, they're to die for
Related: Story of cities #17: Canberra's vision of the ideal city gets mired in 'mediocrity'
Continue reading...-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.
-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.
By Jon Waterhouse and Mary Marshall
Examine the protests over construction of the Dakota Access pipeline with an objective mind (links below, basic facts here) and you'll arrive at the conclusion that the Native Americans gathered at Standing Rock care—and shouldn't we all.
The threat at Standing Rock is not lack of oil or loss of jobs.
The threat is to the one element that none—yes, none—of us can live without: WATER.
I realize that for most readers this is not “in your backyard,” but shouldn't you care enough to support those at Standing Rock to protect something this vital, this important to us all?
The United Nations has recognized the human right to clean water.
Ask yourself what will it take for you to engage in the protection of this resource that makes your latte, fills your pool, allows for fishing and your morning shower, is a major ingredient in beer and wine, beauty products, your supplements and medications, vital to agriculture and many forms of manufacturing … and on and on?
What will it take?
Don't leave the Native Americans to carry this by themselves.
Look around, ask yourself, ask your friends: What will it take and when will we engage?
Standing Rock Coverage From Across the Web
Dakota Access Pipeline: What You Need to Know (Nat Geo Education Blog)
Topic Page From Indian Country Today
Why is the Standing Rock Sioux Tribe trying to stop a pipeline? (Christian Science Monitor)
Showdown over oil pipeline becomes a national movement for Native Americans (Washington Post)
A Pipeline Fight and America's Dark Past (New Yorker)
Taking a Stand at Standing Rock (New York Times)
MSNBC:
In advance of last week's G20 economic summit, the skies over the city of Hangzhou, China, turned “APEC Blue” ― a phrase that was coined by residents of Beijing when the Asian Pacific Economic Conference was held there eight years ago. Factories were closed, traffic was restricted, and air pollution ― temporarily ― vanished. President Obama and the leaders of 19 other major global economies got to see one of China's most beautiful cities at its sparkling best.
Now that the summit is over, the pollution will return. If it's ever going to disappear for good, then the G20 leaders who met in Hangzhou will need to follow through on a commitment they made seven years ago: to stop providing subsidies for fossil fuel development.
Together, the nations that are part of the G20 are currently responsible for more than $440 billion in fossil fuel subsidies annually and account for 74 percent of global carbon pollution. To put that into perspective, the annual total of G20 subsidies to support fossil fuels is more than four times what the entire global economy is currently investing in clean energy. Given the urgency of transitioning the global economy awayfrom fossil fuels, that's counterproductive, to say the least.
Internationally, we've seen historic climate progress lately ― from the agreement between the U.S. and China to limit carbon pollution to the adoption of the Paris Agreement, which China and the U.S. both formally joined last week. But while the world moves forward toward a 100 percent clean energy economy, the G20 leaders have been all talk and no walk on ending fossil-fuel subsidies for seven years now.
That's got to stop. For our part, the Sierra Club has launched a new international campaign called Fossil-Free Finance. Our goal is to get all of the G20 countries, the World Bank, and other key international financial institutions to eliminate all fossil fuel subsidies by 2020.
This year's G20 has come and gone, but this issue isn't going anywhere. Send a message to President Obama and the other G20 leaders to let them know that the only way we'll see blue skies everywhere, all the time, is to stop investing in the dirty fuels of the past.
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Cross-Posted from DeSmogBlog
Continental Resources — the company founded and led by CEO Harold Hamm, energy adviser to Donald Trump's presidential campaign and potential U.S. Secretary of Energy under a Trump presidency — has announced to investors that oil it obtains via hydraulic fracturing (“fracking”) from North Dakota's Bakken Shale basin is destined for transport through the hotly-contested Dakota Access pipeline.
Image Credit: Continental Resources
The company's 37-page September 2016 Investor Update presentation walks investors in the publicly-traded company through various capital expenditure and profit-margin earning scenarios. It also features five slides on the Bakken Shale, with the fifth one named “CLR Bakken Differentials Decreasing Through Increased Pipeline Capacity” honing in on Dakota Access, ETCOP and how the interconnected lines relate to Continental's marketing plans going forward.
In a section of that slide titled, “Bakken Takeaway Capacity” a bar graph points out that the opening of Dakota Access would allow more barrels of Continental's Bakken fracked oil to flow through pipelines.
Dakota Access is slated to carry the fracked Bakken oil across South Dakota, Iowa and into Patoka, Illinois. From there, it will connect to the company's Energy Transfer Crude Oil Pipeline (ETCOP) line, which terminates in Nederland, Texas at the Sunoco Logistics-owned refinery.
Previously, Harold Hamm was as an outspoken supporter of TransCanada's Keystone XL pipeline, deploying the lobbying group he founded named the Domestic Energy Producers Alliance to advocate for KXL and a Bakken on-ramp which would connect to it. Once he realized the northern leg was doomed politically, Hamm began singing a different tune on Keystone.
“We're supporting other pipelines out there, we're not waiting on Keystone. Nobody is,” Hamm, also an energy adviser to Mitt Romney's 2012 presidential campaign, told Politico in November 2014. “That thing … needed action on it six years ago. I just think it's too late and we need to move on.”
One of those ‘other pipelines' Hamm appears to have taken an interest in is Dakota Access (DAPL). Although to date, neither Hamm nor Trump have commented publicly on the DAPL project. Continental Resources told DeSmog that it does not comment on pipeline shipping contracts.
As The Intercept's Lee Fang pointed out in a recent article, some oil from Dakota Access could feed export markets, despite Energy Transfer's claims in a presentation that it will feature “100% Domestic produced crude” that “supports 100% domestic consumption.”
Hamm's Domestic Energy Producers Alliance, as revealed in a December 2015 DeSmog investigation, led the successful public relations and lobbying campaign charge for lifting the crude oil export ban.
The battle over the fate of Dakota Access has pitted Native American Tribes, environmentalists and libertarian private property rights supporters against Energy Transfer Partners and state- and federal-level agencies which have permitted the project.
The Standing Rock Sioux Tribe awaits a decision by a Judge in the U.S. District Court for the District of Columbia in its lawsuit against the U.S. Army Corps of Engineers, set for September 9.
“Hamm is an oil profiteer exploiting the health of the water, farmland, and communities in the Dakotas and all downstream,” Angie Carter of the Women, Food and Agriculture Network — one of the over 30 groups comprising the Iowa-based Bakken Pipeline Resistance Coalition — told DeSmog. “In Iowa, we've called upon both Trump and Clinton to speak out against the pipeline.”
Like Trump, Clinton has yet to comment on the pipeline.
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Veterinarians at Smithsonian's National Zoo have turned to an unconventional therapy for an arthritic 41-year-old Asian elephant shoes. The talented animal also knows how to play the harmonica.