A new partnership with chinadialogue will bring a year of in-depth reporting, expert opinion and features to a crucial audience of consumers and readers China
Wave after wave of elephant slaughter, driven first by European and US ivory collectors and more recently by demand in Asia, has brought the African elephant to its knees. A catastrophic decline in the past decade is primarily due to poaching to feed a continuing passion for ivory.
The poachers are mainly Africans, but their clients are often criminal gangs based in Asia who smuggle the tusks on planes and ships to countries where demand for ivory continues to grow. The largest of these is China.
Related: 《卫报》为何要用中文报道大象的生存危机?
Related: 事实上,大象已经濒临灭绝
Continue reading...目前全球大象种群处境危急。卡尔·马蒂森 就将向我们解释,为何大象即将迎来前所未有的生死攸关时刻。
翻译: Estelle/中外对话/chinadialogue
作为陆地上体积最大的野生动物,声音如雷、体重可达六吨的大象可谓是生物演化史上的一个奇迹。除了它们那有着10万块肌肉的灵活无比的鼻子,和能帮助它们驱走热量的特大号耳朵之外,大象族群还有着复杂的母系社会结构,它们甚至还会在同伴逝去之后恸哭哀痛。而大象的另外一个特征就是长长的象牙,这本来应该是它们保护自己的防卫武器,然而却最终成为了族群濒危的导火索。
Related: 《卫报》为何要用中文报道大象的生存危机?
Related: Elephants on the path to extinction - the facts
Related: Why the Guardian is publishing its elephant reporting in Chinese
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Robert Fludd Scientist of the Day
Robert Fludd, an English physician and Hermetic philosopher, died Sep. 8, 1637, at age 63.
littlestschnauzer posted a photo:
View from the AquaShard restaurant, Floor 31 of the Shard, London, UK.
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Mathias Appel posted a photo:
Jang is a very photogenic panda!
A 61-year-old Italian convicted of public masturbation has had the threat of hard time lifted, after judges declared the dirty old goat's favoured pastime isn't actually a crime in the country.…
littlestschnauzer posted a photo:
This was taken roughly 8pm, end of August 2016....it's not fully dark yet, so whilst the contrast isn't yet at it's fullest, you can pick out everything that is still going on across the City Of London.
I was lucky enough to have dinner on Floor 31 of the Shard, in a restaurant called the AquaShard, where we had a window table and for a few hours had amazing views across London.
To study dogs' brain activity, scientists had to train canines to hold absolutely still for eight minutes without restraint. But how do you get a dog to freeze that long inside a clanging MRI scanner?
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The High Flux Isotope Reactor at Oak Ridge National Laboratory is the highest flux reactor-based source of neutrons for research in the United States, and it provides one of the highest steady-state neutron fluxes of any research reactor in the world. The reactor underwent routine refueling in July 2015, as seen in this photo. While submersed, the spent fuel emits a luminescent blue glow due to Cherenkov radiation, in which shedding electrons move through the water faster than the speed of light. Once removed from the reactor, spent fuel is then relocated into an adjacent holding pool for interim storage.
Image credit: Genevieve Martin/ORNL
Why is Apple pushing users toward wireless earbuds? "Courage," says an Apple executive. Other news from the Apple event involved Super Mario, Pokemon Go and water-resistant features.
In light of the news that Apple is eliminating a headphone jack from its newest iPhone, NPR's Audie Cornish explores the history of the headphone jack with Jonathan Sterne, author of the book, The Audible Past: Cultural Origins of Sound Reproduction.
Has the social media site been good for our mental health or not? The evidence isn't straightforward, researchers say, despite lots of study. How Facebook makes you feel may depend on how you use it.
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Solitons are localized waves that act like particles: as they travel across space, they hold their shape and form rather than dispersing as other waves do. Under normal conditions, waves tend to dissipate as they travel through space. Toss a stone into a pond, and the ripples will slowly die down as they spread out away from the point of impact. Solitons, on the other hand, do not. National Science Foundation-funded scientists have discovered a new type of optical soliton wave that travels in the wake of other soliton waves, hitching a ride on and feeding off of the energy of the other wave.
Image credit: Qi-Fan Yang/Caltech
Kieran Williams Photography posted a photo:
What separates us from the other animals? The list of proposed answers is as long as your arm: rationality; cooking; religion; pointless games; making stuff; and so forth. But one popular answer has always been our power of language. The exact process by which we acquired it is mysterious. So here is Tom Wolfe to tell us why everyone to date has got it wrong.
The book tells the story of two little guys up against two establishment bullies. The hard-grafting Alfred Russel Wallace, who independently co-discovered the principle of evolution by natural selection, didn't stand a chance against Charles Darwin, who enjoyed “the eternally Daddy-paid-for life of a British Gentleman”. Darwin imagined his theory could explain everything, but Wallace eventually decided that it couldn't explain language, which must after all have been God-given.
Wolfe tells his stories with the kind of free-wheeling vim familiar from The Right Stuff and The Bonfire of the Vanities
Continue reading...Star Trek @ 50 Zooming through space faster than the speed of light is integral in science fiction if the story unfolds over different planets, galaxies and universes.…
It's probably just as well as the walk to the fifth pub takes a lot longer than the first four, because according to a four-country collaboration of sports boffins, exercise helps offset ethanol.…
Aleem Yousaf posted a photo:
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Jerry Fryer posted a photo:
An old shot I've just got round to processing - (I'm very slow)
This week is the 350th anniversary of the Great Fire of London so this one seemed appropriate - I've posted a wider shot of this evening before with the old wooden posts in the foreground.
Here I'd zoomed in to 55mm to get more detail in Tower Bridge & the City but had to create a pano to include the Shard & Tower 42.
I particularly liked the burning red reflections in the windows of the Thames Clipper & Tower 42 in this one.
One of those grey overcast days where I wasn't expecting any colour but the Sun broke under the cloud right at the end.
The sky colour was so intense that the raw file was too saturated to need any increase.
The Great Fire of London was started in Pudding Lane by the Royal Baker (inadvertently) in 1666 - so they say.
Luckily very few people were thought to have been hurt & the fire succeeded in sterilising most of the run down slum filled bits of London that had been ravaged by the Great Plague.
For some reason Great Fires, Puddings & Bakers brought 'The Great British Bake Off' to mind.
If you're a fan of the show like my wife - (although I suspect the real reason she watches it is to see the steely eyed scouser - Paul Hollywood) - & you're a serious baker - be sure to turn off the oven before going to bed :))
tanyalinskey posted a photo:
Sunset at Big Ben, London
Its presentation may seem hurried and chaotic, but the inaugural edition of this design gala brings eye-opening visions of utopia from all corners of the globe
A battered orange pickup truck stands on the stately stone terrace of London's Somerset House, parked askew like a getaway car hastily abandoned. Behind it stretches a shanty village of shawarma-sellers and juice-squeezers, backgammon players and shisha smokers, along with a barber sharpening his cutthroat razor with alarming enthusiasm.
Related: Bohemians, Bauhaus and bionauts: the utopian dreams that became architectural nightmares
Related: Sweet artist: the Willy Wonka of lost Syria
Continue reading...for 'I am here', the paper pieces express the non-stop flow of pedestrians that occupy the bustling district of ginza in japan.
The post emmanuelle moureaux layers 18,000 paper silhouettes in 100 different colors appeared first on designboom | architecture & design magazine.
The Store, London
The Hayward's new offsite show is a weird, wonderful assortment of installations featuring ghostly opera stars, dancing plant-life and a bullet-riddled tour of Kendrick Lamar's home town
Maria Callas stands in a narrow alcove beyond a barrier in a dark and resounding space. A holographic apparition, Callas is a woman in red, played by artist Dominique Gonzalez-Foerster, lip-synching the diva's voice as she sings arias from Cherubini's Medea, Verdi's La Traviata and Ponchielli's La Gioconda.
We are in a cavernous concrete floor of Store, a brutalist office block on London's Strand, now occupied by the Hayward's The Infinite Mix, an offsite exhibition (the Hayward gallery itself is closed for a two-year refurbishment) devoted to sound and image, video and music. As well as the holographic ghost of Maria Callas, Gonzalez-Foerster gives us an aural apparition of the opera house itself, with recorded whispers from the audience and the echoey background noise of an auditorium whose volume is larger than the space we are in. There is a yearning for something always beyond reach in Gonzalez-Foerster's work that I like very much.
Continue reading...the installation offers visitors the unique experience of simultaneously seeing the world through the eyes of both philip johnson and kusama herself.
The post yayoi kusama dots philip johnson's glass house in a red polka pattern appeared first on designboom | architecture & design magazine.
olliepix posted a photo:
A major installation by Ik-Joong Kang, one of South Korea's most renowned and celebrated multimedia artists, “Floating Dreams” sits on a barge on London's River Thames, Wednesday, Sept. 7, 2016, against a backdrop of the BT Tower and the Millennium Bridge, top, at sunset. Floating Dreams, is a compelling, large-scale installation situated in the centre of the River Thames by Millennium Bridge. Constructed from 500 drawings and illuminated from within, the three-storey-high lantern structure acts as a memorial to the millions displaced and divided during the Korean War (1950-53), and a poignant symbol of hope for the reunification of North and South Korea. IMG2406
olliepix posted a photo:
The setting sun lights up the glass bowls of two lamps on the Bankside embankment, London, Wednesday, Sept. 7, 2016. IMG2291
olliepix posted a photo:
A major installation by Ik-Joong Kang, one of South Korea's most renowned and celebrated multimedia artists, “Floating Dreams” sits on a barge on London's River Thames, Wednesday, Sept. 7, 2016, against a backdrop the Millennium Bridge, and a Bankside embankment lamp at sunset. Floating Dreams, is a compelling, large-scale installation situated in the centre of the River Thames by Millennium Bridge. Constructed from 500 drawings and illuminated from within, the three-storey-high lantern structure acts as a memorial to the millions displaced and divided during the Korean War (1950-53), and a poignant symbol of hope for the reunification of North and South Korea. MG1195
Its presentation may seem hurried and chaotic, but the inaugural edition of this design gala brings eye-opening visions of utopia from all corners of the globe
A battered orange pickup truck stands on the stately stone terrace of London's Somerset House, parked askew like a getaway car hastily abandoned. Behind it stretches a shanty village of shawarma-sellers and juice-squeezers, backgammon players and shisha smokers, along with a barber sharpening his cutthroat razor with alarming enthusiasm.
Related: Bohemians, Bauhaus and bionauts: the utopian dreams that became architectural nightmares
Related: Sweet artist: the Willy Wonka of lost Syria
Continue reading...ICI (now Orica) House helped Melbourne throw off its Victorian dowdiness and become a modern city. Gideon Haigh tells the forgotten story of its creation
In a land boasting more skyscrapers per capita than any other country, Australians today would be pardoned for missing their first, a quarter the height of what's now the tallest. Yet no building has exerted such influence on Australian cityscapes as Orica House on Melbourne's Eastern Hill its everyday inconspicuousness attests to the ubiquity of the form it pioneered.
Stand closer to what was originally ICI House and the view changes. “I tell people I'm showing round that this was the iPhone of Australian architecture,” says Tim Leslie, a studio director at Bates Smart McCutcheon (BSM), which not only designed the building but, in a form of architectural ancestor worship, have since made it their headquarters. “It was so different to everything that had gone before.”
I tell people this was the iPhone of Australian architecture
The building swayed slightly. In the fish tank on the executive floor … the water lapped gently from side to side
Not only can you see out both sides of Orica House, but the views are … well, they're to die for
Related: Story of cities #17: Canberra's vision of the ideal city gets mired in 'mediocrity'
Continue reading...-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.
-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.
By Jon Waterhouse and Mary Marshall
Examine the protests over construction of the Dakota Access pipeline with an objective mind (links below, basic facts here) and you'll arrive at the conclusion that the Native Americans gathered at Standing Rock care—and shouldn't we all.
The threat at Standing Rock is not lack of oil or loss of jobs.
The threat is to the one element that none—yes, none—of us can live without: WATER.
I realize that for most readers this is not “in your backyard,” but shouldn't you care enough to support those at Standing Rock to protect something this vital, this important to us all?
The United Nations has recognized the human right to clean water.
Ask yourself what will it take for you to engage in the protection of this resource that makes your latte, fills your pool, allows for fishing and your morning shower, is a major ingredient in beer and wine, beauty products, your supplements and medications, vital to agriculture and many forms of manufacturing … and on and on?
What will it take?
Don't leave the Native Americans to carry this by themselves.
Look around, ask yourself, ask your friends: What will it take and when will we engage?
Standing Rock Coverage From Across the Web
Dakota Access Pipeline: What You Need to Know (Nat Geo Education Blog)
Topic Page From Indian Country Today
Why is the Standing Rock Sioux Tribe trying to stop a pipeline? (Christian Science Monitor)
Showdown over oil pipeline becomes a national movement for Native Americans (Washington Post)
A Pipeline Fight and America's Dark Past (New Yorker)
Taking a Stand at Standing Rock (New York Times)
MSNBC:
In advance of last week's G20 economic summit, the skies over the city of Hangzhou, China, turned “APEC Blue” ― a phrase that was coined by residents of Beijing when the Asian Pacific Economic Conference was held there eight years ago. Factories were closed, traffic was restricted, and air pollution ― temporarily ― vanished. President Obama and the leaders of 19 other major global economies got to see one of China's most beautiful cities at its sparkling best.
Now that the summit is over, the pollution will return. If it's ever going to disappear for good, then the G20 leaders who met in Hangzhou will need to follow through on a commitment they made seven years ago: to stop providing subsidies for fossil fuel development.
Together, the nations that are part of the G20 are currently responsible for more than $440 billion in fossil fuel subsidies annually and account for 74 percent of global carbon pollution. To put that into perspective, the annual total of G20 subsidies to support fossil fuels is more than four times what the entire global economy is currently investing in clean energy. Given the urgency of transitioning the global economy awayfrom fossil fuels, that's counterproductive, to say the least.
Internationally, we've seen historic climate progress lately ― from the agreement between the U.S. and China to limit carbon pollution to the adoption of the Paris Agreement, which China and the U.S. both formally joined last week. But while the world moves forward toward a 100 percent clean energy economy, the G20 leaders have been all talk and no walk on ending fossil-fuel subsidies for seven years now.
That's got to stop. For our part, the Sierra Club has launched a new international campaign called Fossil-Free Finance. Our goal is to get all of the G20 countries, the World Bank, and other key international financial institutions to eliminate all fossil fuel subsidies by 2020.
This year's G20 has come and gone, but this issue isn't going anywhere. Send a message to President Obama and the other G20 leaders to let them know that the only way we'll see blue skies everywhere, all the time, is to stop investing in the dirty fuels of the past.
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Cross-Posted from DeSmogBlog
Continental Resources — the company founded and led by CEO Harold Hamm, energy adviser to Donald Trump's presidential campaign and potential U.S. Secretary of Energy under a Trump presidency — has announced to investors that oil it obtains via hydraulic fracturing (“fracking”) from North Dakota's Bakken Shale basin is destined for transport through the hotly-contested Dakota Access pipeline.
Image Credit: Continental Resources
The company's 37-page September 2016 Investor Update presentation walks investors in the publicly-traded company through various capital expenditure and profit-margin earning scenarios. It also features five slides on the Bakken Shale, with the fifth one named “CLR Bakken Differentials Decreasing Through Increased Pipeline Capacity” honing in on Dakota Access, ETCOP and how the interconnected lines relate to Continental's marketing plans going forward.
In a section of that slide titled, “Bakken Takeaway Capacity” a bar graph points out that the opening of Dakota Access would allow more barrels of Continental's Bakken fracked oil to flow through pipelines.
Dakota Access is slated to carry the fracked Bakken oil across South Dakota, Iowa and into Patoka, Illinois. From there, it will connect to the company's Energy Transfer Crude Oil Pipeline (ETCOP) line, which terminates in Nederland, Texas at the Sunoco Logistics-owned refinery.
Previously, Harold Hamm was as an outspoken supporter of TransCanada's Keystone XL pipeline, deploying the lobbying group he founded named the Domestic Energy Producers Alliance to advocate for KXL and a Bakken on-ramp which would connect to it. Once he realized the northern leg was doomed politically, Hamm began singing a different tune on Keystone.
“We're supporting other pipelines out there, we're not waiting on Keystone. Nobody is,” Hamm, also an energy adviser to Mitt Romney's 2012 presidential campaign, told Politico in November 2014. “That thing … needed action on it six years ago. I just think it's too late and we need to move on.”
One of those ‘other pipelines' Hamm appears to have taken an interest in is Dakota Access (DAPL). Although to date, neither Hamm nor Trump have commented publicly on the DAPL project. Continental Resources told DeSmog that it does not comment on pipeline shipping contracts.
As The Intercept's Lee Fang pointed out in a recent article, some oil from Dakota Access could feed export markets, despite Energy Transfer's claims in a presentation that it will feature “100% Domestic produced crude” that “supports 100% domestic consumption.”
Hamm's Domestic Energy Producers Alliance, as revealed in a December 2015 DeSmog investigation, led the successful public relations and lobbying campaign charge for lifting the crude oil export ban.
The battle over the fate of Dakota Access has pitted Native American Tribes, environmentalists and libertarian private property rights supporters against Energy Transfer Partners and state- and federal-level agencies which have permitted the project.
The Standing Rock Sioux Tribe awaits a decision by a Judge in the U.S. District Court for the District of Columbia in its lawsuit against the U.S. Army Corps of Engineers, set for September 9.
“Hamm is an oil profiteer exploiting the health of the water, farmland, and communities in the Dakotas and all downstream,” Angie Carter of the Women, Food and Agriculture Network — one of the over 30 groups comprising the Iowa-based Bakken Pipeline Resistance Coalition — told DeSmog. “In Iowa, we've called upon both Trump and Clinton to speak out against the pipeline.”
Like Trump, Clinton has yet to comment on the pipeline.
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Veterinarians at Smithsonian's National Zoo have turned to an unconventional therapy for an arthritic 41-year-old Asian elephant shoes. The talented animal also knows how to play the harmonica.
Florian Bütow posted a photo:
Florian Bütow posted a photo:
From jagged geometric patterns to an anxious Snoopy, neon works by artists including Gavin Turk and Tracey Emin buzz with static in The Charged Line
Continue reading...From jagged geometric patterns to an anxious Snoopy, neon works by artists including Gavin Turk and Tracey Emin buzz with static in The Charged Line
Continue reading...V&A, London
From CIA leaflets to Twiggy coathangers, the details matter in this sensory bombardment of a show, jam-packed with music, style and rebellious history
You might be forgiven for heaving a sigh at the subject of the V&A's attempt to come up with a blockbuster pop culture follow-up to 2013's wildly successful David Bowie Is, an exhibition still touring the world three years on. It's not that the late 1960s and their attendant counterculture represent an unfertile area for exploration. You'd have a hard time arguing the era didn't feature sufficient fantastic music, social upheaval and blue-sky fashion choices to support a major exhibition. It's that the people involved have barely shut up about it since the decade ended.
Related: How San Francisco's hippy explosion shaped the modern world
Continue reading...A Stone Head of a Deity, Lepinski Vir Culture, Middle Danube Region, Mesolithic Period, 7th/6th Millennium B.C.
There is a fine line between perseverance and stalking in chasing what you hope to achieve in your career. Those who keep going after they've been turned down run the risk of continued rejection, but something compels them to carry on until they reach their prize. Often, the stories that end in success involve someone going nearly overboard in their pursuit: These ambitious souls just don't pitch an idea to a client they physically make the product and then send it to everyone at that company for consideration.
And that is where Dominic Grijalva's story begins. The 24-year-old Fresno State graphic design student and self-professed theater geek has been enamored with Hamilton creator Lin-Manuel Miranda, so much so that he has followed Miranda's every move on social media and decided to do a personal project that paid homage to Miranda's shows. While most people would stop at completing the project, Grijalva went one step further by simultaneously connecting with Miranda on social media and sending Miranda and 50 members of his cast the final work.
The perseverance has paid off for Grijalva. He can now add freelance designer for Miranda's official artist merchandise site, Tee-Rico, to his resume.
We recently asked Grijalva about how he got Miranda's attention, the process behind this major commission, and how he balances being a full-time student with an exciting freelance design career.
When I watched the 2008 Tony performance of his earlier show In the Heights, I became a Lin-Manuel Miranda fan. As a fellow Latino actor, I was inspired by his work and excited to see what he'd do next. I really liked that Miranda engaged with his social media followers, and would reply or comment to posts on Twitter, Facebook, and Tumblr. Occasionally, he would respond to me, and I always wondered if he knew who I was.
At the end of summer 2014, Miranda reached 96,000 followers — an inside reference from In the Heights — and asked fans what he should do to mark this milestone. I Tweeted that he should do a one-man show of In the Heights and post it to YouTube. Miranda responded that he was going to follow some of his favorite fans, and the next morning I received an alert that he was following me.
A few months later, I was going to produce In the Heights in my hometown of Selma, California, and I jumped at the opportunity to tweet Miranda this question: “What's a piece of advice for someone who wants to produce In the Heights?” Miranda responded: “Cast team players. The play is about community and themes of the show need to translate into the cast.”
I took this advice to heart, and it worked. Coincidentally, my summer 2015 opening of In the Heights overlapped with the opening previews of Hamilton, and it felt very special. I had never seen Miranda perform live and hadn't been to New York in 10 years, so a friend and I bought $100 tickets to see Hamilton in the summer 2016. As Hamilton started attracting buzz, I continued to interact sporadically with Miranda on Twitter.
In November 2015, I was taking a printmaking course and our assignment was to create a design to etch in metal. I was struggling for ideas, and, while listening to Hamilton's soundtrack, a lightbulb went off. An eye chart popped into my head, and I immediately went on InDesign to work on my idea for four straight hours until I was done because I didn't want to lose momentum. I ended up being terrible at working on metal, so embarrassingly enough, I failed the course — sometimes the execution doesn't work, but the idea does.
I still thought the image could be something bigger, so I decided to turn the Dueler Eye Chart into a holiday card for friends and family. A close friend advised me to send the card to Hamilton's cast and crew as a thank you, and I figured I'd get a Twitter mention at most. I sent 50 copies to friends and family and 50 copies to Hamilton's cast and crew. I included a personal 4×5 placard stating my appreciation for Hamilton and what it meant to me as an artist.
College student Dominic Grijalva meets his creative hero Lin-Manuel Miranda.
Mid-December, I received a Tweet from an ensemble member encouraging me on my journey to make a living as a designer. They noted that it can be difficult to have a sustainable career in the arts, so all artists must work hard to remain relevant — especially if you depend on your body as your instrument. A few days later, I watched Star Wars on opening day and took a picture of Miranda's name in the closing credits for writing the Cantina Band music. I Tweeted Miranda the picture, congratulating him, and he replied, “Hey, we love your eye chart — thanks so much!”
At this moment, I realized he actually knew who I was. In January, I started seeing pictures on social media of my eye chart popping up in dressing rooms. It was surreal.
In March, I randomly noticed that Miranda had fiddled with his Twitter page, and it was doing something funky to his Facebook page. I took screenshots of how to correct the issue and sent Miranda a direct message with this information. A few hours later, he Tweeted, “Thanks to Dominic who helped fix this issue!” Two days later, I woke up to a barrage of Facebook and text messages, and didn't know what happened. Miranda had accidentally publicly Tweeted me when he meant to send this direct message, “Hey, I have this idea and I would like to get your brain involved. Please send me your email.”
In the middle of a two-show-day, Miranda had been brainstorming how to give back to fans and artists who were creating amazing Hamilton-inspired artwork, while expanding his brand into merchandising.
After a few email exchanges and calls with Miranda's brother-in-law, who represents him and handles merchandising, I received a proposal to create some sketches for In the Heights-inspired T-shirts.
You followed Miranda closely. At any point did it ever feel like borderline stalking?
(Laughs) I never felt like a stalker. In the past, if a celebrity favorited one of my Tweets, I would reply in all caps, “OMG!” But, that doesn't add any substance, and it's the equivalent of screaming at someone. With Miranda, I just tried to be intentional and tactful with my interactions. I was such a fan and reminded myself that I'm doing this because I respect him, and would love the opportunity to work with him someday.
Based upon the number of characters in the play, songs, and inside jokes and references, I was tasked to create a few sketches, which would work on apparel and could be expandable. In all, I submitted a handful of sketches and over 100 ideas. This exceeded his team's expectations, and Miranda and his team narrowed the field to seven sketches. All seven designs made the cut, and are available for purchase online.
I negotiated terms of the commission with Miranda's brother-in-law, Luis, and the process felt very natural. I receive royalties per item sold. Tee-Rico is big on promoting their artists' work, and they always include our Twitter handles and websites on their site, and tag us when customers send pictures wearing our designs. Family is very important to Miranda, and his family members work with him and help run Tee-Rico. Now, I am part of the Tee-Rico family, and it reminds me of my family. I feel safe and cared for, and it has been great connecting with other Tee-Rico artists. I know that my creative ideas are heard and valued, and I feel fortunate to work with someone I respect and admire.
I am still a full-time college student and will be graduating in December 2017. Tee-Rico is understanding of my responsibilities, and I'm able to manage my course load, theater schedule, and juggle freelance projects. I am currently using revenue earned from Tee-Rico to pay off my student loans.
Typically, I try to schedule all day classes or evening classes to block my time. All of my clients know that I'm a student, so my schoolwork comes first. On Mondays, Wednesdays, and Fridays, I have afternoon classes, so I'll crank out my freelance work in the evenings. On Tuesdays, and Thursdays, I take night classes, so I'll work on my freelance projects earlier in the day. At times, everything overlaps, so making lists allows me to prioritize my deliverables. I always have my laptop on me, so that I can work from anywhere! On weekends, I might catch up on some freelance work, but I spend a lot of time at the theater.
I'm actually doing this right now! I just opened a show and it's consuming a lot of my time, in addition to my classes. However, on my first call with Tee-Rico, Luis said, “I know you're a student, so your schooling comes first. Work on Tee-Rico projects when you have the time.” I owe him some concepts, so I'm keeping in touch via email and phone to provide frequent updates. Open communication is key.
What's your advice to young designers looking to get their foot in the door somewhere?
If you're approachable and voice your opinion, it's easier to get noticed. Relationships and connections help as well. It's random, but I have a good friend in New York who was babysitting for the director of marketing at licensing agency, Musical Theater International. I told her I was coming to New York in June, and asked if she'd put in a good word for me, and share my website. She did, and the director of marketing agreed to meet with me while I was in town. He literally pulled up my portfolio on the spot, and I walked him through projects in my portfolio.
When he asked what my dream job would be, I named the advertising firm SpotCo, which handles marketing and branding for Broadway's hottest shows. I don't have any contacts there, so he offered to connect me with a guy who works there. We scheduled an informational call when I returned to California, and he too requested an overview of projects in my portfolio.
After graduation, I'm planning to move to New York, and the Musical Theater International director of marketing asked me to call him when I arrive. I've at least planted a seed at SpotCo., and when I do move to New York, I want to be absolutely ready.
Twelve years into her marriage with her partner, Jennifer Finney Boylan transitioned to womanhood. In this interview filmed at the Aspen Ideas Festival, the author, trans advocate, and Barnard College professor discusses identity and which ones are fixed. “The thing that may have changed about me as a trans person most visibly is...how I look,” she says. “But in some ways for me the big difference in transition wasn't going from male to female, it was going from someone who had a secret to someone who didn't have a secret.”
Root-maggot fly (Botanophila sp.) collected in Prince Edward Island National Park, Prince Edward Island, Canada, and photographed at the Centre for Biodiversity Genomics (sample ID: BIOUG10394-F04; specimen record: http://www.boldsystems.org/index.php/Public_RecordView?processid=CNPED1574-14; BIN: http://www.boldsystems.org/index.php/Public_BarcodeCluster?clusteruri=BOLD:ACL7928)
A fossilized remnant of the early Milky Way harboring stars of hugely different ages has been revealed by an international team of astronomers. This stellar system resembles a globular cluster, but is like no other cluster known. It contains stars remarkably similar to the most ancient stars in the Milky Way and bridges the gap in understanding between our galaxy's past and its present.
Terzan 5, 19 000 light-years from Earth, has been classified as a globular cluster for the forty-odd years since its detection. Now, an Italian-led team of astronomers have discovered that Terzan 5 is like no other globular cluster known.The team scoured data from the Advanced Camera for Surveys and the Wide Field Camera 3 on board Hubble, as well as from a suite of other ground-based telescopes. They found compelling evidence that there are two distinct kinds of stars in Terzan 5 which not only differ in the elements they contain, but have an age-gap of roughly 7 billion years.
The ages of the two populations indicate that the star formation process in Terzan 5 was not continuous, but was dominated by two distinct bursts of star formation. "This requires the Terzan 5 ancestor to have large amounts of gas for a second generation of stars and to be quite massive. At least 100 million times the mass of the Sun," explains Davide Massari, co-author of the study, from INAF, Italy, and the University of Gröningen, Netherlands.
Its unusual properties make Terzan 5 the ideal candidate for a living fossil from the early days of the Milky Way. Current theories on galaxy formation assume that vast clumps of gas and stars interacted to form the primordial bulge of the Milky Way, merging and dissolving in the process.
"We think that some remnants of these gaseous clumps could remain relatively undisrupted and keep existing embedded within the galaxy," explains Francesco Ferraro from the University of Bologna, Italy, and lead author of the study. "Such galactic fossils allow astronomers to reconstruct an important piece of the history of our Milky Way."
While the properties of Terzan 5 are uncommon for a globular cluster, they are very similar to the stellar population which can be found in the galactic bulge, the tightly packed central region of the Milky Way. These similarities could make Terzan 5 a fossilised relic of galaxy formation, representing one of the earliest building blocks of the Milky Way.
This assumption is strengthened by the original mass of Terzan 5 necessary to create two stellar populations: a mass similar to the huge clumps which are assumed to have formed the bulge during galaxy assembly around 12 billion years ago. Somehow Terzan 5 has managed to survive being disrupted for billions of years, and has been preserved as a remnant of the distant past of the Milky Way.
"Some characteristics of Terzan 5 resemble those detected in the giant clumps we see in star-forming galaxies at high-redshift, suggesting that similar assembling processes occurred in the local and in the distant Universe at the epoch of galaxy formation," continues Ferraro.
"Terzan 5 could represent an intriguing link between the local and the distant Universe, a surviving witness of the Galactic bulge assembly process," explains Ferraro while commenting on the importance of the discovery. The research presents a possible route for astronomers to unravel the mysteries of galaxy formation, and offers an unrivaled view into the complicated history of the Milky Way.
The Daily Galaxy via ESO/Hubble
China's increasingly ambitious space program plans to attempt the first-ever landing of a lunar probe on the moon's far side. Radio transmissions from Earth are unable to reach the moon's far side, making it an excellent location for sensitive instruments.The Chang'e 4 mission is planned for sometime before 2020, according to Zou Yongliao from the Chinese Academy of Sciences' in an interview with China's state broadcaster CCTV.
Zou said the mission's objective would be to study geological conditions on the moon's far side, also known as the dark side. That could eventually lead to the placement of a radio telescope for use by astronomers, something that would help "fill a void" in man's knowledge of the universe, Zou said.
China's next lunar mission is scheduled for 2017, when it will attempt to land an unmanned spaceship on the moon before returning to Earth with samples. If successful, that would make China only the third country after the United States and Russia to have carried out such a maneuver.
China's lunar exploration program, named Chang'e after a mythical goddess, has already launched a pair of orbiting lunar probes, and in 2013 landed a craft on the moon with a rover onboard.
China has also hinted at a possible crewed mission to the moon. China sent its first astronaut into space in 2003 and has powered ahead with a series of methodically timed steps, including the deploying of an experimental space station.
This July, NASA announced that a University of Colorado Boulder research team — led by Jack Burns of the Lunar University Network for Astrophysics Research (LUNAR) — is working on a radio telescope array that would be unfurled on the far side of the moon by an unmanned rover operated by astronauts in NASA's Orion spacecraft, which would be hovering in a gravitationally stable spot near the lunar far side called Earth-moon Lagrange Point 2.
Burn's team is evaluating how a small rover can spool out lengthy pieces of Kapton film on the lunar far side that would serve serve as a lightweight backbone for an array of low-frequency antennas that could be deployed by a simple rover, Burns said. The "arms" would be stretched out, free of the constant radio-frequency interference coming from Earth, allowing NASA scientists to study the formation of the first stars and black holes, among other cosmic phenomena.
The moon rover plans were presented during the NASA Exploration Science Forum, which was held July 21 through July 23 at NASA's Ames Research Center in Moffett Field, California. The conference was organized by the Ames-based Solar System Exploration Research Virtual Institute (SSERVI).
The Daily Galaxy via BEIJING (AP), space.com and cbsnews.com
The discovery of two massive holes punched through a stream of stars could help answer questions about the nature of dark matter, the mysterious substance holding galaxies together. Researchers have detected two massive holes which have been ‘punched' through a stream of stars just outside the Milky Way, and found that they were likely caused by clumps of dark matter, the invisible substance which holds galaxies together and makes up a quarter of all matter and energy in the universe.
The scientists, from the University of Cambridge, found the holes by studying the distribution of stars in the Milky Way. While the clumps of dark matter that likely made the holes are gigantic in comparison to our Solar System with a mass between one million and 100 million times that of the Sun they are actually the tiniest clumps of dark matter detected to date.
“While we do not yet understand what dark matter is formed of, we know that it is everywhere,” said Dr Denis Erkal from Cambridge's Institute of Astronomy, the paper's lead author. “It permeates the universe and acts as scaffolding around which astrophysical objects made of ordinary matter such as galaxies are assembled.”
The results, which have been submitted to the Monthly Notices of the Royal Astronomical Society, could help researchers understand the properties of dark matter, by inferring what type of particle this mysterious substance could be made of. According to their calculations and simulations, dark matter is likely made up of particles more massive and more sluggish than previously thought, although such a particle has yet to be discovered.
Current theory on how the universe was formed predicts that many of these dark matter building blocks have been left unused, and there are possibly tens of thousands of small clumps of dark matter swarming in and around the Milky Way. These small clumps, known as dark matter sub-haloes, are completely dark, and don't contain any stars, gas or dust.
Dark matter cannot be directly measured, and so its existence is usually inferred by the gravitational pull it exerts on other objects, such as by observing the movement of stars in a galaxy. But since sub-haloes don't contain any ordinary matter, researchers need to develop alternative techniques in order to observe them.
The technique the Cambridge researchers developed was to essentially look for giant holes punched through a stream of stars. These streams are the remnants of small satellites, either dwarf galaxies or globular clusters, which were once in orbit around our own galaxy, but the strong tidal forces of the Milky Way have torn them apart. The remnants of these former satellites are often stretched out into long and narrow tails of stars, known as stellar streams.
“Stellar streams are actually simple and fragile structures,” said co-author Dr Sergey Koposov. “The stars in a stellar stream closely follow one another since their orbits all started from the same place. But they don't actually feel each other's presence, and so the apparent coherence of the stream can be fractured if a massive body passes nearby. If a dark matter sub-halo passes through a stellar stream, the result will be a gap in the stream which is proportional to the mass of the body that created it.”
The researchers used data from the stellar streams in the Palomar 5 globular cluster to look for evidence of a sub-halo fly-by. Using a new modelling technique, they were able to observe the stream with greater precision than ever before. What they found was a pair of wrinkled tidal tails, with two gaps of different widths.
By running thousands of computer simulations, the researchers determined that the gaps were consistent with a fly-by of a dark matter sub-halo. If confirmed, these would be the smallest dark matter clumps detected to date.
“If dark matter can exist in clumps smaller than the smallest dwarf galaxy, then it also tells us something about the nature of the particles which dark matter is made of namely that it must be made of very massive particles,” said co-author Dr Vasily Belokurov. “This would be a breakthrough in our understanding of dark matter.”
The reason that researchers can make this connection is that the mass of the smallest clump of dark matter is closely linked to the mass of the yet unknown particle that dark matter is composed of. More precisely, the smaller the clumps of dark matter, the higher the mass of the particle.
Since we do not yet know what dark matter is made of, the simplest way to characterise the particles is to assign them a particular energy or mass. If the particles are very light, then they can move and disperse into very large clumps. But if the particles are very massive, then they can't move very fast, causing them to condense in the first instance into very small clumps.
“Mass is related to how fast these particles can move, and how fast they can move tells you about their size,” said Belokurov. “So that's why it's so interesting to detect very small clumps of dark matter, because it tells you that the dark matter particle itself must be very massive.”
“If our technique works as predicted, in the near future we will be able to use it to discover even smaller clumps of dark matter,” said Erkal. “It's like putting dark matter goggles on and seeing thousands of dark clumps each more massive than a million suns whizzing around.”
The Daily Galaxy via University of Cambridge
europeanspaceagency posted a photo:
The contract between ESA and Arianespace to launch the ADM-Aeolus satellite was signed on 22 July 2016 by ESA's Director of Earth Observation Programmes, Josef Aschbacher, (left) and CEO of Arianespace, Stéphane Israël, (right) in the presence of Jan Woerner, ESA Director General, (centre), at ESA headquarters in Paris, France. Aeolus will be launched on a Vega rocket from Europe's Spaceport near Kourou in French Guiana at the end of 2017. Using novel laser technology, this new mission will provide profiles of wind, aerosols and clouds to advance our understanding of atmospheric dynamics and to improve weather forecasts.
Read more: Vega to launch ESA's wind mission
Credit: ESANadia Imbert-Vier, 2016
“Alphabet” border, designed by William Wegman, distributed by A/D Gallery, New York, 1993.
Gift of A/D Gallery. 1997-108-1
William Wegman's 1993 “Alphabet” border is a charming representative of the vast body of children's wallpaper that has been around since the 19th century.
Wegman began photographing his Weimaraners in 1970, and his photographs became a favorite with adults and children alike. After all, what's not to like about a beautiful dog holding a goofy pose?
The border elevates Wegman's dogs from cute to educational by arranging them into letters of the alphabet from A to Z. It was available in white, blue and rust and each color was printed in a limited edition of 1,500, each signed and numbered by the artist.
The Cooper Hewitt, Smithsonian Design Museum contains children's wallpapers dating back to the 1870s. While early children's wallpaper was designed to be instructional, it didn't capture the whimsy exuded by this border, for which Wegman also designed a complementary sidewall paper.
Wegman started out as a painter, receiving degrees from the Massachusetts College of Art, Boston and the University of Illinois at Urbana-Champaign. In 1970, he moved to southern California to teach at California State College, Long Beach. That's when he purchased his Weimaraner, Man Ray, and began photographing him in unusual poses. This photography continued in 1986 with the addition of Fay Ray, another Weimaraner, and then with her offspring. Wegman has created numerous books for children and adults, and film and video for such companies as Saturday Night Live, Nickelodeon and Sesame Street.
The post Sit! Stay! Spell! appeared first on Smithsonian Insider.
Hungarian poster for ZABRISKIE POINT (Michelangelo Antonioni, USA, 1970)
Designer: Laszlo Lakner
Poster source: Film/Art Gallery
Visitors to the Hirshhorn plaza encounter “Still Life with Spirit and Xitle.” (Photo by John Barrat)
Although it has no magnetic properties, the 9-ton red volcanic boulder on the plaza of the Hirshhorn Museum and Sculpture Garden keeps pulling people in from the nearby sidewalk on Independence Avenue. Perhaps it is the boulder's painted-on smirk or the fact that it sits atop a 1992 Dodge Spirit, creating, as a recent press expounds: “a slapstick disaster scene… part performance, part sculpture.”
“Joyful and cathartic,” is how Hirshhorn Chief Curator Stéphane Aquin described the sculpture “Still Life with Spirit and Xitle” on a recent August morning as he watched person after person curiously approach and then examine the artwork. Many took selfies with the smashed car and rock.
“On a very simple level, people just see a rock on a car and they say, ‘God this is fantastic,' because they wouldn't dream of wanting to see that on their car,” Aquin says. “And then some would, because they hate their car.”
Created by expatriate American artist Jimmy Durham in 2007, the Hirshhorn recently acquired the sculpture following its appearance in the 2015 Art Basel exhibition in Miami Beach. “It was truly the star of the art fair,” Aquin recalls. “I don't know if it is a sign of the quality of a work, but definitely of its public appeal, it blew up on Instagram. It was really the most spectacular thing in the fair.”
Durham's name for the sculpture refers to the ancient Mexican volcano Xitle (shy-tuhl) which means, “Spirit.” It erupted around 245-315 AD and engulfed the then-prominent city of Cuicuilco in lava. Durham had a 9-ton boulder quarried from near the buried city which was then placed by crane upon the roof of the Dodge Spirit. As a finishing touch, Durham painted a smug, cartoon-like face on the boulder.
Still Life with Spirit and Xitle” on the Hirshhorn plaza (Photo by John Barrat)
“It's sort of an open metaphor of the revenge of nature over culture,” Aquin explains. “It represents the encounter of two forms of spirit, one ancient, mythological and physical and the other—a Dodge Spirit—a car produced in Mexico.
Durham, who had lived in Mexico between 1987 and 1994, was aware of other associations with the car, Aquin says. “Because it was a powerful car undercover police would use them, as well as drug dealers…so it has associations of shady, nefarious government force.”
Although the volcanic rock appears to have landed violently upon the car, Hirshhorn staff placed it gently down with a crane. The boulder's weight had already bent the car's frame, pushing it down to the ground. “There is no car that's going to take 9 tons,” Aquin says.
Its placement on the plaza in front of the Hirshhorn's main entrance is not arbitrary, Aquin adds. Car and rock sit atop the only concrete pillar that supports the plaza from below. “We had X-rays done to locate the plaza pillar and determine the exact position where we could safely place it,” Aquin explains. “Anywhere else and it may have dropped straight down,” into the Hirshhorn's basement.
A crew of Smithsonian staff use a crane to install Jimmy Durham's sculpture “Still Life with Spirit and Xitle” on the Hirshhorn Plaza.
After numerous walks around the museum while observing the constant flow of pedestrians in the vicinity, Aquin and other HMSG staff determined that a large percentage of the Hirshhorn's visitors travel to the museum from the Air and Space Museum and L'Enfant Plaza Metro, walking west along Independence Avenue. With this in mind, the Dodge is aimed at an angle with its headlights pointing at these walkers as they approach the Hirshhorn's south plaza entrance. The sculpture is “a show stopper,” Aquin says. “Everyone stops. It's just a simple thing but no one gets over it.”
How does one preserve a demolished car? “It's complicated,” Aquin observes. As per Durham's wishes the elements will be allowed to take their toll upon the car. “We know the car is going to dilapidate over time. In 60 years it will be totally different and down the line it will disappear. Durham suggested at some point we replace the car with a typical Washington, D.C. diplomatic limousine…something like a Cadillac Escalade, a motorcade car,” Aquin says. “But if we do that then the question arises what do we do about the sculpture's title? We lose the Dodge Spirit.”
For the rock, geologists and volcanologists have been invited to assess the cracks in the rock and, as a few plants have grown on its top, a botanist also is being consulted.
“Still Life with Spirit and Xitle,” signals a new direction for the Hirshhorn more than anything else, Aquin says. “It's only one work but it has transformed the plaza and the whole look of the building. Little by little that's what we are trying to do.”
The post On Hirshhorn plaza, demolished '92 Dodge keeps pulling in the curious appeared first on Smithsonian Insider.
To commemorate the opening of the Smithsonian's National Museum of African American History and Culture three new books have been released by Smithsonian Books: Dream a World Anew: The African American Experience and the Shaping of America; Begin with the Past: Building the National Museum of African American History and Culture; and National Museum of African American History and Culture: A Souvenir Book. Each book will be available in the museum store beginning with the museum's opening on Sept. 24. On Sept. 27 the books will be widely available elsewhere.
Dream a World Anew: The African American Experience and the Shaping of America uses objects and stories from the museum to examine the African American experience. It presents a sweeping history that includes the path from slavery to freedom, the struggle during Reconstruction and the civil rights movement, and the swell of major social, political and economic changes since 1968. The book also celebrates the achievements of extraordinary black musicians, writers, performers, athletes and artists who influenced American cultural identity.
Begin with the Past: Building the National Museum of African American History and Culture presents the long history of efforts to build a permanent place to collect, study and present African American history and culture. It traces the appointment of the director, the selection of the site and the process of conceiving, designing and constructing a public monument to the achievements and contributions of African Americans.
National Museum of African American History and Culture: A Souvenir Book showcases the treasures of the museum's collections. Highlights include a silk lace-and-linen shawl given to Harriet Tubman by Queen Victoria, Pullman Porter train cars and uniforms, the jacket and skirt worn by Marian Anderson for her 1939 Lincoln Memorial concert, Negro League baseball banners and jerseys, a Tuskegee Airman flight jacket and Chuck Berry's Cadillac. All of these objects and many more are accompanied by captions explaining their significance and role in the nation's history.
The post Three New books mark museum opening appeared first on Smithsonian Insider.
Supple Studio has designed an identity system for D.R.A.W Recruitment using an interlocking “D' device and the strapline “The Art of the Perfect Fit”.
The new company was formed from the merger of Drummond Read Recruitment and Art//Work and specialises in sourcing talent from the fine arts, antiques and luxury markets.
Supple creative director Jamie Ellul, who was invited to tender, says: “The client had already spotted that their existing company names formed the acronym D.R.A.W; it felt like a gift of a name with a genuine back story.
“But we wanted to avoid the obvious solution of drawing things or sketching, so we took the angle of people being ‘drawn together' which led to ‘the perfect fit'.”
An interlocking D monogram was also created and Ellul says he “worked with the client to choose a range of materials that got across D.R.A.W.'s diverse client base and candidates from classic to contemporary.”
The main points of interaction for service users are the website and jobs board. Ellul, who also worked on these, says: “We've kept the design very classic using black and white throughout, with the only ping of colour being the monogram logos.
We were conscious of the fact it's a very discerning audience, so a neutral classic approach seemed to make sense. The typeface we've used is Value by Colophon, which lends a little quirkiness to the design, but still feels in keeping with the classic feel.”
The post Supple Studio gives D.R.A.W interlocking “D” identity appeared first on Design Week.
Rebecca Kirrane has joined Decibel Digital as a UX/UI designer, moving from commerce consultancy, Salmon.
Bentley has appointed John Paul Gregory to lead its exterior design division. Gregory's first production car is likely to be the new Bentley Continental GT.
Manchester-based studio Code Computerlove has announced the appointment of Amy Robinson as customer experience consultant. The role will see Robinson help bolster the studio's content, acquisition and conversion teams.
CloudTag has appointed Peter Griffith as chief creative officer to oversee the design, aesthetics and brand messaging of Cloudtag products. Griffith was formerly head of mobile phones design at Microsoft.
Jaywing has announced its acquisition of Leeds-based consultancy, Bloom. The consultancy hopes to grow the development and distribution of its data science-led products.
A new consultancy has been launched after the founder of Sumo Design, Jim Richardson, closed the business to focus on a new start-up. The creative team behind Sumo Sarah Tempest and Michael Sutton have launched their own consultancy in Newcastle, called Altogether.
Contact aimee.mclaughlin@centaurmedia.com if there have been any moves and changes in your consultancy.
The post Moves & changes industry news appeared first on Design Week.
Design Bridge and Diageo have worked together on the new packaging design for Gordon's gin, almost 15 years after the consultancy previously redesigned the gin brand's bottle.
Design Bridge's brief was to respond to the huge boom in interest in gin over the last few years, and “reassert Gordon's position as the top selling gin brand”, according to chief creative officer at Design Bridge, Graham Shearsby.
“We saw it as an opportunity to guide the packaging onto the next part of its journey,” says Shearsby. “It's always been quite a functional bottle, part of what we tried to do was bring more life to it.”
The new bottle is slightly slimmer and taller than previously, while the label has been applied to the D-shaped curved side of the bottle instead of the flat side like before.
“It was to get a bit more movement across the front label,” says Shearsby. “The bottle was a little bit too flat on the front, so this way it projects itself and will stand out on the shelf.”
Inspired by a trip to the brand's archives, which revealed an old advertising campaign with the tagline “the heart of a good cocktail”, along with heart-shaped labels from 1920s bottles, the heart symbol has become the focal point of the new design.
The glass bottle itself has a heart shape with “botanical flourishes” embossed onto it, encircling the words “Estd. London 1769”.
Meanwhile, the Gordon's wordmark on the label has been redrawn by hand, and the brand's original boar logo has been made more visible, moving from the bottom to the front of the bottle.
The new design has also been introduced to Gordon's collection of flavoured gins, sloe, elderflower and cucumber, and to Gordon's Export gin. The newly designed packaging will roll out globally this month.
The post Gordon's gin reveals new packaging design appeared first on Design Week.
Ragged Edge has redesigned the visual identity for food blogger Ella Mills, commonly known as Deliciously Ella.
The rebrand includes a new design system and updated logo shared with health food restaurant Mae Deli, co-founded by Mills and her husband as well as the packaging for the blogger's first retail product, Deliciously Ella's Energy Balls.
Based on Mills' own signature, the logo features a hand drawn typeface and a “sunburst” shape that seeks to “reinforce her personal connection with her followers”, according to Ragged Edge.
The consultancy chose a hand drawn typeface Naive Line Sans for headlines and the monospaced Elementa Regular for body copy. Ragged Edge cofounder Max Ottignon says: “Used together, these feel approachable, warm and human.”
Meanwhile, the packaging for the energy balls has been designed to reflect Mills' three core values: “natural, simple and honest”. It combines bright colours designed to make it stand out on the shelf compared to other similar products and comes in a matte texture.
Ottignon says: “Much of Ella's popularity stems from her open and honest relationship with her followers. Maintaining that level of trust as her brand grows into new areas was crucial.”
“Our strategy set out to build on her core values and create a beautifully crafted design, with substance and weight.”
The Deliciously Ella Energy Balls launched at Whole Foods this month and will also be rolled out to selected supermarkets.
The post Ragged Edge refreshes Deliciously Ella branding appeared first on Design Week.
Consultancy Pearlfisher has created the visual identity and packaging for a new tampon brand which looks to empower women in China.
Fémme is a new product from Chinese company Yoai, which aims to increase the presence of and education about tampons in China, and change a “patronising” tone around tampons to associations with “confidence and positivity”.
Recent research found that only 2% of women in China use tampons, with the majority citing the reason as inexperience with the product.
The new brand aims to shift shake conservative, traditional associations with feminine hygiene care in China, says Pearlfisher creative director Natalie Chung, through a “stylish and discreet” design.
The logo is composed of a Chinese character symbolising womanhood encased with a circle, within a circle, all created in a “bold” red to symbolise menstruation.
A simple, sans-serif wordmark has been used, which aims to “elevate the product from basic pharmacy to high-end premium”, says Chung.
The packaging also aims to be “elegant” through embossing, the use of a foil logo and card inserts of line-drawn female forms which replicate Chinese characters.
Packs use a pastel colour scheme of blue, pink and green to indicate different product sizes, and there is educational information included on the back which aims to “dispel cultural misconceptions” and teach women how to use tampons.
Victoria Li at Yoai says the new brand identity is “based on a modern interpretation of Chinese values” rather than something “overtly westernised”, and hopes the product will help to “liberate” and offer more choice to women in China.
The post This new tampon brand hopes to empower women in China appeared first on Design Week.
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A 120m long wooden replica of 1666 London was floated down the River Thames between Waterloo Bridge and Blackfriars Bridge at sunset before it was set ablaze to mark 350 years since the Great Fire.
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By Rebecca Wolff, National Geographic Young Explorer Grantee
I hadn't grasped the true human consequences of oil spills until we immersed ourselves in the situation going on in Peru.
The stories our team heard of lingering illness and food insecurity were heartbreaking. “When the oil spill happened, [the doctors] arrived in the community and gave out a few medicines, and then they never came back. Things shouldn't be like this,” we were told.
By June 2016, 8000 individuals and at least 30 indigenous communities were affected. I never thought it could possibly get worse.
On August 10, the fourth oil spill since the start of 2016 was reported in the Peruvian Amazon.
At least 10 indigenous communities are impacted by the newest spill in the province of Condorcanqui, department of Amazonas. More than 20 similar spills have crippled the region over the past five years.
This latest spill has the potential to impact the Marañon River and the indigenous groups living there, including the Awajún who were affected by the January 25 spill in Chiriaco and the June 24 spill in Barranca. The Marañon is one of the most important rivers in Peru, starting in the Andes and eventually becoming a major tributary of the Amazon River.
Anger and frustration are reaching all-time highs across Peru. In February, after two spills saw over 3,000 barrels of crude oil flow into the Chiriaco and Morona Rivers, state-owned oil company Petroperú was told to cease pumping oil on their Nor Peruano pipeline. The 40-year-old pipeline is in a state of disrepair, the believed cause of the multiple spills this year.
A third oil spill in late June raised questions as to whether Petroperú had followed state orders to stop pumping oil and indicated the company had in fact been continuing to operate their faulty pipeline. One week after the June 24 spill, the Peruvian Supervisory Agency for Investment in Energy and Mining sanctioned Petroperú for pumping oil without permission. The company's president resigned during the controversy.
The cause of the newest spill has not been verified. The Agency for Environmental Assessment and Enforcement (OEFA) released a statement on August 11 saying the spill may have resulted from an intentional cut to the pipeline. However, advocates I work with in Peru feel that unconfirmed accusations like this only help shift the blame and responsibility for the spill away from Petroperú. It also remains unclear whether Petroperú ever received permission, after the June sanction, to pump oil again. People are demanding to know if Petroperú was operating illegally, once again putting the Amazon at risk.
Communities and indigenous organizations are often the first to report oil spills on their territories, yet they are not seeing swift legal action or recognition of their rights and needs in wake of these environmental disasters.
“Legal processes are often partial and incomplete. There is a major disconnect between the process and the expectations of affected communities,” anthropologist Rodrigo Lazo, one of our Peruvian collaborators told me. In the Amazon, many individuals simply feel that not enough is being done to help.
For the past six months, my team and I have interviewed lawyers, community members, indigenous leaders, and advocates across Peru. The testimonies of those afflicted by the spills and those fighting on behalf of communities never waver. Oil spills have abruptly impacted livelihoods and health while polluting the land and rivers of the Amazon.
One mother worried about how she would feed her children when her farmland remained covered in oil, never cleaned up by Petroperú. A community leader explained the health and emergency food supplies provided in his area were not enough for the vast amount of people seeking support.
The number of oil spills occurring in the Peruvian Amazon is increasing at an alarming rate. As we wait to learn just how bad this fourth spill will be, I wonder about the countless stories never told of how oil spills impact human lives. I can only hope the inspiring indigenous leaders, communities, and organizations our team has met will keep fighting to make sure that a fair legal and social resolution is achieved for all those stricken by these tragic oil spills.
More by Rebecca Wolff and Team Member Kevin Floerke
Indigenous Amazonians Reeling From Oil Spills in the Jungle
Health Concerns, Food Insecurity Linger Months After Peruvian Oil Spills
Peru's Oil Spills Deserve the World's Attention
Alex Chilli posted a photo:
Somewhat exhausted view of Big Ben and Westminster Bridge - but couldn't resist as the sun was setting. Now for some less touristy shots I think...
The Space Shuttle Challenger rises through the skies above Florida on February 3, 1984.
With the first release of my book tomorrow in the United Kingdom, I have been doing a lot of thinking about why I started this project in the first place. To sum it up in one word, it has always been about perspective. Through space travel or satellites or simply bringing ourselves to a more elevated viewpoint, we can discover new ways to see our world like never before. I think that exercise can be healthy, it can be challenging, and ultimately, it can be beautiful. For me, it has been such an amazing adventure to work on this project and this book and I can't wait to see where it will take us next. Photo courtesy of NASA
In recent years, triple-digit inflation, massive food shortages, rising crime rates, and failing public services in Venezuela have forced many families into difficult decisions. The lack of available and affordable food has led to an increasing number of pets being dropped off at shelters, or simply abandoned in the streets. The Associated Press reports that “Pet owners say the price of dog food has more than doubled in recent months to $2 a pound, more than a day's pay for those earning the minimum wage.” Reuters photographer Carlos Garcia Rawlins and AP photographer Fernando Llano recently documented the growing number of abandoned dogs and cats in Venezuela's parks, shelters, and private clinics.
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Kenyan conservationist Paula Kahumbu leads a new generation of Africans who are taking control of their environmental future
In the cool and serene area of Karen, near Nairobi, in the offices of the conservation organisation she has built, Paula Kahumbu eats chicken and rice and talks about a revolution.
Related: Why the Guardian is spending a year reporting on the plight of elephants
The results of the wars we in conservation fight and win are not instant. They will be felt by generations to come
Continue reading...Look carefully at the most uppermost branches upon the great family tree of life on Earth, and near the top you will see a tiny twig labelled “panda”. It is re-growing. Slowly, it is getting sturdier.
Pandas are doing better than they were. In fact, this week, they have been officially downgraded in their conservation status from “endangered” to “vulnerable”, in the International Union for Conservation of Nature's latest “red list” update. The IUCN's annual announcement details the survival fortunes of every leaf upon life's great tree. It is nature's version of the FTSE 100, turned on its head.
Where was coverage of the nubian flapshell turtle?
Related: Eastern gorilla now critically endangered while giant panda situation improves
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Has the social media site been good for our mental health or not? The evidence isn't straightforward, researchers say, despite lots of study. How Facebook makes you feel may depend on how you use it.
In 1954, Brown v. Board of Education declared that separate schools for black students and white students should be dismantled with “all deliberate speed.” However, in recent decades, schools have re-segregated to the levels they were just after Brown. In this video, Atlantic education editor Alia Wong speaks to the U.S. Secretary of Education John King, Jr. about his new plan to integrate schools. King's policy changes will expand a system known as “school choice” that permits students to go to schools outside their neighborhoods and theoretically allows parents to voluntarily integrate schools. But, D.C. parent Natalie Hopkinson argues that schools will continue to re-segregate if the federal government does not intervene more forcefully. “As long as we rely on [parental] choice, we will continue to have the same result,” she says. “White parents will not send their kids to schools unless they are already white.”
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Finger trouble with onboard navigation systems led to an Air Asia flight making a two-hour internal hop in Australia before its scheduled journey to Malaysia.…