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Hey!!
I made a few changes to my setup blog, realy quite small XD
My new profile pick, it's a lil hamster.
i have a some prints made from the gifs at InPrint , if you have one you'd like and don't see it in the selection, just talk to me.
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Supple Studio has worked on the the branding for Straightline, a new video and podcast app from the Prison Radio Association (PRA).
The charity which previously developed the National Prison Radio station has targeted the beta app and website at people who have recently been released from prison, as well as those at risk of getting into trouble with the law.
Phil Maguire, CEO of PRA, says: “On leaving prison people often receive little or no support. In an age where technology and new media channels are developing with pace, the audio and video content of the app represent a straightforward, sharable and accessible way of communicating information to hard-to-reach audiences. This is the logical next step for us.”
Supple was briefed to create a “simple and cool” brand identity which would appeal to a largely young target audience. “Our solution was to create a rebus-based identity around a simple straight line,” says director, Jamie Ellul.
“Clean, unfussy and easily recognisable, the logo also works as a sting on video content, revealing the Straightline name in a glitchy way.”
Digital agency Mud also designed and built the app and website, which include videos and spoken word programs featuring stories from people who have been in prison.
The user experience was designed to be really straightforward, according to founder and creative director, Matt Powell. “We knew we'd be communicating with people with varying levels of computer literacy so it was key that everything on the website and the app was no nonsense and easily accessible,” he says.
“But equally we were keen to build the brand where possible such as devices like the Sounds feature on the website, which interprets a Soundcloud histogram file and outputs a completely ownable, unique and on-brand audio player.”
The app and website have now launched in beta form.
The post Supple creates visual identity for app aimed at ex-prisoners appeared first on Design Week.
LDF has come to be known as much for its large-scale public installations as it has for its trade shows, talks and launches.
We've picked out five installations to look out for.
A regular favourite is the installation created with the American Hardwood Council. In recent years we've seen dRMM Architects' Escher-inspired Endless Stair and Amanda Levete's Endless Wave.
This year, The Smile has been created by architect Alison Brooks. It's a 34 metre curved wooden structure that you can walk in and around.
Its two ends sitting three metres off the ground will offer viewing platforms and a new perspective to see surrounding buildings.
Created from cross laminated tulipwood timber, it has been designed so that even if 60 people were to run to one end of the structure, it wouldn't see-saw.
The Smile has been anchored with a cradle of 20 tonnes of steel counterweights.
The Smile can be found outside the Tate Britain from 17-25th September.
Asif Khan has created a three-part exploratory piece for Mini that looks at architectural solutions for urban living challenges.
Three locations have been identified as underused public spaces or “third places” a term originally defined by sociologist Ray Oldenburg as places which “host the regular, voluntary, informal, and happily anticipated gatherings of individuals beyond the realms of home and work”.
Each of the new “forest” environments contain plants which visitors can take home during the festival. Located on the busy streets of Shoreditch, the spaces offer new areas for people to convene and socialise.
At the Square next to Shoreditch Fire Station a long communal table has been installed, in Charles Square new stepped seating becomes a place for people to work and where Old Street meets Pitfield Street an elevated room offers a secluded green space.
Asif Khan says: “There is a Japanese phrase ‘shinrin yoku', which literally means ‘forest bathing'. It means every sense switches to absorb the forest atmosphere, what you hear, what you smell, even the feeling underfoot.
“At another scale we use plants as a tool to assert our personal space at its boundary with public space, whether on our desk at the office or at the perimeter of our home. The project brings these two ideas together for visitors to experience new sensations within the city.”
Mini Living runs from 17-25 September and these are the exact locations: Vince Court N1 6EA; Charles Square Gardens N1 6HS; and the corner of Pitfield Street and Charles Square EC1V 9EY.
Beloved is a 13-metre long mirrored black box designed for the Victoria & Albert Museum's (V&A) Medieval and Renaissance Galleries.
It is a response to Turkish author Sabahattin Ali's 1943 novel Madonna in a Fur Coat.
Murat Tabanlıoğlu of Tabanlıoğlu Architects says: “We wanted to introduce the book to a new audience in London, as the book has recently been published in an English translation for the first time in its 73-year history.”
Visitors can look inside the structure where they will witness scenes from the novel playing out as film, physical objects, text, light and sound.
“The installation is a physical, multi-sensory realisation of the way the human mind imagines scenes from a book as they read,” says Tabanlıoğlu, who adds: “It's a very intimate experience that celebrates literature, passion and the human condition.”
Beloved will run from 17-25 September at the V&A, Cromwell Road, London, SW7 2RL.
Design store Darkroom has collaborated with tile brand Bert & May to create the Split Shift tile collection, which will be part of an installation on Bert's Barge a barge, with an interior installation created by Darkroom director Rhonda Drakeford.
Tiles, fabrics and painted surfaces help frame an onboard pop-up shop where the new A/W collection of Darkroom products has been set up.
An installation has been created using three tiles highlighting three shapes and “limitless permutations”, which can be set out to appear structured or randomised.
Darkroom-designed interior accessories and jewellery are also for sale on the barge, which will be afloat from the 17-30 September and you can find it canal-side of this address: 67 Vyner Street, E2 9DQ
Not technically part of London Design Festival, but curated by the team that puts LDF together, is the London Design Biennale a series of installations from design representatives of countries around the world.
It's the inaugural event and sees the theme of Utopia addressed by design teams who have interpreted it broadly with some looking at how global problems might be solved through design, and others conjuring more abstract utopian and dystopian visions.
You can read more about what we thought about it here.
The London Design Biennale takes place at Somerset House, Strand, London WC2R 1LA from 7-27 September. Tickets are £15 with an additional £2.35 booking fee if booking online, or £11.85 concessions. Buy tickets here.
The post London Design Festival 2016 5 must see installations appeared first on Design Week.
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Extra upload today!!
This is my first gif made with processing!!!
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As i sayd, I'm gonna keep going :)
When i started i didnt relly expect i'd last this long; this was just a bit of a crazy idea, just so I'd start to do something, i honestly wasn't really expecting to go for more than one maybe 2 months but you guys started to like my work, and that keept me going. And for that i must say, Thank you.
So, When i started this a year seemd like a crazy amount of time to do, but now that i'm here… I don't think i'm done yet. There are still things i want to try, and goals I haven't reached. And I wanna keep going, so I'm gonna :)
I've opened up a store with some prints made from the gifs's i've made. These are soome that I thought worked well as still images, I want to give you guys the oportunity to acctualy have some of these gifs, as actual objects.
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I'm gonna keep going.
This project started out as a way for me to learn how to use new software and create new things, and it's gonna keep going in that same direction.
I don't think I'm done with this project.
So, here's what you can expect out of me and this blog, 3d stuff, Iv'e been postponing this because… well… laziness. Generative art, I'm gonna get a massive amount of tea herbs so the massive headache I'm gonna get, doesn't seem so bad, when I try and do some coding stuff.
I am preparing a small surprise for you guys, hopefully you'll like the idea.
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Hey!!
hum… today i posted the 356 gif… it's been almost a year, and the 365th gif is almost here…
Still not sure if i should keep going after reaching this goal… its been the whole thing, a year of gifs…
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Hey! Sorry it took so long to answer, you made me think… a lot :)
I've thought about doing something like that, i just dont feel like i've got enough to share atm. For the most part I use After Effects, but i want to mess around with 3D a bit.
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Hey guys!
We've made rebranding couple weeks ago and currently we're working on other assets of our identity.
Here is our new animated logo and I'm really excited to share it with you.
You can find some design processes here: https://www.behance.net/gallery/38748657/Untime-Rebranding
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^^this person :)
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