William Kentridge comes to the Whitechapel, Zaha Hadid's successor speaks and we rule on a cultural showdown between London and Paris all in your weekly dispatch
William Kentridge: Thick Time
Time and memory, history and politics are the stuff of the acclaimed South African animator's recent works.
• Whitechapel Gallery, London, 21 September-15 January.
Frith Street Gallery, London
The former Turner prize nominee's portrait of the painter toys with truth and artifice as cleverly as her first foray into theatre with actor Stephen Dillane
Sitting in his Los Angeles studio, David Hockney looks at the wall and smokes. For the last couple of years, Tacita Dean has also been living in LA, where she got to know the painter, whose portrait of Dean's son Rufus hangs in the blurry distance of Dean's filmed portrait of Hockney. Rufus, in waistcoat and tie, notebook and pencil in hand, gives Hockney a serious painted stare.
Contemplating something out of shot, smoking in his comfy armchair, Hockney is surrounded by the portraits that currently fill the Sackler Galleries at the Royal Academy in London. Unless he is acting the role of spectator or sitter, or the painter thinking, as he smokes and smokes, lighting up and stubbing out, rolling his tongue around his mouth Hockney has stopped thinking about the camera.
Related: Cloudy ... with a chance of artworks
Continue reading...The artist's renowned 1998 installation My Bed which she always builds herself is about to go on show at Tate Liverpool
Tracey Emin throws her knickers on to the bed. She's not quite satisfied, so she retrieves them and has another go. It takes five increasingly athletic throws and a lot of laughing until the pale blue underwear is in just the right state of casual abandon. For this is no ordinary bed. It is THE bed.
The bed that Count Christian Duerckheim bought for £2,546,500 from Christies in 2014 and has loaned to the Tate. The bed that has become the most enduring icon of 1990s British art, now that Damien Hirst's poorly preserved shark looks like a shrivelled nautical antiquity. My Bed, as Emin's 1998 readymade is titled, is set to go on display at Tate Liverpool, bringing its freight of vodka bottles, used tissues and fag butts to the north-west for the first time, and initiating a unique artistic ritual.
Related: Does Tracey Emin's bed still have the power to shock?
Continue reading...skyscrapers seem to be flattened from their original form and propped up on metal and wooden frames.
The post claire & max turn new york city into a fake movie set appeared first on designboom | architecture & design magazine.
This effervescent book contains the latest thinking on the African origins of Homo sapiens and asks what our genes can really tell us
In trying to categorise a new arrival in the film Mean Girls one character asks: “if you're from Africa, how come you're white?” The mean girl cannot have been paying attention in class, because, as Adam Rutherford reminds us so elegantly in his latest book, we are all African originally. The only homo sapiens on the planet 100,000 years ago were in Africa.
The mean girl can be forgiven her ignorance, since the way many of us (lay people and professionals alike) have been taught about our origins is flawed. The neat family trees and branch lines charting the steady progress of evolution, and those ubiquitous illustrations of the ascent of humans, in which we evolve step by step from bent-over apes to straight-backed homo sapiens, are not just simplistic, they are a profound misshaping of the truth.
Rutherford argues that rather than halting the advance of gene science, we all need to have our genomes sequenced
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Autumn darter
www.boerenlandvogels.nl/content/steep-decline-autumn-dart...
markdescande posted a photo:
Baby Bontebok - The Bontebok is a medium-sized, generally dark brown antelope with a prominent, wide white blaze on its face, with a pure white rump, belly and hocks, and black-tipped tail. Both sexes have horns, although the horns of rams are heavier and longer than those of ewes.
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Shot from the roof of the building where I was staying, and stitched from about 20 images.
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Sunset at WWT London
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Teal feeding at Sunset at WWT London
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