Tour de Turtles 2015 Kickoff from Coalter Digital on Vimeo.
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Blurred Banzai ride at the Western Fair, London, Ontario.
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Manhattan Loft Gardens is a multi-purpose 42 storey tower located near to Stratford international Station. Currently under construction the building has been designed by SOM architects.
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St Pauls Cathedral in London taken from the roof terrace of a building on Cannon Street.
Florida officials have concluded that swimming in the waters of South Beach is hazardous due to human feces in the waters, with the most likely culprit being a new pumping system intended to keep the low-lying island dry during next week's king tides. The Miami Herald reports:
Miami-Dade's branch of the state health department reported levels of the bacteria enterococci that exceed federal standards on South Beach and at the north beach of Crandon Park on Key Biscayne. The presence of the bacteria, which is found in animal and human intestinal tracts, is an indicator of fecal pollution. That pollution may come from storm water run-off, wildlife, pets and human sewage. “The results of the sampling indicate that water contact may pose an increased risk of illness, particularly for susceptible individuals,” read the advisory.
Speaking of things that are both low and lying, in May, I asked Miami Beach Mayor Philip Levine what he planned to do about scientific reports indicating the presence of human poop in the waters off his city.
Levine responded on Facebook: “Nothing because that it a big fat lie! Thanks.”
And in the three months since he made his promise to do nothing about water quality, he's succeeded wildly.
South Beach visitors can thank the Mayor for living up to his promise and doing absolutely nothing in the last three months, leading to a swimmer's advisory from county health officials, due to the high level of human waste pumped into near shore waters surrounding the beleaguered tourist town.
In fact, the only detectable response to Miami Beach's water crisis from Mayor Levine was blocking me on Facebook and Twitter to avoid reading reports on why denying science is wrong, why violating the open records Sunshine Law is wrong and why FIU scientist Dr. Henry Briceño (who must be feeling vindicated, but still upset) is absolutely, undeniably, 100% verified and independently tested as correct.
This week, Mayor Levine was in Toronto for the big film festival, skipped a contentious meeting about zika virus spraying at Miami Beach City Hall
It's an elegant solution to Miami Beach's difficult problems, fly a thousand miles away to hang out with celebrities.
It also means that Levine probably missed this report about the health of hundreds of Biscayne Bay swimmers being threatened by poop polluted waters from Miami Beach's expected King Tides discharge.
Meanwhile, the Mayor's propaganda machine - he doesn't take a salary, but does pay for a lot of full time self-promotion online - created the ironically titled theme “Rising Above” to describe how the island city is handling a swarm of poop in its waters and a swarm of disease bearing mosquitos on land.
Unfortunately, Miami Beach's efforts didn't include anything at all to warn swimmers of problems and in fact, the original flyer design depicted pristine blue water.
So I'll leave readers with this revised flyer design to share with their friends and loved ones, so they understand clearly, precisely what is going into the waters off South Beach today.
It's poop.
UPDATE: A reader has pointed out that today ― ironically ― is Global Coastal Cleanup Day.
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In the mid-1890s, Parisians reportedly ran screaming from the Lumière brothers' experimental short film L'arrivée d'un train en gare de La Ciotat, terrified that the train coming towards them was about to run them down. A century later, cinemagoers were traumatised by The Blair Witch Project, unable to determine whether its faux-documentary story was fact or fiction. Kickstarting the “found footage” boom that has dominated 21st-century horror, directors Daniel Myrick and Eduardo Sánchez brilliantly reminded us that cinema's greatest trick has always been in convincing us that what we are watching is “real”.
Distributors Artisan famously picked up the no-budget The Blair Witch Project, with its unknown cast, for $1m and watched it make hundreds of millions worldwide. Now franchise inheritors Lionsgate have come searching for equally rich pickings. Reprising the DIY gimmick of its forerunner, albeit in less grainy style, Adam Wingard's sequel Blair Witch finds young James (James Allen McCune) venturing into the Black Hills Forest in search of his sister Heather, who disappeared in October '94. Accompanying him are film student Lisa (Callie Hernandez), eager to exploit James's sibling anguish, and close friends Peter (Brandon Scott) and Ashley (Corbin Reid).
For media-savvy audiences raised on Paranormal Activity, [Rec] et al the film's aesthetic is just business as usual
Related: The first Blair Witch film killed me. I can't wait for the new one | Heather Donahue
Continue reading...Professor Brian Cox is advanced fellow of particle physics in the School of Physics and Astronomy at the University of Manchester. He is about to embark on a nationwide tour to promote the ideas in his new book, Universal: A Guide to the Cosmos.
I was looking through your tour dates. You are playing Wembley…
The bigger the venue the fewer people you can see is a general rule. It's just great that cosmology can get people out. I did another event at Wembley Arena for 8,000 children, which was brilliant.
You can see the Andromeda galaxy with the naked eye, and it's two and a half million light years away
Is space-time real? Is the universe really a fabric? I don't know but I do know the model works brilliantly
Continue reading...comprising large-scale moving-image installations, sound works, sculptures, photographs, collages, and films, the exhibition exemplifies the artist's core themes throughout his career.
The post doug aitken: a monumental, multi-sensory survey opens at MOCA, los angeles appeared first on designboom | architecture & design magazine.
Hayward Gallery at the Store; Tate Modern, London
From Hitler's Berlin to Kendrick Lamar's Compton, the Hayward's diverse fusion of 10 immersive installations offers a feast of sound and vision
Down in the car park below the Strand is a pop-up cinema reached through a seething black tunnel. We are given 3D specs and told to stay as long as we want. Shooting out of the screen towards us are glittering explosions, fireworks blossoming like silver flowers to a mesmerising dub soundtrack. It soon becomes apparent that we are up with the starbursts: the camera is high in the sky.
It's a gorgeous experience sound and vision perfectly matched. But Cyprien Gaillard's Nightlife grows darker and more complex. The drone's footage shows a plane landing dangerously low over a quaking tree in America. Those fireworks are exploding over the Berlin stadium where Jesse Owens won Olympic gold (and that very tree) in 1936. You see the shattered figure of Rodin's The Thinker in Cleveland, a sculpture blown up by the militant Weathermen, who had links to the Black Power movement. Everything connects. And everything is inflected by the soundtrack, featuring the refrain from Alton Ellis's Black Man's World “I was born a loser” looped until it becomes hauntingly ambiguous and poignant.
For a moment it seems possible that she is real, and the living resurrection of Maria Callas
Tiny children dance to the sound, in a never-ending cycle of blood, music and death
Continue reading...by CREATO