The star of the most prescient show on TV has killed capitalism, torched the web and sparked a haircut trend
“I went to the barber's yesterday and the barber burst out laughing,” says Rami Malek. “She said, ‘Sorry for laughing it's just that everybody comes in asking for your haircut. And now you're here yourself.'”
Malek shouldn't sound so shocked. Since Mr Robot burst on to our screens last summer, the hacktivist thriller has been one of TV's most talked about shows and given us a new trim for our time. It's already won a Golden Globe and is tipped to dominate the Emmys, with Malek among the favourites to land best actor.
Continue reading...Slate and Future Tense are discussing Mr. Robot and the technological world it portrays throughout the show's second season. You can follow this conversation on Future Tense, and Slate Plus members can also listen to Hacking Mr. Robot, a members-only podcast series featuring Lily Hay Newman and Fred Kaplan.
Mr. Robot, which returns Wednesday night for a second season on the USA Network, is a remarkable TV show: funny, edgy, suspenseful, subversive, and a piercing probe of the modern social fabric. In short, it's about a world controlled by computers and the hackers—especially our anti-hero and narrator, a lonely hacker named Elliot Alderson (brilliantly played by Rami Malek), who finds himself the kingpin of a secret society of hackers—plotting to bring down that world, the mainsprings of which only they understand.
At Season 1's fade-out, the hackers, who call themselves Fsociety, launch their massive cyberattack on E Corp., the evil megabank that seems to run the global economy (more on this later), wiping out all its data, erasing the debt of hundreds of millions of people, and thus fomenting revolution.
As the new season opens, the world is in chaos. In one scene, E Corp.'s general counsel walks into her smart home and, suddenly, all the Internet of Things runs amuck: the shower turns scalding hot, the stereo turns blaring loud, lights flash off and on, the burglar alarm's pass code doesn't work. Fsociety has hacked into her home's main computer, and she doesn't know what to do. “It's all inside the walls!” she screams into the phone, when a tech-support staffer advises her to check the wiring. That's the way her smart home was packaged.
What a metaphor for modern life—and only a slight extension of its reality. Nearly all the pieces of our critical infrastructure—banking, transportation, energy, waterworks, government, the military, and of course information technology—are wired into computer networks. With the Internet of Things, so, increasingly, are our appliances and cars. If these systems break down, whether due to a technical flaw or a hacker's keystrokes, most of us don't—and won't—know what to do. In a DARPA-financed experiment last year, a pair of computer specialists, one of whom used to work at the National Security Agency and is now the security chief of Uber's driverless-car program, hacked into a Jeep Cherokee and commandeered its steering wheel, accelerator, brakes, GPS receiver, windshield wipers—everything.
In other words, there's more than a patina of authenticity to Mr. Robot.
Most shows that deal with technology lose their footing when they try to go deep or get detailed. The viewers who know the field roll their eyes in derision; those who don't still sense that something's off. The creators of Mr. Robot—showrunner Sam Esmail and his crew of consultants—get these things, small and large, right. When the characters type commands and codes on their laptops, what we see on their monitors is the real deal: no post-production green-screen gibberish here. In the early part of Season 1, before Elliot joins (or realizes that his schizoid self is leading) the revolution, he hacks his few friends, his boss, and his shrink, as well as a few miscreants (a child pornographer, a drug dealer, and his shrink's philandering boyfriend) whom he blackmails or turns in to the authorities. The techniques he uses to crack their passwords or otherwise gain access to their files are real, time-tested tools. It's so easy for Elliot (and for the many hackers in real life) and so shocking to his victims when they realize how wide-open they've left themselves.
These scenes capture a new power equation in the internet era—the control, by those who have mastered the technology, over the rest of us who blithely plaster everything about ourselves online. In one scene, Elliot phones one of his prey, pretending to be a bank officer (he's already found out where the target banks), and asks, as part of a “security review,” for his address, favorite sports team, and pet's name. From that information, Elliot pieces together the guy's password.
It's often as simple as that. When I was researching my book, Dark Territory: The Secret History of Cyber War, Matt Devost, president and CEO of the cybersecurity firm FusionX, told me about his days running the “red team” in war games that tested the vulnerability of NATO communications systems. In one game, Devost was having a hard time cracking the commanding general's password. So he looked up his biographical sketch on a military website, tried out some of the personal details it cited, and finally hit gold by combining “Rutgers,” where the general's son was attending college, with a two-digit number, which a commercially available random-numbers generator guessed in less than a second.
But what about the show's larger premise: Could a skilled hacker penetrate a megacorporation's computer network; erase all its data; and, as a result, topple the capitalist system—or at least wipe out the debt of the masses? This is where the show goes too far and, in another sense, not far enough.
The irony is that, of all the critical sectors of the American economy, banking and finance are doing pretty well when it comes to cybersecurity. Their entire business, after all, relies on taking your money and earning your trust. They also have a lot of money, which allows them to hire the best engineers to secure their networks. Hackers try to get in all the time, but they rarely succeed, and when they do, they're detected and ejected fairly quickly, and the hole is patched not long after. A major attack, of the sort portrayed in Mr. Robot, is plausible, but its results might not be enduring. (Even if the bank's cybersecurity team couldn't repair the damage, the Department of Homeland Security could send the NSA an official request for technical assistance. And I'm pretty sure that, whatever a backroom of anarchic hackers could do, the elite hackers of the NSA's Tailored Access Operations office could trace and reverse.)
One other feature of the American economy: compared with other industrialized nations, it's decentralized. The cyber-shutdown of a very large bank would send devastating shockwaves across the entire financial system (think Lehman Brothers in 2008), but it wouldn't mean the shutdown of all banks or all bank transactions. Even if hackers jammed or erased Bank of America's data (and its backup files), they wouldn't have touched the data at J.P. Morgan, Citigroup, Wells Fargo, or the others. The liberation of every indebted citizen isn't so plausible.
Finally, if there really was a firm as monolithic as E Corp., and if hackers really did freeze its data, the chaos would be a lot wilder. We do catch a glimpse of the disorder in one scene, where a woman, after waiting three days for an appointment, tells a banker that she's paid off her mortgage and presents the papers to prove it; but the banker can't get into the computer and doesn't trust the paperwork because, so she says, a lot of counterfeit documents are out there. But in other scenes, we see normal street traffic, open bodegas, routine commerce—when I suspect that, in fact, there'd be rioting everywhere.
Maybe the larger breakdown will erupt in future episodes.
But the basic syllogism of contemporary life, Mr. Robot gets precisely right: Almost everything is hooked up to the internet; almost everything on the internet can be hacked and thus manipulated or destroyed; therefore, almost everything can be hacked and manipulated or destroyed. Should this dynamic take off, should the potential threats that we read about erupt into actual attacks and breakdowns, then up will be down, down up, and the line between madness and order—the line that Elliot walks more and more precariously as the show progresses—could blur into a haze of indistinction.
Which aspect of the Bernie Sanders campaign will make a lasting mark on the political landscape? Jamelle Bouie points to Sanders' record of garnering very small donations. “There's a strong chance that the Sanders fundraising apparatus—which surpasses Obama's in its scope and ability to rapidly raise huge sums—will end up as the senator's chief contribution to progressive politics,” Bouie writes.
Meanwhile, Eli Clifton and Joshua Holland argue that the Sanders campaign's approach to spending all his small-donor money was disappointingly conventional and probably didn't help its chances. “A great deal of that money bought a blast of commercials preceding caucuses and primaries across the country,” Clifton and Holland write, “one effect of which was to enrich a small group of Democratic consultants whose compensation is tied to media spending.”
The second season of the beloved Mr. Robot is here, and Willa Paskin wonders how long the “aesthetically polished and intellectually incensed” show can continue to critique capitalism. “[Showrunner Sam] Esmail, having created a cult TV show, is expressing some skepticism about television, a medium that, for much of its life, existed to sell audiences soap,” Paskin observes. “Mr. Robot is like an iPhone with an ‘I hate Apple' ring-tone: both are beautifully designed, powerful products that are superficially conflicted about being beautifully designed, powerful products.”
Our features editor Jessica Winter has published a novel about a toxic workplace that is explicitly NOT Slate.com. She talks with L.V. Anderson about what it's like to be stuck with a bad manager, why poisonous office jobs are so successful at getting under our skin, and why all-female workplaces can go so terribly wrong.
The top four male golfers in the world rankings have decided not to go to the Olympics. Fine, Josh Levin writes. But they should stop hiding behind a supposed fear of Zika infection. “While plenty of athletes have raised concerns about Zika,” Levin writes, “male golfers have led the way in using it as an excuse to take the week off.”
For fun: Samuel L. Jackson narrates a 7-minute beginner's guide to the world of Game of Thrones.
Some spoilers, but it's very worth it,
Rebecca
The 360 Eye robot vacuum is finally crossing the pond.
Mr. Robot, the aesthetically polished and intellectually incensed USA series about mentally disturbed hacker Elliot Alderson (Rami Malek), arrived last year as if out of nowhere—nowhere being an acceptable synonym for the USA Network, which before Mr. Robot was home to a number of indistinguishable and effective escapist procedurals. Created by Sam Esmail, Mr. Robot had style to spare, a logo befitting an '80s arena rock band (a compliment!), intimate and eerie narration, and a riveting performance from Malek, who makes silence and motionlessness—two of Elliot's preferred states—scream with jittery unease. And it had ideas in its head. Inspired by Occupy Wall Street, Anonymous, and the great recession, Elliot led a hacker collective called F-Society, out to erase the world's debt and take down Evil Corp, a powerful and nefarious multinational. Netflix and HBO aside, the predominant business model for television is taking cash from corporations to air their advertisements, yet Elliot excoriated McDonald's, Coke, and consumerism on the medium that sells all three.
With its anti-capitalist talking points, antisocial hero, and world-on-the-brink atmosphere, Mr. Robot felt bracing and bold. But its stylishness and its ideological unrest were soldered to a more standard-issue plot machine. For all its originality, Mr. Robot at first harnessed the appeal of the procedural, allowing us to get to know Elliot as he hacked his way into intimacy with strangers, while getting a complex, technologically precise, season-long storyline off the ground, one that ultimately harnessed the punch of the twist. In the season's climax, Mr. Robot (Christian Slater), the man who brought Elliot into F-Society, was revealed to be a figment of Elliot's own imagination. Among Elliot's many psychological ailments was apparently dissociative identity disorder (previously known as multiple personality disorder).
The two-hour Season 2 premiere, airing Wednesday night, is as stylish and well-performed as any episode in Season 1, but it is also confusing, burdened by the series' dense backstory and intricate, time-skipping structure. The new season will surely rev up: Malek's performance remains excellent, there's a devotion to verisimilitude that includes casting someone to play Janet Yellin, and an act of violence that demonstrates the series can still tap into the dystopic, widening-gyre vibe of the present moment at will. But the premiere is a time waster, diligently checking in on the series' supporting players while Elliot tries to stay on the sidelines. Some weeks after the events of the Season 1 finale, Elliot is hewing to a strict routine and avoiding all computers, hoping to keep Mr. Robot from taking over his mind again, with no help at all from Mr. Robot, who is a very loud manifestation of mental illness. Mr. Robot spends the premiere berating and attacking Elliot, trying to rouse him into taking part in the revolution he began. It's strident and tedious. We know Mr. Robot will get his way. There's a show to make.
In the first season, Elliot was consumed by the idea that everyone around him was a sheep, awash in false choices, unknowingly vulnerable, so much less free than they imagined themselves to be. But at the start of Season 2, Elliot is trying to domesticate himself. He eats and sleeps and watches basketball, all in locations with so little detail, color, and advertising they could be from a dream or the USSR. Elliot also keeps making snide comments about television. He insults NCIS (which airs in reruns on USA). The guy he eats his meal with humorously riffs on the nihilistic meaning of Seinfeld. In another storyline, a dopey character can't stop watching Vanderpump Rules. Esmail, having created a cult TV show, is expressing some skepticism about television, a medium that, for much of its life, existed to sell audiences soap. Mr. Robot is like an iPhone with an “I hate Apple” ring tone: Both are beautifully designed, powerful products that are superficially conflicted about being beautifully designed, powerful products. For all that Mr. Robot invites us to think about global financial issues, the unchecked power of technology, and imminent societal collapse, it also demonstrates just how efficiently capitalism co-opts all critiques: It can even turn a criminal hacktivist into the poster boy for a cable network.
Most people don't live in tiny Fifth Element style apartments. But since some of the most popular cities are beginning to feel the squeeze, an idea born in the MIT Media Lab is delivering a much-needed, tech-powered solution.
Based on an experimental project led by research scientist Kent Larson several years ago at MIT, the Ori system allows an apartment dweller to transform a studio apartment into the equivalent of a one-bedroom abode.
"Larson's team at the Media Lab developed the technologies behind Ori as part of the CityHome research," Hasier Larrea, the founder of Ori, told Mashable. "Then we created some initial functional prototypes … but we were missing the industrial design side of things, and went to [designer] Yves Béhar to help us 'transform' this initial concept from a robot/machine to a customizable system that people would love to have in their homes. Yves' team developed the brand, the control interface and initial set of customizable 'skins' that go on top of the original robotics." Read more...
The 2016 Emmy nominations will be announced live at 11:30 a.m. ET Thursday by Anthony Anderson and Lauren Graham.
Likely nominees include Mr. Robot, The People Vs. OJ Simpson, and Orange is the New Black, but there are bound to be a few surprises as well (Crazy Ex-Girlfriend, perhaps?).
Fans can watch a livestream of the nominee announcement below.
ABC will air the 68th Primetime Emmy Awards, hosted by Jimmy Kimmel, live on Sunday, September 18. Read more...
Daily Mail | Robots in orbit could assemble replacements for Hubble Daily Mail Space telescopes like Hubble has given astronomers a unique glimpse at the universe unhindered by the thick atmosphere of our planet that can blur our view. But hauling a huge telescope into space can be difficult, which makes it hard to build the ... Robots to build massive modular telescopes in spaceThe Stack Robots could assemble extremely large telescopes in spaceDaily News & Analysis Robot Would Assemble Modular Telescope — In SpacePhotonics Online Zee News -News Nation all 7 news articles » |
Quartz | These robot stingrays are faster and more durable thanks to a secret ingredient: rat muscles Quartz Lots of robotic engineers draw inspiration from animals, building everything from bat-like drones to mechanical cheetahs, dogs and octopi. But it's hard to make a lifelike machine with purely artificial parts, which is why some scientists are building ... and more » |
Gizmodo Australia | Mantis Shrimp Roll Their Eyes, But For A Good Reason Gizmodo Australia They're dangerous, are among the most badarse and intriguing undersea creatures and, according to a new study, have another unique trick that only adds to their reputation: Rolling their eyes to see clearer. Researchers at the University of Bristol's ... Mantis Shrimp Master the Eye-Roll for Better VisionSeeker Mantis Shrimp See Best When They're Throwing Shady Eye-RollsPopular Science Shrimps' eye-rolling behaviour could end up in robotsGizmag The Engineer -Bioscience Technology -Siliconrepublic.com -Sci-News.com all 10 news articles » |
It doesn't take long for Mr. Robot to establish just how dark its sophomore season will be.
Its two-episode premiere brims with cringe-inducing scenes. Like Elliot Alderson (Rami Malek) standing hunched over — head tilted, eyes bulging — and laughing maniacally like something out of One Flew Over the Cuckoo's Nest. Or that same Elliot taking a bullet point-blank to the forehead, only to stand up seconds later while oozing blood down his face, deadpanning the line, "Are you done?"
None of it makes sense — and it's not supposed to. At least not yet. These are the same kind of mind-numbing twists and turns that made USA Network's breakout hacker drama a hit. And it's the same kind of grit that will continue to make creator-writer Sam Esmail's summer thriller one of the most captivating shows on TV — at least, if the rest of the season lives up to Wednesday's hair-raising, reality-bending premiere. Read more...
The Conversation US | Moving exoskeletons from sci-fi into medical rehabilitation and therapy The Conversation US We at the Laboratory for Control, Robotics and Automation (LCRA) at Texas A&M University are working to help solve this problem by developing an intelligent robotic device that can provide therapy services in hospitals and clinics as an enhancement to ... and more » |
Newstalk 106-108 fm | SwagBot: The cattle-herding robot that's making waves in Australia Newstalk 106-108 fm The Australian Centre for Field Robotics has developed a robot called 'SwagBot' to assist in everyday agriculture needs, in association with the University of Sydney. This could see the end of the traditional farm dog. SwagBot is designed to herd cows ... and more » |
VentureBeat | Anki introduces tool that allows developers to hack its Cozmo A.I. robot VentureBeat Cozmo is a playful, intelligent robot with an essence of artificial intelligence. As VentureBeat's Dean Takahashi described it, it's “something like Eve the robot in Pixar's Wall-E animated film.” Anki cofounder and president Hanns Tappeiner explained ... Hanging out with Anki's Cozmo, the toy robot putting AI at our fingertipsThe Verge Anki's AI-Powered Toy Robot Is Opening Cozmo Code To Anyone To UseiTech Post Meet Cozmo, the AI robot with emotions video - CNETCNET NewsFactor Network -YIBADA English all 37 news articles » |
BT.com | Tim Peake's embarked on a new mission ... at Heathrow Airport BT.com The astronaut makes his first public appearance in the UK since completing his mission at the Farnborough International Airshow on Friday. 0. Share this. Facebook; Twitter; Google plus; Email; Share. 0. Tim Peake's embarked on a new mission ... at ... Astronaut Tim Peake returns to UK - and meets Nottingham youngstersNottingham Post Tim Peake: Robots won't replace me for 100 yearsNew Scientist Getting to sleep in space is hard and not exactly restful for the mind and bodyCosmos all 5 news articles » |
Trump demands an apology from Ginsburg, Loretta Lynch under fire, and China loses in Court CainTV o Former U.S. Army Reserve, Micah Johnson gunned down the officers in an ambush last Thursday after expressing anger over recent police killings of black people. o Johnson then was killed by an explosive-laden robot sent in by police. o Johnson, who ... |
The Conversation UK | Why football, not chess, is the true final frontier for robotic artificial intelligence The Conversation UK The RoboCup tournament reached its 20th year in Leipzig this year. Its goal has always been to improve and challenge the capacity of artificial intelligence and robotics, not in the abstract but in the much more challenging form of physical robots that ... |
NDTV | Mr. Robot Season 2 Review NDTV If there's another aspect that continues into Mr. Robot's second year, it is the portrayal of the 99.9 percent vs the uber-rich 0.1, drawn from the anger resulting in the fallout of the 2008-09 global financial crisis. ... After all, the show is at its ... and more » |
Daily Mail | Cattle-herding robots and tractors that pick their own broccoli are heading for the fields Daily Mail Humans have been farming for thousands of years since the first crops were planted and animals began being domesticated during the Mesolithic era. But technology could soon be squeezing us out of our traditional roles as farmers, as robots take to the ... This Cattle-Herding Robot Will Put Dogs Out of JobsGizmodo Cattle-herding 'SwagBot' makes its debut on Australian farmsTelegraph.co.uk SwagBot: The cattle-herding robot that's making waves in AustraliaNewstalk 106-108 fm Mashable -New Scientist all 6 news articles » |
Parent Herald | Artificial Intelligence in Pregnancy Labor & Delivery: Robot Nurse Could One Day Help Moms Give Birth and Assist ... Parent Herald This implies the vital part artificial intelligence can bring to hospital service in the future. Shah notes that for further studies, they are expanding their research to labor units in other hospitals, per CNN Money. Watch the video of the Nao robot ... MIT reveals robot resource nurse trained to learn between good and bad decisionsDaily Mail MIT robot helps nurses schedule tasks on labor floorRobohub MIT robot helps deliver babiesfox2now.com Motherboard -BabyCenter (blog) -International Business Times UK all 22 news articles » |